This special pottery combines the traditions of Pueblo and Navajo artists from Arizona and New Mexico with daring new interpretaions by the modern generation. In hundreds of beautiful color photos, styles inherently connected with old beliefs and Southwest clay are shown to have a fresh appearance in the hands of contemporary potters. Bowls, plates ollas, pitchers, and vases by potters in Acoma, Hopi, Jemez, Navajo, San Felipe, San Ildefonso, San Juan, Santa Ana, Zia, and Zuni families are featured along with storytellers and charming animal figures. The Directory of Artists, including kachina carvers, jewelry makers, sculptors, and potters, cross-references the pottery shown in this book. This reference section alone makes the work indispensible for all who are concerned with contemporaty Indian arts.

A guide to Pueblo and Navajo pottery and pottery artists from Arizona and New Mexico, showcasing work that combines traditional styles with new interpretations. Parts I and II present vessels and figures arranged alphabetically by potters in various tribal families. Part III is a directory of artist

The 17 Southwest Pueblos along the Rio Grande, and in the rising mesas and bluffs to the west, have a long tradition of beautiful pottery vessels for practical and ceremonial use. In this book, more than 554 modern Southwest Pueblo potters are introduced from 102 families with 160 color photographs of them and their meticulous work. Traditional and new forms are displayed to demonstrate the evolving nature of their work. A new value reference reflects the present pottery market.

Rural development is linked crucially with rural structure, though the latter is often difficult to analyze. This book analyzes rural classes and the diverse relations between producers in order to understand the relationship between Third World farmers and the international economy, and the significance of this for development and underdevelopment. The author introduces a number of theoretical distinctions and devises a a systematic framework which is applied to the analysis of a range of rural producers. The book assesses a number of strategies employed in planned development in the light of their implications for rural social structure, and thus for development in the Third World. This book provides an intensive and original conceptual and practical discussion of the possibilities for development under capitalism, and shoud be of interest to economists, political scientists and sociologists, as well as those working in development studies.

Rural development is linked crucially with rural structure, though the latter is often difficult to analyse. This book analyses rural classes and the diverse relations between producers in order to understand the relationship between Third World farmers and the international economy, and the significance of this for development and underdevelopment. The author introduces a number of theoretical distinctions and devises a systematic framework which is applied to the analysis of a range of rural producers. The book assesses a number of strategies employed in planned development in the light of their implications for rural social structure, and thus for development in the Third World. This book provides an intensive and original conceptual and practical discussion of the possibilities for development under capitalism, and will be of interest to economists, political scientists and sociologists, as well as those working in development studies.

This distinctive pottery, made for use and for show at the village of Mata Ortiz, Mexico, evolved from Juan Quezada's first efforts in 1955 into a business that involves the village and now employs around 350 potters. Six distinct styles are presented: black, polychrome, sgraffito (etched), colored, miniature, and special shapes. Bowls, plates, vessels, and delightful figural pieces have recognizable glazes and coloring that have made Mata Ortiz pottery welcome in many ceramics collections today. This fresh and comprehensive book includes a fascinating discussion of similarities in the bird motif with Acoma Pueblo (New Mexico) pottery. Private and gallery pottery collections were studied, making this a thorough presentation of old and new work. Each form is described with the maker's name, decorative details, and dimensions. Both older and emerging artists are well represented, making this an important reference for the classic forms, current styles, and future designs.