Colloquial Cantonese: The Complete Course for Beginners has been carefully developed by an experienced teacher to provide a step-by-step course to Cantonese as it is written and spoken today. Combining a clear, practical and accessible style with a methodical and thorough treatment of the language, it equips learners with the essential skills needed to communicate confidently and effectively in Cantonese in a broad range of situations. No prior knowledge of the language is required. Colloquial Cantonese is exceptional; each unit presents a wealth of grammatical points that are reinforced with a wide range of exercises for regular practice. A full answer key, a grammar summary, bilingual glossaries and English translations of dialogues can be found at the back as well as useful vocabulary lists throughout. Key features include: A clear, user-friendly format designed to help learners progressively build up their speaking, listening, reading and writing skills Jargon-free, succinct and clearly structured explanations of grammar An extensive range of focused and dynamic supportive exercises Realistic and entertaining dialogues covering a broad variety of narrative situations Helpful cultural points explaining the customs and features of life in Hong Kong An overview of the sounds of Cantonese Balanced, comprehensive and rewarding, Colloquial Cantonese is an indispensable resource both for independent learners and students taking courses in Cantonese. Audio material to accompany the course is available to download free in MP3 format from www.routledge.com/cw/colloquials. Recorded by native speakers, the audio material features the dialogues and texts from the book and will help develop your listening and pronunciation skills. .

Colloquial Cantonese: The Complete Course for Beginners has been carefully developed by an experienced teacher to provide a step-by-step course to Cantonese as it is written and spoken today. Combining a clear, practical and accessible style with a methodical and thorough treatment of the language, it equips learners with the essential skills needed to communicate confidently and effectively in Cantonese in a broad range of situations. No prior knowledge of the language is required. Colloquial Cantonese is exceptional; each unit presents a wealth of grammatical points that are reinforced with a wide range of exercises for regular practice. A full answer key, a grammar summary, bilingual glossaries and English translations of dialogues can be found at the back as well as useful vocabulary lists throughout. Key features include: A clear, user-friendly format designed to help learners progressively build up their speaking, listening, reading and writing skills Jargon-free, succinct and clearly structured explanations of grammar An extensive range of focused and dynamic supportive exercises Realistic and entertaining dialogues covering a broad variety of narrative situations Helpful cultural points explaining the customs and features of life in Hong Kong An overview of the sounds of Cantonese Balanced, comprehensive and rewarding, Colloquial Cantonese is an indispensable resource both for independent learners and students taking courses in Cantonese. Audio material to accompany the course is available to download free in MP3 format from www.routledge.com/cw/colloquials. Recorded by native speakers, the audio material features the dialogues and texts from the book and will help develop your listening and pronunciation skills. .

Dictionaries are among the most frequently consulted books, yet we know remarkably little about them. Who makes them? Where do they come from? What do they offer? How can we evaluate them?
The Dictionary of Lexicography provides answers to all these questions and addresses a wide range of issues:
* the traditions of dictionary-making
* the different types of dictionaries and other reference works (such as thesaurus, encyclopedia, atlas and telephone directory)
* the principles and concerns of lexicographers and other reference professionals
* the standards of dictionary criticism and dictionary use.
It is both a professional handbook and an easy-to-use reference work.
This is the first time that the subject has been covered in such a comprehensive manner in the form of a reference book. All articles are self-contained, cross-referenced and uniformly structured. The whole is an up-to-date and forward-looking survey of lexicography.

'On coverage this dictionary scores hightly ... the quality of entries is generally excellent ... all of which leaves us with an outstanding new title.' - - Reference Reviews, 1998

'The publication of this reference work is a landmark event in the history of lexicography ... Hartmann and James' unique methodological approach and extreme informativity have made this a veritable user-friendly survey of a fascinatingly dynamic "professional activity and academic field"', - Language Today

'An outstanding new title ... one woth the attention and sure to grab the interest of any reader of this journal ... it offers a fascinating coverage of a field not as widely treated in any other reference work.' - Reference Reviews

Lexicographica. Series Maior features monographs and edited volumes on the topics of lexicography and meta-lexicography. Works from the broader domain of lexicology are also included, provided they strengthen the theoretical, methodological and empirical basis of lexicography and meta-lexicography. The almost 150 books published in the series since its founding in 1984 clearly reflect the main themes and developments of the field. The publications focus on aspects of lexicography such as micro- and macrostructure, typology, history of the discipline, and application-oriented lexicographical documentation.

The four short works collected in this book were among the earliest plays to be authored collaboratively by W. B. Yeats and Lady Gregory. Written in the pivotal years during which the "Irish Literary Theatre" experiment of 1899 1901 began to evolve into what would become the Abbey Theatre, they show both writers engaging with questions central to the early Irish dramatic movement: How should "Irishness" be represented on the stage? To what extent should artists engage directly with Nationalist politics? And what role might literature play in the creation of a new Ireland?

The manuscripts presented here chart the evolution of two plays published over Yeats's name: "Cathleen ni Houlihan" the pair's most successful collaboration, and the work that confirmed Yeats's credentials as a Nationalist writer and the "peasant" farce "The Pot of Broth." This book also includes manuscript material for "The Country of the Young" and "Heads or Harps," which the writers left unpublished and unproduced during their lifetimes."

Two sex addicts sit at the ultimate power of the world. An oil tycoon and his best friend control the world's economies. Yet, on a night in the red light district everything changes. When Brandon meets a woman named Nadia, who is more than she appears. He is stricken with a horrifying disease. A disease that promises to end the world in a glory of obsession-filled love and lust.

Reminiscent of Vonnegut, with a dash of Saramago and Fforde, this humorous, often irreverent romp mocks the absurd we accept to be normal, ridicules the low bar we set, and challenges us to rise up and demand more of ourselves by making light of what is sacred that shackles us. Three ancient nuclear missiles are spotted lumbering aimlessly through space. Normally, such a discovery would be scientifically interesting, would stimulate lively intellectual debate, but it would never provoke the kind of severe reaction it now engendered. Dimwitted worlds had obliterated themselves before, and were certainly bound to again, and as lamentable a loss as that was, if the astronomers from Gaia had to swoop in and save every boneheaded, sorry-excuse for so-called intelligent life-who just happened to have enough smarts to split atoms, but lacked the sanity to not blow themselves up-well, they'd have little time left for much else. Plus, they didn't have the budget for it. What makes this case so nettlesome and vexing, however, is a consequential shackle of fate which now threatens the destruction of thousands of inhabited worlds. So were it not for this fickle finger of fate flicking everyone a birdie, none of the harsh actions now being considered would ever have even been contemplated, and the nuclear nitwits on that dimwitted world would have been free to nuke themselves into oblivion, or not, at their leisure. But that's not what happened Because when the astronomer Sofia Song catapults from her world to the Blue Planet, a dog-eat-dog world where an elite One Percent own all of the planet's riches, her calamitous journey through space and time ignites a string of events leading to the cataclysmic destruction of both worlds.

Right now, everyone is at a moment in their own evolution. Some are content where they are, but others have a desire to change and to step into the bliss of being their true selves. Yet most in this journey judge and avoid the steps before them that are necessary to go from here to there. And so they go nowhere.

This book shows you step by step how to release judgment, fear, and obedience and to allow yourself to be guided by your deepest instincts. When you stop acting out of obligation and begin living by your truly free will, your world will bloom and you will discover who you really are.

This is the most exquisite pleasure: to arrive at home again, living the destiny that you were created for, and to realize that you have chosen it and constructed it for yourself.

The nineteenth century was a time of 'movements' - political, social, moral reform causes - which drew on the energies of men and women across Britain. This book studies radical reform at the margins of early Victorian society, focusing on decades of particular social, political and technological ferment: when foreign and British promoters of extravagant technologically assisted utopias could attract many hundreds of supporters of limited means, persuaded to escape grim conditions by emigration to South America; when pioneers of vegetarianism joined the ranks of the temperance movement; and when working-class Chartists, reviving a struggle for political reform, seemed to threaten the State for a brief moment in April 1848. Through the forgotten figure of James Elmslie Duncan, 'shabby genteel' poet and self-proclaimed 'Apostle of the Messiahdom', The Poetry and the Politics considers themes including poetry's place in radical culture, the response of pantomime to the Chartist challenge to law and order, and associations between madness and revolution.Duncan became a promoter of the technological fantasies of John Adolphus Etzler, a poet of science who prophesied a future free from drudgery, through machinery powered by natural forces. Etzler dreamed of crystal palaces: Duncan's public freedom was to end dramatically in 1851 just as a real crystal palace opened to an astonished world. In addition to Duncan, James Gregory also introduces a cast of other poets, earnest reformers and agitators, such as William Thom the weaver poet of Inverury, whose metropolitan feting would end in tragedy; John Goodwyn Barmby, bearded Pontiffarch of the Communist Church; a lunatic 'Invisible Poet' of Cremorne pleasure gardens; the hatter from Reading who challenged the 'feudal' restrictions of the Game Laws by tract, trespass and stuffed jay birds; and foreign exotics such as the German-born Conrad Stollmeyer, escaping the sinking of an experimental Naval Automaton in Margate to build a fortune as theAsphalt King of Trinidad.Combining these figures with the biography of a man whose literary career was eccentric and whose public antics were capitalised upon by critics of Chartist agitation, this book is essential reading for anyone interested in radical reform and popular political movements in Victorian Britain.