The Voices of Liberation series celebrates the lives and writings of South African and African liberation activists and heroes. The human, social and literary contexts presented in this series have a critical resonance and bearing on where we come from, who we are and how we can choose to shape our destiny. This series ensures that the debates and values that shaped the liberation movement are not lost. The series offers a unique combination of biographical information with selections from original speeches and writings in each volume. By providing access to the thoughts and writings of some of the many men and women who fought for the dismantling of apartheid, colonialism and capitalist legacy, this series invites the contemporary reader to engage directly with the rich history of the struggle for democracy and the restoration of our own identity. The title of the series has been carefully chosen as it speaks to its purpose - which is not only to make a particular voice resonate but to strengthen the voice from the South and Africa in particular. Chris Hani was a key figure in the South African liberation struggle, yet little has been written about this enigmatic leader of the SACP and Chief of Staff of Umkhonto we Sizwe. The year 2013, marks the 20 year anniversary of his assassination and HSRC Press views the publication of this book as extremely important, not only to commemorate his death but to highlight the principles and values for which he stood. As Chief of Staff of Umkhonto we Sizwe, Chris Hani was prepared to support the cessation of the armed struggle in the interests of the negotiations which would benefit the country as a whole; he represents the importance of dialogue and the relationship between identity, agency, citizenship and social action. Chris Hani believed in restoring people to their humanity and the need is now greater perhaps than ever before to hear his voice loud and clear.

Understanding Caricature offers a lively guide to an old and respected art form. A great caricature is one that not only captures the subject's look and personality but amplifies them significantly. They are almost always funny and very often (but not always) mean spirited. A truly comprehensive and laser-focused examination of a really wonderful, expressive art form. Understanding Caricature offers artists, aspiring artists, students, journalists, bloggers, etc. a lively guide to an old and respected art form. A great caricature is one that not only captures the subject's look and personality but amplifies them significantly. They are almost always funny and very often (but not always) mean spirited. Eyes, ears, nose, mouth, hairline, cheeks, eyebrows, teeth, chin: There's no facial feature (or any other body part, for that matter) that can escape the sardonic scrutiny of caricaturist and illustrator Greg Houston. But though he cleverly twists, exaggerates, and distorts each subject's image, he always makes sure the person remains recognizable - an absolute must for successful caricature. Whether on assignment or simply drawing for his own perverse pleasure, Houston loves skewering the high and mighty - movie stars, moguls, politicians, and assorted other VIPs - especially when they misbehave. Caricature, says Houston, is a very sharp weapon for the powerless to use against the powerful, and he can teach you to wield it, too. After defining caricature, differentiating it from other forms of portraiture, and delving into its centuries-long history, Houston gets down to the nitty gritty of how to do it. He focuses sequentially on the face, the hair, the body, and what he calls "accoutrements" - distinctive items of clothing that help viewers immediately identify celebrities. You yourself will learn to poke artistic fun at the famous through a series of demonstrations that let you follow Houston as he constructs caricatures of Jake Gyllenhaal, Masie Williams, Dwayne Johnson, Rainn Wilson, and other notable victims of his wicked pen. But Houston doesn't focus solely on his own approach. A whole chapter of Understanding Caricature is devoted to other contemporary caricaturists and the signature mediums they work in, ranging from traditional oils and watercolors, to digital drawing and painting, to sculpture and even puppet-making. And the book's final chapter displays the work of students who've studied with Houston at his Baltimore academy. Brilliant in their own right, these pieces also demonstrate how any artist, with Houston's guidance, can become a skilled practitioner of the caricaturist's art.

Satire. A collection of 350 fictional TV shows described in a hyperbolic, sexist, insensitive and often offensive style similar to the way the television industry itself might promote them.