Gregory Woods (born in 1953 in Egypt) is a British gay poet, critic and academic poet who grew up in Ghana. The people in these poems are coping with the extremes of ordinary life. In looking to the past, to exalt or repudiate it, they make and unmake their futures. Using unrhymed iambic trimeter, Woods plays forty variations on the sonnet's simple progress from octet to sestet. Pared down to its basics, all sinew and bone, the form is efficient and starkly beautiful.

"In this remarkable first novel Mr. Baxter does a great deal more than show promise; if there is any justice in the world he has arrived." - "Times Literary Supplement"
"A first novel of more than promise. It is a distinct achievement." - Joseph Taggart, "Star"
"An uncommonly good novel." - "Time Magazine"
"A first novel of great promise . . . penetrating insight of a man's struggle against the dark powers of moral disintegration." - "News Chronicle"
"A brilliantly good novel." - Lionel Hale, "Observer"
"Automatically rises to a high level of interest by facing up to problems which have been considered taboo in numerous other war novels by writers on both sides of the Atlantic . . . Mr. Baxter displays a rousing knack for good story-telling with lean, unfrilled prose." - "Saturday Review"
" M]ay well be considered one of the finest pieces of descriptive writing to come out of the war. . . . This is an outstanding novel. The writing is very, very good. Highly recommended." - "Birmingham News"
" O]ne of the best of its kind ever written . . . quite literally an unforgettable experience." - "Savannah News"
One of the finest British novels to come out of World War II, "Look Down in Mercy" is the story of the moral disintegration of an ordinary British Army officer when faced with the unspeakable horrors of war. Newly arrived in Burma and waiting for the fighting to start, the outwardly brave and rugged Capt. Tony Kent passes the interminable and swelteringly hot days in bouts of heavy drinking and casual sex. But when the campaign begins in earnest, Kent is forced to confront his own inner darkness as his cowardice and fear lead to treason and cold-blooded murder. Surrounded by brutality and death on all sides, Kent's sole source of comfort is his love for his batman, Anson. But in the face of nearly insurmountable obstacles - enemy artillery, legal and social condemnation, and Kent's own doubts and self-loathing - can their love possibly survive?
"Look Down in Mercy" (1951) was both a bestseller and a major critical success for its author, Walter Baxter (1915-1994), whose second novel, "The Image and the Search" (1953), landed him in court on criminal obscenity charges and ended his writing career. This edition, the first in more than four decades, features a new introduction by Gregory Woods and includes both the original ending and the alternate ending from the 1952 American edition.

As life spans expanded dramatically in the United States after 1900, and employers increasingly demanded the speed and stamina of youth in the workplace, men struggled to sustain identities as workers, breadwinners, and patriarchs-the core ideals of twentieth-century masculinity. Longer life threatened manhood as men confronted age discrimination at work, mandatory retirement, and fixed incomes as recipients of Social Security and workplace pensions. They struggled to somehow sustain manliness in retirement, a new phase of life supposedly defined by the absence of labor. Ironically, retiring men pursued ways to stay "productive": retirees created new daily routines of golf and shuffleboard games, tinkered with tools in garages, attended social club meetings, armed themselves for hunting and fishing excursions, and threw themselves into yard work. Others looked for new jobs or business ventures. Only unending activity could help to ensure that the "golden years" would be good years for older men of the twentieth century.

Longlisted for the Polari Book Prize 2022. Gregory Woods is the leading British critic and historian of gay literature. He has published five previous Carcanet poetry collections, the first being We Have The Melon (1992). Ten years in the making, Records of an Incitement to Silence revisits many of the original themes, but here Woods brings them closer to the endgame. The sequence of stripped-down, unrhymed sonnets, and the longer poems that accentuate it, suggest a missing narrative: the growth of the individual in a world of upheaval, the search for and loss of love, the formation of memories, the limits of what can truthfully be said, the traces we leave and the chance of their survival. 'One of my creative habits,' Woods writes, 'is the wringing-out of a single form until it's bone dry: the unrhymed sonnets; the monosyllabic syllabics of the long poem "Hat Reef Loud"; the incompatible yoking-together of iambic pentameter and dactylic trimeter in the long poem "No Title Yet".' His formal stringency intensifies the poems' emotional and erotic charge, their celebration and their plaint.

Finalist for the Lambda Literary Awards in the LGBTQ Studies category: a landmark account of the seismic changes brought to twentieth-century culture by gay and lesbian networks "An avalanche of stories, ribald gossip, and lengthy asides . . . collectively confirm the book's central thesis: gay culture, or at least gays and lesbians, did indeed liberate the modern world."-Booklist In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called "the Homintern" (an echo of Lenin's "Comintern") by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pagan Ireland; An Archaeological Sketch: A Handbook Of Irish Pre-Christian Antiquities William Gregory Wood Martin Longmans, Green, and co., 1895 History; Europe; Ireland; History / Europe / Ireland; Ireland; Travel / Europe / Ireland

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