Of all the classical poets Gaius Valerius Catullus (c. 84-54 BC) is the most accessible to the modern reader. Presented alongside the original Latin text, this new translation reflects Catullus' mastery of poetic forms as diverse as the lyric, the inventive epigram, and the romantic legend, and shows his passionate, and sometimes dedicated to his lover Lesbia. This edition also includes a introduction to the poet's life and work, and full explanatory notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Of all the great classical love poets, Propertius (c. 50-10 BC) is surely one of those with most immediate appeal for readers today. His helpless infatuation for the sinister figure of his mistress Cynthia forms the main subject of his poetry and is analyzed with a tormented but witty grandeur in all its changing moods, from ecstasy to suicidal despair.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Written between 42 and 37 b.c., ten pastoral poems believed to be the first authentic work by Virgil are presented with the original Latin on the left-hand page and the translation on the right.

Originally published in 1998, this is a new paperback edition of Guy Lee's translation of the Odes and the Carmen Saeculare . Lee adheres to the metrical patterns of the Latin and reproduces the vigour and subtlety of the original poems. Horace cannot fail to please whether brilliantly tongue-in-cheek - .. when you Lydia, praise Telephus and his neck (rosy pink ), Telephus and his arms (wax-smooth ) yuk, I can feel it, my liver boiling with sour bile and oedematous' ( Odes 1,13 ) or pleasantly urbane, urging his readers to indulge in a few cups of innocuous Lesbian wine'.

Originally published in 1998, this is a new paperback edition of Guy Lee's translation of the Odes and the Carmen Saeculare . Lee adheres to the metrical patterns of the Latin and reproduces the vigour and subtlety of the original poems. Horace cannot fail to please whether brilliantly tongue-in-cheek - .. when you Lydia, praise Telephus and his neck (rosy pink ), Telephus and his arms (wax-smooth ) yuk, I can feel it, my liver boiling with sour bile and oedematous' ( Odes 1,13 ) or pleasantly urbane, urging his readers to indulge in a few cups of innocuous Lesbian wine'.

Aulus Persius Flaccus (A.D. 34-62) wrote in racy conversational Latin six satires countering contemporary vice with Stoic morality; he died young. This is not easy poetry, with its sudden shifts of tone, switches of speaker and situation, vivid evocation of the everyday roman background, and confident handling of philosophical positions. But it is still a good read. This edition prints the Latin text faced with a brilliant verse translation by Guy Lee. The introduction and commentary provided by William Barr make it a suitable class text.

This text offers an introduction, Latin text, translation and literary commentary on seventeen poems by Catullus, Propertius, Tibullus and Ovid. It is intended for students who are approaching the genre of Latin love elegy for the first time - both those who have a knowledge of Latin and those who may wish to study the genre in translation. The poems have been selected to represent each author's particular qualities; while the commentary aims to bring out their literary qualities and invites comparison and contrast between them. Revised from a previous edition - "Reading Latin Love Elegy" - which contained no text, this book includes translations of Catullus, Propertious and Ovid by Guy Lee; and versions of Tibullus by Joan Booth, who also provides the introduction and commentary.

Of all the Greek and Latin love poets, Propertius (c. 50-10 BC) is one of those who perhaps holds most immediate appeal for the twentieth century reader. His helpless infatuation for the sinister figure of his mistress Cynthia forms the main subject of his poetry, and is analysed with a tormented but witty grandeur in all its changing moods - from ecstasy to suicidal despair. The son of an Umbrian landowner who fought on the wrong side in the Civil War after Caesar's murder, he lost his father and most of the family estate in boyhood and was brought up by his mother. He was able nevertheless to reject a legal or military career and to devote his life to the art of poetry, in which he is a far more self-conscious practitioner than most of the other Latin poets. His modern popularity was furthered in particular by Ezra Pound's Homage to Sextus Propertius (1919).

The Latin text with a verse translation and brief notes.