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This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market verses the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children's eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.
This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children's eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.
Despite the increasing number and variety of older characters appearing in film, television, comics, and other popular culture, much of the understanding of these figures has been limited to outdated stereotypes of aging. These include depictions of frailty, resistance to modern life, and mortality. More importantly, these stereotypes influence the daily lives of aging adults, as well as how younger generations perceive and interact with older individuals. In light of our graying population and the growing diversity of portrayals of older characters in popular culture, it is important to examine how we understand aging. In Aging Heroes: Growing Old in Popular Culture, Norma Jones and Bob Batchelor present a collection of essays that address the increasing presence of characters that simultaneously manifest and challenge the accepted stereotypes of aging. The contributors to this volume explore representations in television programs, comic books, theater, and other forms of media. The chapters include examinations of aging male and female actors who take on leading roles in such movies as Gran Torino, Grudge Match, Escape Plan, Space Cowboys, Taken, and The Big Lebowski as well as The Expendables, Red, and X-Men franchises. Other chapters address perceptions of masculinity, sexuality, gender, and race as manifested by such cultural icons as Superman, Wonder Woman, Danny Trejo, Helen Mirren, Betty White, Liberace, and Tyler Perry's Madea. With multi-disciplinary and accessible essays that encompass the expanding spectrum of aging and related stereotypes, this book offers a broader range of new ways to understand, perceive, and think about aging. Aging Heroes will be of interest to scholars of film, television, gender studies, women's studies, sociology, aging studies, and media studies, as well as to general readers.
"Whenever the airship flew over a village, or whenever she flew over a lonely field on which some peasants were working, a tremendous shout of joy rose up in the air towards Count Zeppelin's miracle ship which, in the imagination of all who saw her, suggested some supernatural creature." As this paean to the Zeppelin from an early-20th-century issue of the German newspaper "Thuringer Zeitung" makes clear, the airship inspired a unique sense of awe. These phenomenal rigid, lighter-than-air craft--the invention of Ferdinand Graf von Zeppelin (1838-1917)--approached the size of a small village. Although they moved slowly, there was no mistaking their exciting--or ominous--potential. Friends of the machine believed that it would revolutionize commerce, carry scientists to otherwise inaccessible places, and deliver bombs with great accuracy. Before the airplane proved its reliability and superior practicality--and before the fiery crash of the "Hindenburg" in 1937--Zeppelins made a deep impression on the minds of Europeans, especially in Germany. In "Zeppelin " Guillaume de Syon offers a captivating history of this technological wonder, from development and production to its impact on German culture and society. De Syon chronicles the various ways in which the airships were used--transport, war, exploration, and propaganda--and details the attempts by successive German governments--autocratic, democratic, fascist-- to co-opt Count Zeppelin's invention. Between 1900 and 1939, Germans saw the Zeppelin as a symbol of national progress, and de Syon uses the airship to better understand the dynamics of German society and the place of technology within it. Though few people actually flew in any of the 119 Zeppelins built, the rigid airship made one of the strongest impressions of any flying machine on Europe's collective memory. Six decades later, there is still a mystique surrounding these technological leviathans, one that "Zeppelin " addresses with insight and wit.
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