With the release of hundreds of damaging documents, a dark side of Switzerland's democracy has been unveiled. Switzerland is now seen as a nation of greedy bankers, collaborators with the Nazis, and robbers of the wealth of the victims of the Holocaust. "Swiss Banks and Jewish Souls" is a powerfully enlightening account of how a small and determined group of people from divergent backgrounds humbled the legendary Swiss financial empire to achieve a measure of justice for Holocaust survivors and their heirs, while shattering the myth of Swiss wartime neutrality. Rickman tells how a small group of people, none of them professional historians, pieced together a puzzle of unknown proportions and proceeded to dismantle the myth of Swiss innocence and victimization at the hands of the Nazis, and expose a fifty-year cover-up. Untold numbers of European Jews and others placed their funds in Swiss banks because they believed they offered a safe haven for funds which the Nazis were trying to control. What better place to put their money than in Switzerland? "Swiss Banks and Jewish Souls" discusses how investigative groups proved that Switzerland stole the money of the Jews and helped the Nazis to do the same. No one began with evidence and no one had a source of knowledge upon which to fall back. All they shared was a feeling that something was terribly wrong and that a great injustice had occurred. Propelled by this instinct, a U.S. Senator, the World Jewish Congress, a British Parliamentarian, the U.S. Holocaust Memorial Museum, and a handful of Holocaust survivors accomplished what the U.S., British, and French governments and a group of feuding Jewish organizations could not or would not do. As a result of this effort, how the world views Switzerland and how Switzerland views itself has been redefined. Most importantly, those who survived the Nazi horrors, only to be victimized again by the Swiss bankers, have now achieved some measure of justice, or at least financial compensation after more than fifty years.

With the release of hundreds of damaging documents, a dark side of Switzerland's democracy has been unveiled. Switzerland is now seen as a nation of greedy bankers, collaborators with the Nazis, and robbers of the wealth of the victims of the Holocaust. Swiss Banks and Jewish Souls is a powerfully enlightening account of how a small and determined group of people from divergent backgrounds humbled the legendary Swiss financial empire to achieve a measure of justice for Holocaust survivors and their heirs, while shattering the myth of Swiss wartime neutrality. Rickman tells how a small group of people, none of them professional historians, pieced together a puzzle of unknown proportions and proceeded to dismantle the myth of Swiss innocence and victimization at the hands of the Nazis, and expose a fifty-year cover-up. Untold numbers of European Jews and others placed their funds in Swiss banks because they believed they offered a safe haven for funds which the Nazis were trying to control. What better place to put their money than in Switzerland? Swiss Banks and Jewish Souls discusses how investigative groups proved that Switzerland stole the money of the Jews and helped the Nazis to do the same. No one began with evidence and no one had a source of knowledge upon which to fall back. All they shared was a feeling that something was terribly wrong and that a great injustice had occurred. Propelled by this instinct, a U.S. Senator, the World Jewish Congress, a British Parliamentarian, the U.S. Holocaust Memorial Museum, and a handful of Holocaust survivors accomplished what the U.S., British, and French governments and a group of feuding Jewish organizations could not or would not do. As a result of this effort, how the world views Switzerland and how Switzerland views itself has been redefined. Most importantly, those who survived the Nazi horrors, only to be victimized again by the Swiss bankers, have now achieved some measure of justice, or at least financial compensation after more than fifty years.

In Conquest and Redemption, Gregg J. Rickman explains how the Nazis stole the possessions of their Jewish victims and obtained the cooperation of institutions across Europe in these crimes of convenience. He also describes how those institutions are being brought to justice, sixty years later, for their retention of their ill-gotten gains. Rickman not only explains how the robbery was accomplished, tracked, stalled, and then finally reversed, but also clearly shows the ways in which robbery was inextricably connected to the murder of the Jews. The Nazis took everything from Jews--their families, their possessions, and even their names. As with the murder of Jews, the Nazis' robbery was an organized, institutionalized effort. Jews were isolated, robbed, and left homeless, regarded as parasites in the Nazis' eyes, and thus fair game. In short, the organized robbery of the Jews facilitated their slaughter. How did the German people come to believe that it was permissible to isolate, outlaw, rob, and murder Jews? A partial explanation can be found in the Nazis' creation of a virtual religion of German nationalism and homogeneity that delegitimized Jews as a people and as individuals. This belief system was expressed through a complex structure of religious rules, practices, and institutions. While Nazi ideology was the guiding principle, how that ideology was formed and how it was applied is important to understand if one is to fully grasp the Holocaust. Rickman painstakingly describes the structural composition and motivation for the plundering of Jewish assets. The Holocaust will always remain a memory of unequalled pain and suffering, but, as Rickman shows, the return of stolen goods to their survivors is a partial victory for the long aggrieved. Conquest and Redemption will be of interest to students and scholars in the history of the Holocaust and its aftermath.

In Conquest and Redemption, Gregg J. Rickman explains how the Nazis stole the possessions of their Jewish victims and obtained the cooperation of institutions across Europe in these crimes of convenience. He also describes how those institutions are being brought to justice, sixty years later, for their retention of their ill-gotten gains.

Rickman not only explains how the robbery was accomplished, tracked, stalled, and then finally reversed, but also clearly shows the ways in which robbery was inextricably connected to the murder of the Jews. The Nazis took everything from Jews--their families, their possessions, and even their names. As with the murder of Jews, the Nazis' robbery was an organized, institutionalized effort. Jews were isolated, robbed, and left homeless, regarded as parasites in the Nazis' eyes, and thus fair game. In short, the organized robbery of the Jews facilitated their slaughter.

How did the German people come to believe that it was permissible to isolate, outlaw, rob, and murder Jews? A partial explanation can be found in the Nazis' creation of a virtual religion of German nationalism and homogeneity that delegitimized Jews as a people and as individuals. This belief system was expressed through a complex structure of religious rules, practices, and institutions. While Nazi ideology was the guiding principle, how that ideology was formed and how it was applied is important to understand if one is to fully grasp the Holocaust.

Rickman painstakingly describes the structural composition and motivation for the plundering of Jewish assets. The Holocaust will always remain a memory of unequalled pain and suffering, but, as Rickman shows, the return of stolen goods to their survivors is a partial victory for the long aggrieved. Conquest and Redemption will be of interest to students and scholars in the history of the Holocaust and its aftermath.

With attacks by Muslims against Jews in Western Europe reaching all-time highs, Jews are now facing levels of genocidal antisemitism not seen since WWII. Muslims committing attacks on Jews seek to substitute their own claims of victimhood for the Jews' plight, defining themselves as the "new Jews." Their demands for recognition are accompanied by acts of public disobedience, violent street protests, and petty crime. The Arab-Israeli struggle has been brought to Europe and extended to cover a hatred of Europe's Jews as well as those resident in Israel. Gregg Rickman, the United States' first Special Envoy to Monitor and Combat Anti-Semitism, provides this first-person account and in-depth examination of the rise of antisemitism in the twenty-first century.

Outer space, whether the homeland of demonic invaders or the destination of intrepid explorers, seems to ignite the wildest imagination of filmmakers and audiences alike. And back on earth we all marvel when our planet is taken over by apes or when in a laboratory beings are created that defy, or perhaps reflect, our own humanity. This lavishly illustrated collection of essays begins with 'Cinematic Views', written between 1907 and 1929 by the great film pioneer Georges Melies. It goes on to explore the foundation of science fiction films in writings from the 20s and 30s by such masters of word and image as H G Wells, Luis Bunuel and Jorge Luis Borges. With the genre established and flourishing, the book moves in a variety of directions -- toward outer space, as a subject; different periods in film history, each with its own style and dominant themes; the work of specific directors and writers and, finally, some classic science fiction films of the recent past.

Following upon the popularity of Film Noir Reader and The Western Reader, this lavishly illustrated collection of essays recalls the movies that over the past century have made us smile, chuckle and laugh -- often uncontrollably. Some of the pieces focus on those stars whose energy, imagination, timing and attitude were irresistibly funny, others on the special vision and techniques of such masters of comedy directing as Mark Sennett, Ernst Lubitsch, Howard Hawks, Billy Wilder, Woody Allen, Hal Ashby, Mike Nichols, Hal Hartley and David O Russell. In the final section of the book, comedies of the 90s like There's Something about Mary, Spanking the Monkey and Rushmore are considered as reflections of our changing social values. But here, as throughout this collection, recognition of underlying serious themes never obscures the ultimate quality of the great movie comedies: the power to make us laugh.

An essential guide to the Western film, this lavishly illustrated collection of writings on Western movies covers close to a century of American cinematic achievement and spans almost a half-century of essays, commentary, and interviews. Every aspect that distinguishes the Western is explored, especially its history, mythology and landscape, often from sharply different points of view so that the book becomes a richly diverse collage of impressions and insights. While their subjects range from the development of the genre through the unforgettable masterpieces of Hollywood's Golden Age to the revisionist and post-modern Westerns of our own time, the pieces are all authoritative, perceptive, thoughtful, stimulating, and skilfully written.