Dr. Greg Johnson is the editor of Counter-Currents Publishing and its journal North American New Right (www.counter-currents.com), which draw upon the ideas of the European New Right to promote a new approach to White Nationalist politics in North America. New Right vs. Old Right collects 32 essays in which Dr. Johnson sets out his vision of White Nationalist "metapolitics" and distinguishes it from Fascism and National Socialism (the "Old Right"), as well as conservatism and classical liberalism (the "Phony Right"). Dr. Johnson rejects the Old Right's party politics, totalitarianism, imperialism, and genocide in favor of the metapolitical project of constructing a hegemonic White Nationalist consciousness within a pluralistic society. He argues that White Nationalists are too dependent on the model of hierarchical organizations and need also to work on creating resilient lateral networks. He offers New Rightist answers to a number of disputed questions within the White Nationalist community, including white culpability for our decline, Hitler and National Socialism, the Jewish question, the holocaust, the role of women, Christianity vs. paganism, and the relationships of populism, elitism, and democracy. He sets out some basic principles for creating a growing, resilient, networked movement. Finally, he criticizes distractions and dead-ends like "mainstreaming," conservatism, "premature" populism, and political violence. Engagingly written and constructively critical, Greg Johnson's New Right vs. Old Right is an important contribution to the emerging North American New Right. Praise for New Right vs. Old Right "Greg Johnson's basic point is that we must work to create a metapolitics of explicit white identity-that is, a movement that will develop 'the intellectual and cultural foundations for effective White Nationalist politics in North America, so that we can ultimately create a white homeland or homelands on this continent.' Greg is one of the reasons why I think this is a feasible project. . . . Greg received his Ph.D. in philosophy, and it shows. His forte is the well-developed argument presented in a lucid, easily understood style. Nobody can complain about this book being filled with turgid prose. And I can't find any major disagreements." -Kevin MacDonald, from the Foreword "In New Right vs. Old Right, Greg Johnson lays out his vision for a pro-white movement more focused on ideas, education, and communication than on politics or thuggery. True to this vision, his writing is extremely accessible. Throughout this collection, Johnson breaks down complex philosophical concepts and challenging ideas into tight, efficient sentences and effective explanations. Johnson doesn't drone on trying to sound clever. Like an enthusiastic professor, he truly wants his readers to understand why he believes it is morally right for whites-and all peoples-to determine their own collective destinies." -Jack Donovan, author of The Way of Men "Dr. Greg Johnson's New Right vs. Old Right delineates the differences between two 'Rights, ' without repudiating the common philosophical origins of both in opposing egalitarianism and other passe ideologies that continue to dominate much of the world. The primary value of this collection of essays, however, is that Dr. Johnson asks the perennial question, from our side: "what is truth?" In doing so he lays the foundations for a morality of the New Right. This book is therefore unique in the English-speaking Rightist milieu that was, for much of the post-1945 era, poorly served in comparison to its counterparts in Europe. As such, Dr. Johnson's book will be of relevance to many beyond the North American New Right, of which he is a founding father." -Kerry Bolton, author of Artists of the Right

James J. O'Meara's The Homo and the Negro brings a "queer eye" to the overwhelmingly "homophobic" Far Right. In his title essay, O'Meara argues that the Far Right cannot effectively defend Western civilization unless it checks its premises about homosexuality and non-sexual forms of male bonding, which are undermined not just by liberals and feminists, but also by Judeo-Christian "family values" advocates. O'Meara also uses his theory to explain the stigmatization of Western high culture as "gay" and the worship of uncultured oafs as masculine ideals. Although O'Meara grants that the "gay rights" movement is largely subversive, he argues that homosexuals have traditionally played prominent roles in creating and conserving Western civilization. The Homo and the Negro collects 14 pieces on such topics as conservatism, homosexuality, race, fashion, Occupy Wall Street, Mad Men, The Gilmour Girls, The Untouchables, The Big Chill, They Live, popular music (Heavy Metal, Black Metal, New Age, Scott Walker), and such figures as Noel Coward, Oscar Wilde, and Humphrey Bogart. Shaped by an eccentric, post-WWII American upbringing, O'Meara draws upon "masculinist" writers like Hans Bluher, Alisdair Clarke, and Wulf Grimsson, as well as the Traditionalism of Rene Guenon, Julius Evola, and Alain Danielou.

Since 2001, Trevor Lynch's witty, pugnacious, and profound film essays and reviews have developed a wide following among cinephiles and White Nationalists alike. Lynch deals frankly with the anti-white bias and Jewish agenda of many mainstream films, but he is even more interested in discerning positive racial messages and values, sometimes in the most unlikely places. Trevor Lynch's White Nationalist Guide to the Movies gathers together some of his best essays and reviews covering 32 movies, including his startling philosophical readings of Pulp Fiction, The Dark Knight Trilogy, and Mishima; his racialist interpretations of The Lord of the Rings and Gangs of New York; his masculinist readings of The Twilight Saga and A History of Violence; his insights into the Jewish nature of the superhero genre occasioned by Guillermo del Toro's Hellboy movies; and his hilarious demolitions of The Matrix Trilogy, The Girl With the Dragon Tattoo series, and the detritus of Quentin Tarantino's long decline. Trevor Lynch's White Nationalist Guide to the Movies establishes its author as a leading cultural theorist and critic of the North American New Right. "Trevor Lynch provides us with a highly literate, insightful, and even philosophical perspective on film-one that will send you running to the video rental store for a look at some very worthwhile movies-although he is also quite willing to tell you what not to see. He sees movies without the usual blinders. He is quite aware that because Hollywood is controlled by Jews, one must typically analyze movies for their propaganda value in the project of white dispossession. Trevor Lynch's collection is a must read for anyone attempting to understand the deep undercurrents of the contemporary culture of the West." - Kevin MacDonald, author of The Culture of Critique, from the Foreword "Hollywood has been deconstructing the white race for nearly a century. Now Trevor Lynch is fighting back, deconstructing Hollywood from a White Nationalist point of view. But these essays are not just of interest to White Nationalists. Lynch offers profound and original insights into more than 30 films, including Christopher Nolan's The Dark Knight, Quentin Tarantino's Pulp Fiction, Guillermo del Toro's Hellboy, and Martin Scorsese's Gangs of New York. These essays combine a cultural and philosophical sophistication beyond anything in film studies today with a lucid, accessible, and entertaining prose style. Every serious cineaste needs to read this book." - Edmund Connelly "The Hollywood movie may be the greatest vehicle of deception ever invented, and the passive white viewer is its primary target. Yet White Nationalist philosopher and film critic Trevor Lynch demonstrates that truth is to be found even in this unlikeliest of places. If American audiences could learn the kind of critical appreciation Mr. Lynch demonstrates for them, their seductive enemies in Tinseltown wouldn't stand a chance." - F. Roger Devlin, author of Alexandre Kojeve and the Outcome of Modern Thought "Trevor Lynch's White Nationalist Guide to the Movies is not some collection of vein-popping rants about Hollywood's political agendas. It's a thoughtful and engaging examination of ideas in popular films from a perspective you won't find in your local newspaper or in Entertainment Weekly. Lynch has chosen films that-in many cases-he actually enjoyed, and playfully teased out the New Right themes that mainstream reviewers can only afford to address with a careful measure of scorn. How many trees have been felled to print all of the Marxist, feminist, minority-pandering 'critiques' of contemporary celluloid over the past fifty years? Isn't it about time we read an explicitly white review of The Fellowship of the Ring, or Traditionalist take on take on The Dark Knight?" - Jack Donovan, author of The Way of Men

Irmin Vinson's Some Thoughts on Hitler and Other Essays is a book about propaganda. Vinson explains how the organized Jewish community uses the memory of Adolf Hitler and the Holocaust as weapons to stigmatize the patriotism and ethnic pride not just of Germans, but of all whites, including those who fought against Hitler. In these clear, rational, and highly readable essays, Irmin Vinson demolishes this propaganda and exposes the insidious agenda behind it.

Feature length animation of the Marvel comic book hero with magical powers. Dr. Stephen Strange was one of the most gifted surgeons in medicine before his hands were left shattered and useless as a result of a car crash.

Spending his fortune in pursuit of a way to fix his fractured body, the dejected doctor believed all was lost until the 'Ancient One' offered him hope and healing in Tibet. Training mind, body and soul with the Ancient One and his pupils, Doctor Strange's scope, power and compassion grow as he steps closer to his mystical fate. But to fully embrace his destiny and protect the worlds of magic and reality, Strange must face betrayal, death and the emergence of Dormammu.

Web applications occupy a large space within the IT infrastructure of a business or a corporation. They simply just don't touch a front end or a back end; today's web apps impact just about every corner of it. Today's web apps have become complex, which has made them a prime target for sophisticated cyberattacks. As a result, web apps must be literally tested from the inside and out in terms of security before they can be deployed and launched to the public for business transactions to occur. The primary objective of this book is to address those specific areas that require testing before a web app can be considered to be completely secure. The book specifically examines five key areas: Network security: This encompasses the various network components that are involved in order for the end user to access the particular web app from the server where it is stored at to where it is being transmitted to, whether it is a physical computer itself or a wireless device (such as a smartphone). Cryptography: This area includes not only securing the lines of network communications between the server upon which the web app is stored at and from where it is accessed from but also ensuring that all personally identifiable information (PII) that is stored remains in a ciphertext format and that its integrity remains intact while in transmission. Penetration testing: This involves literally breaking apart a Web app from the external environment and going inside of it, in order to discover all weaknesses and vulnerabilities and making sure that they are patched before the actual Web app is launched into a production state of operation. Threat hunting: This uses both skilled analysts and tools on the Web app and supporting infrastructure to continuously monitor the environment to find all security holes and gaps. The Dark Web: This is that part of the Internet that is not openly visible to the public. As its name implies, this is the "sinister" part of the Internet, and in fact, where much of the PII that is hijacked from a web app cyberattack is sold to other cyberattackers in order to launch more covert and damaging threats to a potential victim. Testing and Securing Web Applications breaks down the complexity of web application security testing so this critical part of IT and corporate infrastructure remains safe and in operation.

This unique volume uses research on specific indigenous traditions from diverse regions around the world including India, Northern Europe, North and Central America and West Africa. Bringing together the experience of several key figures in the field this volume will be a must-read for those researching or studying indigenous religions. This book is the first to use collaborative ethnographic method when exploring the subject area.

This unique volume uses research on specific indigenous traditions from diverse regions around the world including India, Northern Europe, North and Central America and West Africa. Bringing together the experience of several key figures in the field this volume will be a must-read for those researching or studying indigenous religions. This book is the first to use collaborative ethnographic method when exploring the subject area.

Web applications occupy a large space within the IT infrastructure of a business or a corporation. They simply just don't touch a front end or a back end; today's web apps impact just about every corner of it. Today's web apps have become complex, which has made them a prime target for sophisticated cyberattacks. As a result, web apps must be literally tested from the inside and out in terms of security before they can be deployed and launched to the public for business transactions to occur. The primary objective of this book is to address those specific areas that require testing before a web app can be considered to be completely secure. The book specifically examines five key areas: Network security: This encompasses the various network components that are involved in order for the end user to access the particular web app from the server where it is stored at to where it is being transmitted to, whether it is a physical computer itself or a wireless device (such as a smartphone). Cryptography: This area includes not only securing the lines of network communications between the server upon which the web app is stored at and from where it is accessed from but also ensuring that all personally identifiable information (PII) that is stored remains in a ciphertext format and that its integrity remains intact while in transmission. Penetration testing: This involves literally breaking apart a Web app from the external environment and going inside of it, in order to discover all weaknesses and vulnerabilities and making sure that they are patched before the actual Web app is launched into a production state of operation. Threat hunting: This uses both skilled analysts and tools on the Web app and supporting infrastructure to continuously monitor the environment to find all security holes and gaps. The Dark Web: This is that part of the Internet that is not openly visible to the public. As its name implies, this is the "sinister" part of the Internet, and in fact, where much of the PII that is hijacked from a web app cyberattack is sold to other cyberattackers in order to launch more covert and damaging threats to a potential victim. Testing and Securing Web Applications breaks down the complexity of web application security testing so this critical part of IT and corporate infrastructure remains safe and in operation.

This book provides readers with a solid understanding of game development, design, narrative, charaterization, plot, back story and world creation elements that are crucial for game writers and designers as they create a detailed world setting, adventure, characters, narrative and plot suitable for possible publication. Game design and development issues such as writing for games, emergent complexity, risk reward systems, competitive and cooperative game play will be investigated, analyzed and critiqued. Examples will be used to highlight and explain the various concepts involved and how the game development process works. Key Features Provides the critical skills any good game designer should have, such as narrative, characterization, progression, challenges, world building, plot, and rewards Using a hands-on, learn-by-doing approach, this book teaches prospective game designers how to excel in creating their own worlds and adventures without having to learn any programming or technical computer skills Includes clear and concise chapter objectives, chapter overviews, examples, case studies, key terms and multiple in-depth analyses Multiple case studies are provided and thoroughly analyzed so that readers will be familiar with the concepts and methodologies involved in each task Over the course of the book, readers will develop a professional level asset for inclusion in a portfolio of work suitable for submitting to job applications