As a young poet, Dante Alighieri was at the center of a new attitude sweeping through Italy and southern France. Poets and artists were awakening from a thousand-year yoke we now call the Middle Ages. Giotto showed the way in art by painting real people in his allegorical scenes; Dante used vernacular or street language to write down his actual feelings. And a new subject drove these and other passionate artists: Love. Who were the poets of Dante's circle? This edition of Dante and His Circle is based upon an imaginative recreation of a cultural and intellectual ferment at the birth of a national literature. Dante Gabriel Rossetti brought together poetry of the friends and antagonists of Dante-in particular the poems of the flamboyant Guido Cavalcanti, the staid Cino da Pistoia, and the outrageous Cecco Angiolieri, with many others-and including the curious work of the youthful Dante called the Vita Nuova (The New Life, or My Young Life; available separately), which itself is the subject of comments by Dante's poetic friends. Dante's putative subject is Beatrice/Love-but the Vita Nuova is really an exercise in poetry: Dante sets the emotional scene for a poem, then he writes the poem, then he explains the poem's structure, part by part. Dante himself later became uncomfortable with this work of youth, but he did not disown it. This selected edition of Dante and His Circle concentrates on the eternal theme of Love, leaving aside poems relating to the wars and politics of the time. Love as a subject of serious public discussion signaled the emerging Renaissance, not just a rediscovery of the glories of ancient Greece and Rome, but a new sensibility finding-no-building a platform for personal expression and interchange. Besides the Vita Nuova, Rossetti arranged some poetic exchanges between Dante and Guido Cavalcanti. The Vita Nuova is also available as a stand-alone volume (www.createspace.com/3683218). The woman's perspective on love may have best been told by Sappho (www.createspace.com/4185675), who invented lyric poetry - and what we now know as the guitar pick

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Guido Cavalcanti (c. 1250-1300) of Florence was one of the first to create a new style of poetry, the "dolce stil nuovo," that was to inspire Dante. Cavalcanti's poetry sings of relationship and the metaphors of love that transcend the sexual and the romantic. Cirigliano's sensitive and probing text breaks with the Victorianisms of Rossetti's and Pound's translations in offering the contemporary reader the full passion of this master in a verse that is both elegant and direct. Includes introduction, notes, and first-line index.

Dante's best friend and a major exponent of the dolce stil novo, Guido Cavalcanti has had a lasting influence upon Italian poetry and is best known to English readers through the essays, translations and adaptations of Ezra Pound. Born from the cultural ferment of thirteenth-century Florence, Cavalcanti's poetry is an extraordinary blend of unorthodox philosophy, sharp psychological insight and dazzling formal mastery. Anthony Mortimer, acclaimed for his versions of "Petrarch" and "Michelangelo", provides a new verse translation complete with notes, critical comment and biographical material: following in the footsteps of Rossetti and Pound he presents a Cavalcanti who speaks for his own time and to ours.

Dante's best friend and a major exponent of the dolce stil novo, Guido Cavalcanti has had a lasting influence upon Italian poetry and is best known to English readers through the essays, translations and adaptations of Ezra Pound. Born from the cultural ferment of thirteenth- century Florence, Cavalcanti's poetry is an extraordinary blend of unorthodox philosophy, sharp psychological insight and dazzling formal mastery. Anthony Mortimer, acclaimed for his versions of Petrarch and Michelangelo, provides a new verse translation complete with notes, critical comment and biographical material: following in the footsteps of Rossetti and Pound, he presents a Cavalcanti who speaks for his own time and to ours.