As climate, culture, and technology evolve and become increasingly unpredictable, architecture's stasis becomes more incongruous. Werewolf explores an emerging but under-investigated branch of architecture that embraces the transformation of form, performance, and the responsiveness to environments and context. These ideas are studied through architectural precedents and framed by critical essays by Jesse Reiser, Greg Lynn, Jimenez Lai, Spyros Papapetros, Kari Weil, as well as the editors. The shift from passive buildings to reactive structures is now imperative, as climate change and political turmoil exacerbate the unpredictability of environments. Werewolf expands on the architect's agency to critically address political, social, and environmental unrest. Revealing the cunning and agile ways in which architecture can negotiate rather than resist change, this book departs from the fixed Vitruvian man and uses the figure of the werewolf to propose a model where changes of state, mutation, and decomposition are conceptually fundamental.

By showcasing the intersection between technology, aesthetics, and function, this book offers a multidisciplinary approach to cutting-edge performative technology. In a Yale studio led by Lynn and Gage, students designed a boatbuilding facility using intelligence gleaned from the competitive sailing industry. These projects--along with work and essays by Gage and Lynn, Frank Gehry, Lise Anne Couture, Chris Bangle, and others--demonstrate how shared materials, tools, and techniques strengthen the fields of automotive and aeronautic design, boatbuilding and architecture, ultimately exhibiting the high-tech cross-pollination of form and material across industries.

iheartblob avails itself of a new visual vocabulary of architecture. Here designs are visualized not in the form of ground plans and sections. Instead, renderings, mixed-reality objects (which are depicted physically and in augmented reality) and animations are the media which reflect the legacy of the mathematician Lagrange. Visually, but also on the basis of short theoretical texts, the book facilitates new discussions about the contemporary theoretical and cultural framework - and thus also about the "crisis of philosophy" faced not only by architecture. While the theoretical framework here invokes the principles of object-oriented ontology, in a subsequent step it attempts to unravel the theoretical principles of postmodernity and poststructural formalism.