Gambling, prostitution and bootlegging have been going on in Steubenville for well over one hundred years. Its Water Street red-light district drew men from hundreds of miles away, as well as underage runaways. The white slave trade was rampant, and along with all the vice crimes, murders became a weekly occurrence. Law enforcement seemed to turn a blind eye, and cries of political corruption were heard in the state capital. This scenario replayed itself over and over again during the past century as mobsters and madams ruled and murders plagued the city and county at an alarming rate. Newspapers nationwide would come to nickname this mecca of murder "Little Chicago."

James Bond (Sean Connery) pits his wits against the power-crazed criminal mastermind Goldfinger (Gert Frobe) in the third of the long-running spy series. Mr Finger has secured most of the gold in the world and now plans to render the rest useless. Henchman Oddjob (Harold Sakata) helps him realise his plans, thanks to his unusually lethal bowler hat, whilst Pussy Galore (Honor Blackman) is the glamorous pilot who Goldfinger hopes will execute the raid on Fort Knox that will make him the richest man in the world. Can Bond save the day again or has he finally met his match in the man with the Midas touch? Includes the famous customized Aston Martin DB5, complete with machine guns, smoke screen and ejector seat.

The complete first season of the US cop show set in inner city Los Angeles. In the pilot episode Wagenbach and Wyms are on the trail of a kidnapped girl. 'Our Gang' has Internal Affairs look into the death of Detective Cowley. 'The Spread' sees the detectives uncover a gun-smuggling operation. 'Dawg Days' finds Mackey playing the mediator in a hip-hop feud. In 'Blowback' the team have the tables turned on them in a drug bust. 'Cherrypoppers' has the detectives clamp down on underage prostitution in the area. 'Pay in Pain' finds Dutch and Wyms on the trail of a serial killer. 'Cupid and Psycho' sees the team's operations put on hold when allegations against them make front-page news. 'Throwaway' has relations between Lowe and Sofer grow even more troubled. 'Dragonchasers' finds Connie going cold turkey with Mackey's help. 'Carnivores' sees the team attempt to cool things down when relations between Rondell Robinson and the Nation of Islam get heated. 'Two Days of Blood' has Vendrell and Lemansky pursue a suspect through the cockfighting underworld. And finally, in 'Circles', in the aftermath of a riot, local cops start falling victim to a series of planned attacks.

Double bill of adventure films. 'Percy Jackson and the Lightning Thief' (2010), based on the children's books by Rick Riordan, follows the adventures of 12-year-old New Yorker Percy Jackson (Logan Lerman). When Percy discovers that he is the descendant of a Greek god, he sets out on a cross-country adventure to settle an ongoing feud between the 'Big Three', Zeus (Sean Bean), Hades (Steve Coogan) and Poseidon (Kevin McKidd), and unravel a mystery more powerful than the gods themselves. 'Eragon' (2006), based on the best-selling novel by Christopher Paolini, follows the fortunes of an orphaned farm boy, Eragon (Edward Speleers), whose life is changed forever when a mystic stone chooses him for its keeper. When the stone turns out to be an egg from which a baby dragon is hatched, Eragon realises he has stumbled upon a legacy nearly as old as the Empire itself. With only an ancient sword and the advice of an old storyteller (Jeremy Irons) for guidance, Eragon and the fledgling dragon (voiced by Rachel Weisz) must navigate the dangerous terrain of an Empire ruled by a king whose evil knows no bounds.

Offering an original legal definition of shaming, this incisive book argues for greater attention to shaming by legal scholars and practitioners. Suggesting nuanced procedures to regulate shaming in diverse areas of law, it seeks to make shaming by legal entities legitimate and effective, and to use legal mechanisms to limit inappropriate shaming. This book presents conceptual, normative, and descriptive insights of shaming by individuals, groups, and the state. Defining shaming as the deliberate dissemination of information likely to harm the reputation of whomever is shamed, chapters consider the historical, philosophical, sociological, economic, political, cultural, and legal aspects of shaming. The book offers novel insights into when and how shaming can be utilized by the law, for example by judges and environmental corporate regulators, and when shaming impedes justice, such as in family disputes, tax tribunals, and on social media. Advancing recent public debates, this book will be a fascinating read for legal scholars and students interested in the definition and regulation of shaming. It will also be an invaluable guide for legal practitioners seeking to understand what role shaming can legitimately play in their field.

The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a ‘passion pit’ or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.

The Research Handbook of Financial Markets carefully discusses the histories and current states of the most important financial markets and institutions, as well as explicitly underscoring open questions that need study. By describing the institutional structure of different markets and highlighting recent changes within them, it accurately highlights their evolving nature. Taking the perspective that finance and macroeconomics are intertwined, this illuminating Research Handbook brings together prominent experts to investigate key market interactions. Chapters act as self-contained case studies of particular markets, allowing for a thorough individual examination of each. Ultimately, they offer a holistic understanding of financial markets and the current state of research. Academics and researchers in economics and finance curious about developments within financial regulation and banking will find this comprehensive Handbook to be hugely valuable. Market participants will additionally find it to be a useful reference, along with regulators seeking to mitigate financial instability.

Giraffes Can't Dance is a touching tale of Gerald the giraffe, who wants nothing more than to dance. With crooked knees and thin legs, it's harder for a giraffe than you would think. Gerald is finally able to dance to his own tune when he gets some encouraging words from an unlikely friend.With light-footed rhymes and high-stepping illustrations, this tale is gentle inspiration for every child with dreams of greatness.

Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. Jon Pierre and Guy Peters expertly guide the reader through governance - one of the most widely used terms in political science - and its differing interpretations, with comprehensive discussion of the key issues covering global as well as local level governance. A detailed look into what constitutes 'good governance', whether produced by a government or by more informal means, is also explored. Key features include: examination of what governance is, how it is created and the differing styles of governance how governance is becoming more collaborative between governments and the private sector an investigation into the governance process and outcomes, including topics such as bargaining, negotiation and the use of political power. This insightful Advanced Introduction will be an excellent resource for both graduates and undergraduates studying governance and political science. It will also be a useful guide for academics who are interested in governance and who need a concise introduction.