Jonathan Bowden was a paradox: on the one hand, he was an avowed elitist and aesthetic modernist, yet on the other hand, he relished such forms of popular entertainment as comics, graphic novels, pulps, and even Punch and Judy shows, which not only appeal to the masses but also offer a refuge for pre- and anti-modern aesthetic tastes and tendencies. Bowden was drawn to popular culture because it was rife with Nietzschean and Right-wing themes: heroic vitalism, Faustian adventurism, anti-egalitarianism, biological determinism, racial consciousness, biologically-based (and traditional) notions of the differences and proper relations of the sexes, etc. Pulp Fascism collects Jonathan Bowden's principal statements on Right-wing themes in popular culture drawn from his essays, lectures, and interviews. These high-brow analyses of low-brow culture reveal just how deep and serious shallow entertainment can be. About Pulp Fascism: "Jonathan Bowden said that greatness lies in the mind and in the fist. Nietzsche combined both forms in the image of the warrior poet. For Bowden it was the image of the cultured thug. I give you Jonathan Bowden: cultured thug." -Greg Johnson, from the Foreword "Jonathan Bowden was uniquely gifted as a cultural critic and revisionist, willing to explore the obscure areas of high and low culture, and apply ideas from the former to the analysis of the later, starting always from the supposition that inequality is a moral good. Bowden's texts are dense and rich with reference and insight, yet remain entertaining and replete with humor." -Alex Kurtagi "Many men give speeches; Jonathan Bowden gave orations. To experience one of Bowden's performances must have been something like hearing Maria Callas in her prime or witnessing one of Mussolini's call to arms from a Roman balcony. "As an intellectual, Jonathan was a Renaissance man, or perhaps a bundle of contradictions: his novels and paintings were of Joycean complexity, and yet, in his orations and non-fiction writings, he was able to cut to the essence of a philosophy or political development in a way that was immediately understandable and, indeed, useful for nationalists. "Pulp Fascism could be called Bowden's 'unfinished symphony'- his attempt (not quite realized) to reveal the radical, ambivalent, and, in some cases, shockingly traditionalist undercurrents in pop culture. "That which envelops our lives is taken for granted . . . and thus rarely properly analyzed and understood. Bowden brings new life to those characters and comic-book worlds we too often dismiss as child's play." -Richard Spencer About the Author Jonathan Bowden, April 12, 1962-March 29, 2012, was a British novelist, playwright, essayist, painter, actor, and orator, and a leading thinker and spokesman of the British New Right. Born in Kent and largely self-educated, Bowden was involved with a series of Right-wing groups for which he was a popular speaker, including the Monday Club, the Western Goals Institute, the Revolutionary Conservative Caucus, the Freedom Party, the Bloomsbury Forum, the British National Party, and finally the New Right (London), of which he was the Chairman. Bowden was a prolific author of fiction, philosophy, criticism, and commentary.

Dr. Greg Johnson is the editor of Counter-Currents Publishing and its journal North American New Right (www.counter-currents.com), which draw upon the ideas of the European New Right to promote a new approach to White Nationalist politics in North America. New Right vs. Old Right collects 32 essays in which Dr. Johnson sets out his vision of White Nationalist "metapolitics" and distinguishes it from Fascism and National Socialism (the "Old Right"), as well as conservatism and classical liberalism (the "Phony Right"). Dr. Johnson rejects the Old Right's party politics, totalitarianism, imperialism, and genocide in favor of the metapolitical project of constructing a hegemonic White Nationalist consciousness within a pluralistic society. He argues that White Nationalists are too dependent on the model of hierarchical organizations and need also to work on creating resilient lateral networks. He offers New Rightist answers to a number of disputed questions within the White Nationalist community, including white culpability for our decline, Hitler and National Socialism, the Jewish question, the holocaust, the role of women, Christianity vs. paganism, and the relationships of populism, elitism, and democracy. He sets out some basic principles for creating a growing, resilient, networked movement. Finally, he criticizes distractions and dead-ends like "mainstreaming," conservatism, "premature" populism, and political violence. Engagingly written and constructively critical, Greg Johnson's New Right vs. Old Right is an important contribution to the emerging North American New Right. Praise for New Right vs. Old Right "Greg Johnson's basic point is that we must work to create a metapolitics of explicit white identity-that is, a movement that will develop 'the intellectual and cultural foundations for effective White Nationalist politics in North America, so that we can ultimately create a white homeland or homelands on this continent.' Greg is one of the reasons why I think this is a feasible project. . . . Greg received his Ph.D. in philosophy, and it shows. His forte is the well-developed argument presented in a lucid, easily understood style. Nobody can complain about this book being filled with turgid prose. And I can't find any major disagreements." -Kevin MacDonald, from the Foreword "In New Right vs. Old Right, Greg Johnson lays out his vision for a pro-white movement more focused on ideas, education, and communication than on politics or thuggery. True to this vision, his writing is extremely accessible. Throughout this collection, Johnson breaks down complex philosophical concepts and challenging ideas into tight, efficient sentences and effective explanations. Johnson doesn't drone on trying to sound clever. Like an enthusiastic professor, he truly wants his readers to understand why he believes it is morally right for whites-and all peoples-to determine their own collective destinies." -Jack Donovan, author of The Way of Men "Dr. Greg Johnson's New Right vs. Old Right delineates the differences between two 'Rights, ' without repudiating the common philosophical origins of both in opposing egalitarianism and other passe ideologies that continue to dominate much of the world. The primary value of this collection of essays, however, is that Dr. Johnson asks the perennial question, from our side: "what is truth?" In doing so he lays the foundations for a morality of the New Right. This book is therefore unique in the English-speaking Rightist milieu that was, for much of the post-1945 era, poorly served in comparison to its counterparts in Europe. As such, Dr. Johnson's book will be of relevance to many beyond the North American New Right, of which he is a founding father." -Kerry Bolton, author of Artists of the Right

Web applications occupy a large space within the IT infrastructure of a business or a corporation. They simply just don't touch a front end or a back end; today's web apps impact just about every corner of it. Today's web apps have become complex, which has made them a prime target for sophisticated cyberattacks. As a result, web apps must be literally tested from the inside and out in terms of security before they can be deployed and launched to the public for business transactions to occur. The primary objective of this book is to address those specific areas that require testing before a web app can be considered to be completely secure. The book specifically examines five key areas: Network security: This encompasses the various network components that are involved in order for the end user to access the particular web app from the server where it is stored at to where it is being transmitted to, whether it is a physical computer itself or a wireless device (such as a smartphone). Cryptography: This area includes not only securing the lines of network communications between the server upon which the web app is stored at and from where it is accessed from but also ensuring that all personally identifiable information (PII) that is stored remains in a ciphertext format and that its integrity remains intact while in transmission. Penetration testing: This involves literally breaking apart a Web app from the external environment and going inside of it, in order to discover all weaknesses and vulnerabilities and making sure that they are patched before the actual Web app is launched into a production state of operation. Threat hunting: This uses both skilled analysts and tools on the Web app and supporting infrastructure to continuously monitor the environment to find all security holes and gaps. The Dark Web: This is that part of the Internet that is not openly visible to the public. As its name implies, this is the "sinister" part of the Internet, and in fact, where much of the PII that is hijacked from a web app cyberattack is sold to other cyberattackers in order to launch more covert and damaging threats to a potential victim. Testing and Securing Web Applications breaks down the complexity of web application security testing so this critical part of IT and corporate infrastructure remains safe and in operation.

James J. O'Meara's The Homo and the Negro brings a "queer eye" to the overwhelmingly "homophobic" Far Right. In his title essay, O'Meara argues that the Far Right cannot effectively defend Western civilization unless it checks its premises about homosexuality and non-sexual forms of male bonding, which are undermined not just by liberals and feminists, but also by Judeo-Christian "family values" advocates. O'Meara also uses his theory to explain the stigmatization of Western high culture as "gay" and the worship of uncultured oafs as masculine ideals. Although O'Meara grants that the "gay rights" movement is largely subversive, he argues that homosexuals have traditionally played prominent roles in creating and conserving Western civilization. The Homo and the Negro collects 14 pieces on such topics as conservatism, homosexuality, race, fashion, Occupy Wall Street, Mad Men, The Gilmour Girls, The Untouchables, The Big Chill, They Live, popular music (Heavy Metal, Black Metal, New Age, Scott Walker), and such figures as Noel Coward, Oscar Wilde, and Humphrey Bogart. Shaped by an eccentric, post-WWII American upbringing, O'Meara draws upon "masculinist" writers like Hans Bluher, Alisdair Clarke, and Wulf Grimsson, as well as the Traditionalism of Rene Guenon, Julius Evola, and Alain Danielou.