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We know of the blood and tears provoked by the projects of transformation of the world through war or revolution. Starting from the essay published in 1921 by Walter Benjamin, twentieth century philosophy has been committed to the criticism of violence, even when it has claimed to follow noble ends. But what do we know of the dilemmas, of the "betrayals," of the disappointments and tragedies which the movement of non-violence has suffered? This book tells a fascinating history: from the American Christian organizations in the first decades of the nineteenth century who wanted to eliminate slavery and war in a non-violent way, to the protagonists of movements-Thoreau, Tolstoy, Gandhi, Capitini, M. L. King, the Dalai Lama-who either for idealism or for political calculation flew the flag of non-violence, up to the leaders of today's "color revolutions."
We know of the blood and tears provoked by the projects of transformation of the world through war or revolution. Starting from the essay published in 1921 by Walter Benjamin, twentieth century philosophy has been committed to the criticism of violence, even when it has claimed to follow noble ends. But what do we know of the dilemmas, of the "betrayals," of the disappointments and tragedies which the movement of non-violence has suffered? This book tells a fascinating history: from the American Christian organizations in the first decades of the nineteenth century who wanted to eliminate slavery and war in a non-violent way, to the protagonists of movements-Thoreau, Tolstoy, Gandhi, Capitini, M. L. King, the Dalai Lama-who either for idealism or for political calculation flew the flag of non-violence, up to the leaders of today's "color revolutions."
Historian Eric Hobsbawm is possibly the foremost chronicler of the modern age. His panoramic studies of the nineteenth and twentieth centuries, stretching from the French Revolution to the fall of Soviet communism, have informed the historical consciousness of scholars and general readers alike. At the same time, his writings on labour movements and socialist politics have occupied a central place in left-wing debates. Despite this, no extended study of Hobsbawm's work has yet been attempted. Gregory Elliott fills this gap in exemplary fashion. Elliott analyzes both the scholarly record of Hobsbawm and the intellectual and political journey that his life represents. In doing so, he seeks to situate Hobsbawm's thought within the context of a generalised crisis of confidence on the Left after the fall of the Berlin Wall. Rich in content and written in Elliott's authoritative and highly readable style, this book is a must for anyone with an interest in Hobsbawm and the crisis of the Left.
Following the disappearance of the Soviet Union, scholars across the political spectrum tackled the world-historical significance of the end of communism. This book addresses the balance-sheets of modern political history offered by three writers -- Francis Fukuyama, Eric Hobsbawm and Perry Anderson -- comparing them with the future projected by Marx in The Communist Manifesto. Gregory Elliott argues that Marx is central to all three accounts and that, along with the Manifesto, they form a quartet of analyses of the results and prospects of capitalism and socialism, which are of enduring significance for the Left. This book provides a readable survey of key historical and political thinkers that will appeal to anyone interested in modern political thought.
The book provides a clear assessment of the New Labour public
policies and their outcomes in Britain under the leadership of Tony
Blair and Gordon Brown from 1997-2009. Authors Florence
Faucher-King and Patrick Le Gales argue that New Labour, in
contrast to its European counterparts, developed a right-wing
economic policy program based upon light financial regulation and
strict macroeconomic management. Blair and Brown developed a large
controlling bureaucracy, making Britain's government one of the
most centralized in the world.
First published in 1987, Althusser, The Detour of Theory was
widely received as the fullest account of its subject to date.
Drawing on a wide range of hitherto untranslated material, it
examined the political and intellectual contexts of Althusser's
'return to Marx' in the mid-1960s; analysed the novel character of
the Marxism developed in his major works; charted their author's
subsequent evolution, from his self-criticism to the proclamation
of a 'crisis of Marxism'; and concluded with a balance-sheet of
Althusser's contribution to historical materialism. ?For this
second edition, Gregory Elliott has added a substantial postscript
in which he surveys the posthumous edition of the French
philosopher's work published in the 1990s, from the early writings
of the 1940s through to the late texts of the 1980s, relating the
unknown Althusser revealed by them to the familiar figure of For
Marx and Reading Capital, together with a comprehensive
bibliography of Althusser's oeuvre.
In this definitive historical investigation, Italian author and philosopher Domenico Losurdo argues that from the outset liberalism, as a philosophical position and ideology, has been bound up with the most illiberal of policies: slavery, colonialism, genocide, racism and snobbery. Narrating an intellectual history running from the eighteenth through to the twentieth centuries, Losurdo examines the thought of preeminent liberal writers such as Locke, Burke, Tocqueville, Constant, Bentham, and Sieyes, revealing the inner contradictions of an intellectual position that has exercised a formative influence on today's politics. Among the dominant strains of liberalism, he discerns the counter-currents of more radical positions, lost in the constitution of the modern world order.
The extraordinary shift in conduct and orientation-among companies, governments, and individuals-generated by financialization. The hegemony of finance compels a new orientation for everyone and everything: companies care more about the moods of their shareholders than about longstanding commercial success; governments subordinate citizen welfare to appeasing creditors; and individuals are concerned less with immediate income from labor than with appreciation of their capital goods, skills, connections, and reputations. In this book, in clear and compelling prose, Michel Feher explains the extraordinary shift in conduct and orientation generated by financialization. That firms, states, and people depend more on their ratings than on the product of their activities also changes how capitalism is resisted. For activists, the focus of grievances shifts from the extraction of profit to the conditions under which financial institutions allocate credit. While the exploitation of employees by their employers has hardly been curbed, the power of investors to select investees-to decide who and what is deemed creditworthy-has become a new site of social struggle. Above all, Feher articulates the new political resistances and aspirations that investees draw from their rated agency.
Louis Althusser remained until his death in 1990 the most controversial of the "master thinkers" who emerged from the turbulent Parisian intellectual scene of the 1960s. The publication of his bestselling posthumous "autobiography", L'avenir dure longtemps, has now refueled some of these controversies. Hugely influential, whether lauded or vilified, Althusser occupies a unique place in contemporary philosophy. What is certain is that Althusserian themes and motifs continue to constitute a vital region in materialist thought. The Althusserian Legacy is the first collective attempt to draw up a balance sheet, not on Althusser alone but on the questions that his work helped to bring to the forefront of Marxist theory. The volume brings together work in history, philosophy, economics, sociology, and literary criticism, all of it derived from or significantly inflected by Althusser. Taken together, the essays assess soberly, critically, but always generously, the full extent of his legacy. The volume contains a lengthy interview with Jacques Derrida, a long-time friend and colleague of Althusser at the Ecole Normale in Paris, and concludes with obituaries by Derrida and Gregory Elliott. Perhaps only now, more than a decade after his active intellectual life has come to a close, is it possible to render sound, just judgments on the meaning and significance of this much-debated body of work. The Althusserian Legacy is a rich beginning to that important task.
The book provides a clear assessment of the New Labour public
policies and their outcomes in Britain under the leadership of Tony
Blair and Gordon Brown from 1997-2009. Authors Florence
Faucher-King and Patrick Le Gales argue that New Labour, in
contrast to its European counterparts, developed a right-wing
economic policy program based upon light financial regulation and
strict macroeconomic management. Blair and Brown developed a large
controlling bureaucracy, making Britain's government one of the
most centralized in the world.
As the crisis of capitalism unfolds, the need for alternatives is
felt ever more intensely. The struggle between radical movements
and the forces of reaction will be merciless. A crucial
battlefield, where the outcome of the crisis will in part be
decided, is that of theory. Over the last twenty-five years,
radical intellectuals across the world have produced important and
innovative ideas.
In this major work, sociologists Luc Boltanski and Eve Chiapello go to the heart of the changes in contemporary capitalism. Via an unprecedented analysis of the latest management texts that have formed the thinking of employers in their reorganization of business, the authors trace the contours of a new spirit of capitalism. They argue that from the middle of the 1970s onwards, capitalism abandoned the hierarchical Fordist work structure and developed a new network-based form of organization that was founded on employee initiative and autonomy in the workplace-a "freedom" that came at the cost of material and psychological security. The authors connect this new spirit with the children of the libertarian and romantic currents of the late 1960s (as epitomised by dressed-down, cool capitalists such as Bill Gates and "Ben and Jerry") arguing that they practice a more successful and subtle-form of exploitation. Now a classic work charting the sociological structure of neoliberalism, Boltanski and Chiapello show how the new spirit triumphed thanks to a remarkable recuperation of the left's critique of the alienation of everyday life that simultaneously undermined their "social critique." In this new edition, the two authors reflect on the reception of the book and the debates it has stimulated.
In The Future of the Image, Jacques Ranciere develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Ranciere there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.
Collected here are Althusser's most significant philosophical writings from 1965 to 1978. Intended to contribute, in his own words, to a left-wing critique of Stalinism that would help put some substance back into the revolutionary project here in the West, they are the record of a shared history. At the same time they chart Althusser's critique of the theoretical system unveiled in his own major works, and his developing practice of philosophy as a revolutionary weapon. Attesting to the unique place which Althusser has occupied in modern intellectual history - between a tradition of Marxism which he sought to reconstruct, and a post-Marxism which has eclipsed its predecessor - these texts are indispensable reading.
"We do not publish our own drafts, that is, our own mistakes, but we do sometimes publish other people's," Louis Althusser once observed of Marx's early writings. Among his own posthumously released drafts, one, at least, is incontestably neither mistake nor out-take: the text of his lecture course on Machiavelli, originally delivered at the Ecole Normale Superieure in 1972, intermittently revised up to the mid-1980s, and carefully prepared for publication after his death in 1990. Though only appearing as an occasional reference in the Marxist philosopher's oeuvre, Machiavelli was an unseen constant presence. For together with Spinoza and Marx, Machiavelli was a veritable Althusserian passion. Machiavelli and Us reveals why, and will be welcomed for the light it sheds on the richly complex thought of its author.
The end of Soviet Socialism signalled to some observers that the
ghost of Marx had finally been laid to rest. But history's refusal
to grind to a halt and the global credit crisis that began in 2008
have rekindled interest in capitalism's most persistent critic.
This book focuses on the various phenomena of daily life and considers them in new ways. "The Critique of Everyday Life" is perhaps the richest, most prescient work by one of the twentieth century's greatest philosophers. The trilogy which provided the philosophy behind the 1968 student revolution in France, it is considered to be the founding text of what we now know as cultural studies. Whether discussing sport, household gadgets, the countryside, surrealism, Charlie Chaplin or religion, Lefebvre always concentrates on the minutiae of lived experience in work and leisure, daydreams, and festivities. Denounced by both the right and left when it was first published in France in 1947, today this text is recognized as a path-breaking, radical, and hugely influential book.
Generating great controversy on its publication in France, this book argues that a counter-revolution in intellectual life has seen the period of the "master thinkers" of the 1960s succeeded by an era of generalized mediocrity. Where Althusser or Lacan, Foucault or Derrida once held centre stage, today restorationist currents prevail in academia and on television. The author discusses how, fuelled by a complaisant media, contemporary French ideology seeks neither to interpret nor change the world, but is instead content to legitimize a globally hegemonic neo-liberalism.
Following the locust years of the neo-liberal revolution, social
democracy was the great victor at the "fin-de-siecle" elections.
Today, parties descended from the Second International hold office
throughout the European Union, while the Right appears widely
disorientated by the dramatic "modernisation" of a political
tradition dating back to the nineteenth century.
Exploring the genesis of neoliberalism, and the political and economic circumstances of its deployment, Pierre Dardot and Christian Laval dispel numerous common misconceptions. Neoliberalism is neither a return to classical liberalism nor the restoration of "pure" capitalism. To misinterpret neoliberalism is to fail to understand what is new about it: far from viewing the market as a natural given that limits state action, neoliberalism seeks to construct the market and use it as a model for governments. Only once this is grasped will its opponents be able to meet the unprecedented political and intellectual challenge it poses.
The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance. In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?
In this fascinating new exploration of Samuel Beckett's work, Pascale Casanova argues that Beckett's reputation rests on a pervasive misreading of his oeuvre, which neglects entirely the literary revolution he instigated. Reintroducing the historical into the heart of this body of work, Casanova provides an arresting portrait of Beckett as radically subversive-doing for writing what Kandinsky did for art-and in the process presents the key to some of the most profound enigmas of Beckett's writing.
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