A new collection of subversive French fairy tales The wolf is tricked by Red Riding Hood into strangling her grandmother and is subsequently arrested. Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, most newly translated, by writers associated with the decadent literary movement that flourished in late nineteenth-century France. These enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, these decadent fairy tales feature perverse settings and disillusioned perspectives, underlining such themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. Complete with an informative introduction, biographical notes for each author, and explanatory notes throughout, these subversive tales will entertain and startle even the most disenchanted readers.

An exploration of Edgar Degas’s laundress works and their significance within broader debates art, urban life, and women’s work in the nineteenth century   Edgar Degas’s depictions of Parisian laundresses are some of the famed Impressionist’s most revolutionary works. In paintings, drawings, and prints throughout his long career, Degas emphasized the strenuousness of women’s labor and highlighted social-class divides in his idiosyncratic avant-garde style. Laundresses washing, ironing, and carrying heavy baskets of clothing were a highly visible presence within late nineteenth-century Paris, and their job was difficult, dangerous, and poorly paid. Indeed, many laundresses were forced to supplement their income through prostitution. Degas’s portrayals of this harsh and complicated life were included in his most significant exhibitions and were praised by artists and critics of his time as epitomizing modernity. Contextualizing Degas’s laundress works with those of his contemporaries, such as Gustave Caillebotte, Berthe Morisot, Pierre-Auguste Renoir, and Henri de Toulouse-Lautrec, this volume also looks at examples by painters that Degas influenced and was influenced by, from Honoré Daumier to Pablo Picasso. Richly illustrated and featuring essays by an interdisciplinary group of authors, this study draws on art history, literature, and history to reveal how Degas’s stunning works take part in a more widespread debate concerning the topic of laundresses during the late nineteenth century.   Distributed for the Cleveland Museum of Art   Exhibition Schedule:   The Cleveland Museum of Art (October 8, 2023–January 14, 2024)

The wolf is tricked by Red Riding Hood into strangling her grandmother and is subsequently arrested. Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, many newly translated, by writers associated with the decadent literary movement, which flourished in France in the late nineteenth century. Written by such creative luminaries as Charles Baudelaire, Anatole France, and Guillaume Apollinaire, these enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, the updated interpretations in this collection allow for more perverse settings and disillusioned perspectives--a trademark style and ethos of the decadent tradition. In these stories, characters puncture the optimism of the naive, talismans don't work, and the most deserving don't always get the best rewards. The fairies are commonly victims of modern cynicism and technological advancement, but just as often are dangerous creatures corrupted by contemporary society. The collection underlines such decadent themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. The volume editors provide an informative introduction, biographical notes for each author, and explanatory notes throughout. Subverting the conventions of the traditional fairy tale, these old tales made new will entertain and startle even the most disenchanted readers.

Literature that explored female homosexuality flourished in late nineteenth-century France. Poets, novelists, and pornographers, whether Symbolists, Realists, or Decadents, were all part of this literary moment. In Sapphic Fathers, Gretchen Schultz explores how these male writers and their readers took lesbianism as a cipher for apprehensions about sex and gender during a time of social and political upheaval.

Tracing this phenomenon through poetry (Baudelaire, Verlaine), erotica and the popular novel (Belot), and literary fiction (Zola, Maupassant, Peladan, Mendes), and into scientific treatises, Schultz demonstrates that the literary discourse on lesbianism became the basis for the scientific and medical understanding of female same-sex desire in France. She also shows that the cumulative impact of this discourse left tangible traces that lasted well beyond nineteenth-century France, persisting into twentieth-century America to become the basis of lesbian pulp fiction after the Second World War.