|
Showing 1 - 6 of
6 matches in All Departments
|
Jack Whitten: The Greek Alphabet Series (Hardcover)
Jack Whitten; Edited by Donna De Salvo, Matilde Guidelli-Guidi, Deirdre O'Dwyer; Foreword by Jessica Morgan; Text written by …
|
R1,679
R1,359
Discovery Miles 13 590
Save R320 (19%)
|
Ships in 10 - 15 working days
|
Glenn Ligon (b1960) is one of the most significant American artists
of his generation. Much of his work relates to abstract
expressionism and minimalist painting, remixing formal
characteristics to highlight the cultural and social histories of
the time, such as the civil rights movement. The exhibition brings
together artworks and other material he references in his own work
and writings, or work with which he shares certain affinities. This
publication is both a comprehensive exhibition catalogue, which
fully illustrating all works in the exhibition from artists
including Chris Ofili, Willem de Kooning, Jackson Pollock, Lorna
Simpson, Felix Gonzalez-Torres and Jasper Johns, accompanied by
newly commissioned texts by Glenn Ligon, Francesco Manacorda, Alex
Farquharson, and Gregg Bordowitz; and an anthology of around 20
texts selected/excerpted by Glenn Ligon.
College Art Association's Frank Jewett Mather Award for Distinction
in Art Criticism, February 2006. The HIV epidemic animates this
collection of essays by a noted artist, writer, and activist. "So
total was the burden of illness--mine and others'--that the only
viable response, other than to cease making art entirely, was to
adjust to the gravity of the predicament by using the crisis as a
lens," writes Gregg Bordowitz, a film- and video-maker whose
best-known works, "Fast Trip Long Drop" (1993) and "Habit" (2001),
address AIDS globally and personally. In "The AIDS Crisis Is
Ridiculous"--the title essay is inspired by Charles Ludlam, founder
of the Ridiculous Theater Company--Bordowitz follows in the
tradition of artist-writers Robert Smithson and Yvonne Rainer by
making writing an integral part of an artistic practice. Bordowitz
has left his earliest writings for the most part unchanged--to
preserve, he says, "both the youthful exuberance and the palpable
sense of fear" created by the early days of the AIDS crisis. After
these early essays, the writing becomes more experimental,
sometimes mixing fiction and fact; included here is a selection of
Bordowitz's columns from the journal "Documents," "New York Was
Yesterday." Finally, in his newest essays he reformulates early
themes, and, in "My Postmodernism" (written for "Artforum"'s
fortieth anniversary issue) and "More Operative Assumptions"
(written especially for this book), he reexamines the underlying
ideas of his practice and sums up his theoretical concerns. In his
mature work, Bordowitz seeks to join the subjective--the experience
of having a disease--and the objective--the fact of the disease as
a global problem. He believesthat this conjunction is necessary for
understanding and fighting the crisis. "If it can be written," he
says, "then it can be realized."
|
You may like...
The Wonder Of You
Elvis Presley, Royal Philharmonic Orchestra
CD
R58
Discovery Miles 580
|