Across more than twenty chapters, Future Horizons explores the past, present, and future of digital humanities research, teaching, and experimentation in Canada. Bringing together work by established and emerging scholars, this collection presents contemporary initiatives in digital humanities alongside a reassessment of the field’s legacy to date and conversations about its future potential. It also offers a historical view of the important, yet largely unknown, digital projects in Canada. Future Horizons offers deep dives into projects that enlist a diverse range of approaches—from digital games to makerspaces, sound archives to born-digital poetry, visual arts to digital textual analysis—and that work with both historical and contemporary Canadian materials. The essays demonstrate how these diverse approaches challenge disciplinary knowledge by enabling humanities researchers to ask new questions. The collection challenges the idea that there is either a single definition of digital humanities or a collective national identity. By looking to digital engagements with race, Indigeneity, gender, and sexuality—not to mention history, poetry, and nationhood—this volume expands what it means to work at the intersection of digital humanities and humanities in Canada today. Available formats: trade paperback, accessible PDF, and accessible ePub

Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field.The book proposes four dominant modes of avant-garde production: ""Concrete Poetics,"" which accentuates the visual and material aspects of language; ""Language Writing,"" which challenges the interconnection between words and things; ""Identity Writing,"" which interrogates the self and its sociopolitical position; and ""Copyleft Poetics,"" which undermines our habitual assumptions about the ownership of expression. A fifth section commemorates the importance of the Centennial in the 1960s at a time when avant-garde cultures in Canada began to emerge. Readers of this book will become familiar with some of the most challenging works of literature - and their creators - that this country has ever produced. From Concrete Poetry in the 1960s through to Indigenous Literature in the 2010s, Avant Canada offers the most sweeping study of the literary avant-garde in Canada to date.

Bertram Brooker won the country's first Governor General's Award for literature in 1936 for his novel "Think of the Earth," and his explosive, experimental paintings hang in every major gallery in the country. He was Canada's first multidisciplinary avantgardist, successfully experimenting in literature, visual arts, film, and theatre. Brooker brought all of his experimental ambitions to his short fiction and prose. "The Wrong World" presents a rich sampling of his prose work, much of it previously unpublished, which adds new insight into his aesthetic ambitions.
Working during an incredible period of transition in Canadian society, Brooker's stories document Canada's evolution from a provincial colony into a modern, urban country. His essays participated in that evolution by advocating a passionate awakening of the arts, the end of prudish sentiment and censorship, and a radical rethinking of the nature of war. They capture the limitations and hypocrisies of the Canadian social contract and argue for a more just and spiritual society. His stories humanize his social vision by dramatizing the psychological and emotional cost of Canada's transition into a modern civilization. In turn devastating, penetrating and poignant, Brooker's prose works offer a sharply focussed window into the turbulent interwar years in Canada.

In 1914, Wyndham Lewis and Ezra Pound-the founders of vorticism-undertook an unprecedented analysis of the present, its technologies, communication, politics, and architecture. The essays in Counterblasting Canada trace the influence of vorticism on Marshall McLuhan and Canadian Modernism. Building on the initial accomplishment of the magazine Blast, McLuhan's subsequent Counterblast, and the network of artistic and intellectual relationships that flourished in Canadian vorticism, the contributors offer groundbreaking examinations of postwar Canadian literary culture, particularly the legacies of Sheila and Wilfred Watson. Intended primarily for scholars of literature and communications, Counterblasting Canada explores a crucial and long-overlooked strand in Canadian cultural and literary history. Contributors: Gregory Betts, Adam Hammond, Paul Hjartarson, Dean Irvine, Elena Lamberti, Philip Monk, Linda M. Morra, Kristine Smitka, Leon Surette, Paul Tiessen, Adam Welch, Darren Wershler.