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PUBLISHED TO ACCOMPANY THE ONCE-IN-A-LIFETIME EXHIBITION AT THE
RIJKSMUSEUM, AMSTERDAM, THIS IS THE FIRST MAJOR STUDY ON VERMEER'S
LIFE AND WORK FOR MANY YEARS. ---------- 'Proust was once so
excited to see a Vermeer show that he collapsed … I got chest
pains merely leafing through the catalogue' Jonathan Jones,
Guardian 'Invest in the fat catalogue, stuffed with scholarly
discoveries and photographic closeups, and you will learn about
everything from Vermeer’s optical mastery to his moral symbolism'
Rachel Campbell-Johnston, The Times 'Excellent' Artists &
Illustrators ---------- Vermeer's intensely quiet and enigmatic
paintings invite the viewer into a private world, often prompting
more questions than answers. Who is being portrayed? Are his
subjects real or imagined? And how did he create such an unrivalled
sense of intimacy? Bringing together diverse strands of the Dutch
master's professional and private worlds, this is the first major
authoritative study of Vermeer's life and work for many years,
throwing light on all thirty-seven of his paintings. The book was
designed by Irma Boom, the ‘Queen of Books’, and printed on an
uncoated ‘Munken Print White’ paper, specially commissioned to
ensure the veracity of colours. Irma Boom says: ‘the matte paper
brings you closer to Vermeer; there is no gloss or glare in
between, just like with the real works.’ With a wide selection of
contextual illustrations, commentaries and up-to-date research by
distinguished international Vermeer scholars, this is the
definitive volume on the most admired of all seventeenth-century
Dutch masters. With contributions by Bart Cornelis, National
Gallery, London Bente Frissen, Rijksmuseum, Amsterdam Sabine
Pénot, Kunsthistorisches Museum, Vienna Pieter Roelofs,
Rijksmuseum, Amsterdam Friederike Schuett, Staedel Museum,
Frankfurt am Main Christian Tico Seifert, National Galleries of
Scotland, Edinburgh Ariane van Suchtelen, Mauritshuis, The Hague
Gregor J.M. Weber, Rijksmuseum, Amsterdam Marjorie E. Wieseman,
National Gallery of Art, Washington
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