Olympic Laws: Culture, Values, Tensions is the first book to analyse fully the Olympic legal framework and its application to the IOC and the Olympic Games through a socio-legal lens. It opens up a new window into understanding the Olympic Games, across recent iterations of the Games and on to future Games. The book begins by defining the parameters of the emergent legal sub-fields of Sports Law, lex Olympica and Olympic Law, through the identification of the sources of these Olympic Laws and their underpinning norms. It then uses a series of case studies to demonstrate how lex Olympica has evolved as a means of defending the Olympic Movement from unwanted legal interventions, how Olympic Law has been created to protect the commercial rights vested in the Games, and how the legacies created by this unique category of law have a lasting impact on host cities and beyond. It concludes with a call that the IOC recalibrate its relationships with prospective hosts and the participating athletes by requiring specific adherence to the Fundamental Principles of Olympism. This is essential reading for any student or researcher with an interest in Olympic studies, sport law, or socio-legal studies, or any practising lawyer or events professional looking to better understand the impact and institutions of mega-events.

Readings in Law and Popular Culture is the first book to bring together high quality research, with an emphasis on context, from key researchers working at the cutting-edge of both law and cultural disciplines.

Fascinating and varied, the volume crosses many boundaries, dealing with areas as diverse as football-based computer games, Buffy the Vampire Slayer, digital sampling in the music industry, the films of Sidney Lumet, football hooliganism, and Enid Blyton. These topics are linked together through the key thread of the role of, or the absence of, law - therefore providing a snapshot of significant work in the burgeoning field of law and popular culture.

Including important theoretical and truly innovative, relevant material, this contemporary text will enliven and inform a legal audience, and will also appeal to a much broader readership of people interested in this highly topical area.

Cricket, law and the meaning of life ...

In a readable, informed and absorbing discussion of cricketa (TM)s defining controversies a " bodyline, chucking, ball-tampering, sledging, walking and the use of technology, among many others a " David Fraser explores the ambiguities of law and social order in cricket.

Cricket and the Law charts the interrelationship between cricket and legal theory a " between the law of the game and the law of our lives a " and demonstrates how cricketa (TM)s cultural conventions can escape the confines of the game to carry far broader social meanings.

This engaging study will be enjoyed by lawyers, students of culture and cricket lovers everywhere.

As the commercialization of sport grows, the need for proper regulation increases. In legal terms, sport is part of the entertainment and media industries which are subject to rapid change. This work brings together experts in many fields to analyze these changes and to discuss the implications of issues such as the BSkyB-Manchester United case, civil and criminal actions on the playing field, the "Bosman" ruling, drugs in sport, the legality of boxing and the validity of decisions made by governing bodies. This collection should appeal to students of both sports history and sports sociology.

As the commercialization of sport grows, the need for proper regulation increases. In legal terms, sport is part of the entertainment and media industries which are subject to rapid change. This work brings together experts in many fields to analyze these changes and to discuss the implications of issues such as the BSkyB-Manchester United case, civil and criminal actions on the playing field, the "Bosman" ruling, drugs in sport, the legality of boxing and the validity of decisions made by governing bodies. This collection should appeal to students of both sports history and sports sociology.

This book examines the contractual relationships of creative artists within a number of areas of the entertainment industry. Whilst it focuses specifically on football, cricket, boxing and music, developments within other parts of the entertainment business are observed. The book also charts the concessions (artistic, professional and personal) that are often made by such artists in an attempt to achieve success and the consequent legal problems that may arise from their working relationships. Embracing historical materials and current legal practices, Contract and Control in the Entertainment Industry will be of interest to academics and students in the fields of law, sociology and cultural studies. It will also appeal to anyone who is interested in seeing how many areas of the entertainment industry have placed very restrictive contractual controls on the raw materials of the industry - the creative artists.

Readings in Law and Popular Culture is the first book to bring together high quality research, with an emphasis on context, from key researchers working at the cutting-edge of both law and cultural disciplines. Fascinating and varied, the volume crosses many boundaries, dealing with areas as diverse as football-based computer games, Buffy the Vampire Slayer, digital sampling in the music industry, the films of Sidney Lumet, football hooliganism, and Enid Blyton. These topics are linked together through the key thread of the role of, or the absence of, law - therefore providing a snapshot of significant work in the burgeoning field of law and popular culture. Including important theoretical and truly innovative, relevant material, this contemporary text will enliven and inform a legal audience, and will also appeal to a much broader readership of people interested in this highly topical area.

Cricket, law and the meaning of life ...

In a readable, informed and absorbing discussion of cricketa (TM)s defining controversies a " bodyline, chucking, ball-tampering, sledging, walking and the use of technology, among many others a " David Fraser explores the ambiguities of law and social order in cricket.

Cricket and the Law charts the interrelationship between cricket and legal theory a " between the law of the game and the law of our lives a " and demonstrates how cricketa (TM)s cultural conventions can escape the confines of the game to carry far broader social meanings.

This engaging study will be enjoyed by lawyers, students of culture and cricket lovers everywhere.

This book examines the contractual relationships of creative artists within a number of areas of the entertainment industry. Whilst it focuses specifically on football, cricket, boxing and music, developments within other parts of the entertainment business are observed. The book also charts the concessions (artistic, professional and personal) that are often made by such artists in an attempt to achieve success and the consequent legal problems that may arise from their working relationships. Embracing historical materials and current legal practices, Contract and Control in the Entertainment Industry will be of interest to academics and students in the fields of law, sociology and cultural studies. It will also appeal to anyone who is interested in seeing how many areas of the entertainment industry have placed very restrictive contractual controls on the raw materials of the industry - the creative artists.

Football in Europe has undergone massive changes over the last decade. Regulating Football gets behind the headlines to look at the impact of ever increasing commercialisation and the commodification of football. The essence of the book is football as it is played, refereed, managed, bought, sold and consumed: the authors capture the life and action of the game as seen from the perspective of the numerous participants and place these experiences within a sociological, economic and legal context which reflects the increasing commodification of the sport. Exploring the ways in which the game is regulated, the authors question whether we have reached the point where commercial issues have superseded the club - and even the game of football itself. The role of players, agents, officials, governing bodies, and the media are all explored. The authors pay attention to levels of violence and racism both on and off the field in both the professional and amateur forms of the game.

Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.