Classic, much-parodied allegorical drama from director Ingmar Bergman.

A knight returns from the crusades to his plague-ridden homeland and engages Death in a game of chess.

This leads the knight to ponder the question of whether or not God exists.

Classic, much-parodied allegorical drama from director Ingmar Bergman. A knight (Max von Sydow) returns from the crusades to his plague-ridden homeland and engages Death (Bengkt Ekerot) in a game of chess. This leads the knight to ponder the question of whether or not God exists.

Ingmar Bergman's highly influencial philosophical roadmovie. 'Wild Strawberries' charts the journey of aged Professor Isak Borg (Victor Sjostrom) as he travels by car to his old alma mater, where he is to receive an honorary degree. Accompanied by his daughter-in-law, Marianne (Ingrid Thulin) who is travelling to meet her estranged husband, the Professor finds himself the subject of unsettling visions from his past, recalling lost loves and his own failed marriage. As the pair are interrupted by a youthful love triangle and a feuding older couple Isak is forced to confront his own coldness, and the possibility that his life has been wasted.

Classic Ingmar Bergman drama. The wives of four brothers relate to each other the stories of their marriages as they sit in a summer cottage and wait for their husbands to return, stories that include infidelity, light-hearted romance, and the difficulties of raising children. While they talk, one of the women's young sister, Maj (Gerd Andersson), is planning to elope without her sister's knowledge.

Ingmar Bergman's drama-about-a-drama, originally made for Swedish television in 1969, asks questions about obscenity, censorship and the role of the artist. Three actors from a theatre troupe that has had its latest production, 'The Rite', banned after being charged with obscenity are each interrogated privately by a provincial magistrate. The trio are incestuously involved: Thea (Ingrid Thulin) is married to Hans (Gunnar Björnstrand) but is having an affair with Sebastian (Anders Ek), who killed her former husband in a crime of passion. The judge, playing on the insecurities and vanity of the three actors, brings to light their deepest, darkest secrets. Bergman deliberately does not reveal the obscene nature of the troupe's production, leaving the viewer to imagine for themselves what they consider obscenity to be.