Jonathan Bowden was a paradox: on the one hand, he was an avowed elitist and aesthetic modernist, yet on the other hand, he relished such forms of popular entertainment as comics, graphic novels, pulps, and even Punch and Judy shows, which not only appeal to the masses but also offer a refuge for pre- and anti-modern aesthetic tastes and tendencies. Bowden was drawn to popular culture because it was rife with Nietzschean and Right-wing themes: heroic vitalism, Faustian adventurism, anti-egalitarianism, biological determinism, racial consciousness, biologically-based (and traditional) notions of the differences and proper relations of the sexes, etc. Pulp Fascism collects Jonathan Bowden's principal statements on Right-wing themes in popular culture drawn from his essays, lectures, and interviews. These high-brow analyses of low-brow culture reveal just how deep and serious shallow entertainment can be. About Pulp Fascism: "Jonathan Bowden said that greatness lies in the mind and in the fist. Nietzsche combined both forms in the image of the warrior poet. For Bowden it was the image of the cultured thug. I give you Jonathan Bowden: cultured thug." -Greg Johnson, from the Foreword "Jonathan Bowden was uniquely gifted as a cultural critic and revisionist, willing to explore the obscure areas of high and low culture, and apply ideas from the former to the analysis of the later, starting always from the supposition that inequality is a moral good. Bowden's texts are dense and rich with reference and insight, yet remain entertaining and replete with humor." -Alex Kurtagi "Many men give speeches; Jonathan Bowden gave orations. To experience one of Bowden's performances must have been something like hearing Maria Callas in her prime or witnessing one of Mussolini's call to arms from a Roman balcony. "As an intellectual, Jonathan was a Renaissance man, or perhaps a bundle of contradictions: his novels and paintings were of Joycean complexity, and yet, in his orations and non-fiction writings, he was able to cut to the essence of a philosophy or political development in a way that was immediately understandable and, indeed, useful for nationalists. "Pulp Fascism could be called Bowden's 'unfinished symphony'- his attempt (not quite realized) to reveal the radical, ambivalent, and, in some cases, shockingly traditionalist undercurrents in pop culture. "That which envelops our lives is taken for granted . . . and thus rarely properly analyzed and understood. Bowden brings new life to those characters and comic-book worlds we too often dismiss as child's play." -Richard Spencer About the Author Jonathan Bowden, April 12, 1962-March 29, 2012, was a British novelist, playwright, essayist, painter, actor, and orator, and a leading thinker and spokesman of the British New Right. Born in Kent and largely self-educated, Bowden was involved with a series of Right-wing groups for which he was a popular speaker, including the Monday Club, the Western Goals Institute, the Revolutionary Conservative Caucus, the Freedom Party, the Bloomsbury Forum, the British National Party, and finally the New Right (London), of which he was the Chairman. Bowden was a prolific author of fiction, philosophy, criticism, and commentary.

Dr. Greg Johnson is the editor of Counter-Currents Publishing and its journal North American New Right (www.counter-currents.com), which draw upon the ideas of the European New Right to promote a new approach to White Nationalist politics in North America. New Right vs. Old Right collects 32 essays in which Dr. Johnson sets out his vision of White Nationalist "metapolitics" and distinguishes it from Fascism and National Socialism (the "Old Right"), as well as conservatism and classical liberalism (the "Phony Right"). Dr. Johnson rejects the Old Right's party politics, totalitarianism, imperialism, and genocide in favor of the metapolitical project of constructing a hegemonic White Nationalist consciousness within a pluralistic society. He argues that White Nationalists are too dependent on the model of hierarchical organizations and need also to work on creating resilient lateral networks. He offers New Rightist answers to a number of disputed questions within the White Nationalist community, including white culpability for our decline, Hitler and National Socialism, the Jewish question, the holocaust, the role of women, Christianity vs. paganism, and the relationships of populism, elitism, and democracy. He sets out some basic principles for creating a growing, resilient, networked movement. Finally, he criticizes distractions and dead-ends like "mainstreaming," conservatism, "premature" populism, and political violence. Engagingly written and constructively critical, Greg Johnson's New Right vs. Old Right is an important contribution to the emerging North American New Right. Praise for New Right vs. Old Right "Greg Johnson's basic point is that we must work to create a metapolitics of explicit white identity-that is, a movement that will develop 'the intellectual and cultural foundations for effective White Nationalist politics in North America, so that we can ultimately create a white homeland or homelands on this continent.' Greg is one of the reasons why I think this is a feasible project. . . . Greg received his Ph.D. in philosophy, and it shows. His forte is the well-developed argument presented in a lucid, easily understood style. Nobody can complain about this book being filled with turgid prose. And I can't find any major disagreements." -Kevin MacDonald, from the Foreword "In New Right vs. Old Right, Greg Johnson lays out his vision for a pro-white movement more focused on ideas, education, and communication than on politics or thuggery. True to this vision, his writing is extremely accessible. Throughout this collection, Johnson breaks down complex philosophical concepts and challenging ideas into tight, efficient sentences and effective explanations. Johnson doesn't drone on trying to sound clever. Like an enthusiastic professor, he truly wants his readers to understand why he believes it is morally right for whites-and all peoples-to determine their own collective destinies." -Jack Donovan, author of The Way of Men "Dr. Greg Johnson's New Right vs. Old Right delineates the differences between two 'Rights, ' without repudiating the common philosophical origins of both in opposing egalitarianism and other passe ideologies that continue to dominate much of the world. The primary value of this collection of essays, however, is that Dr. Johnson asks the perennial question, from our side: "what is truth?" In doing so he lays the foundations for a morality of the New Right. This book is therefore unique in the English-speaking Rightist milieu that was, for much of the post-1945 era, poorly served in comparison to its counterparts in Europe. As such, Dr. Johnson's book will be of relevance to many beyond the North American New Right, of which he is a founding father." -Kerry Bolton, author of Artists of the Right