'A singular, devastating journey into the ungovernable reaches of the heart' ObserverSHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017Neve is a writer in her mid-30s married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and her self-involved mother to a musician who played her and a series of lonely flights from place to place.Drawing the reader into the battleground of her relationship, Neve spins a story of helplessness and hostility, an ongoing conflict in which both husband and wife have played a part. But is this, nonetheless, also a story of love?

**Shortlisted for the Rathbones Folio Prize 2022** A Book of the Year in the Observer, the Daily Telegraph, the Irish Times, the Guardian, the White Review, the Evening Standard, the Big Issue, the TLS, the Week and the New Statesman. From the Women's Prize-Shortlisted author of First Love Helen Grant has always been a mystery to her daughter. Twice-divorced, with few friends, her desire to join in is matched only by her need to stand apart. As Bridget looks back over their fractious relationship, she is forced to confront the cruelties inflicted on both sides. My Phantoms is an insightful, compelling and painfully funny account of a family strained to breaking point; a reckoning with the damage we do over the course of a life.

Hard Rain ranges over thirty years of Bob Dylan's recordings, films, and concerts to deliver astute insights into-and sometimes heretical judgements of-his prodigious corpus of work. This updated edition includes a new epilogue that examines Dylan's thirtieth anniversary celebration in 1992; his albums Good As I Been to You, World Gone Wrong, and Time Out of Mind; his 1997 performance before the Pope; and his 1998 Grammy Award comeback. The result is unparalleled rock criticism.

At thirty, Aislinn Kelly is an occasional novelist with a near-morbid attunement to the motives of those around her. Isolated, restless and stuck, she decamps to America - a default recourse - this time to an attic room in Indianapolis, to attempt once again the definitive act of self-salvage. There are sharp memories to contend with as the summer heats up, and not least regarding her family history, now revealed as so botched and pitiful it seems it might yet cancel her out. She's spent years evading the attentions of her unstable, bullying father, only to find her mother now cowering in a second rancid marriage. There are also friendships lost or ailing: with bibulous playwright Karl, sly poet Erwin, depressed bookshop-wallah Bronagh, and Aislinn's best friend Cathy, who has recently found God... Finally her thoughts turn to her last encounter with Jim Schmidt, a man she's loved for ten years, hasn't seen for five, yet still has to consider her opposite number in life. Opposed Positions is a startlingly frank novel about the human predicament, about love and its substitutes, disgraceful or otherwise. Some of these people want to be free - of themselves, of each other - and some have darker imperatives. Wry, shocking, perfectly observed and utterly heart-breaking, the novel moves towards its troubling conclusion: a painful appreciation of what it is we've come from, and what we might be heading for.

Carmel McKisco is wry, volatile and full of longing: a twenty-year-old girl working nights in a Manchester dive bar. Cut off from her family, and from Tony, her carefree ex, she forges strange alliances with her customers, and daydreams, half-heartedly, about escaping to Cornwall, her own Elysian Fields. Cold Water is a poignant picaresque of barmaids and barflies; eccentric individuals all somehow tethered to their past - not least Carmel herself, who is nurturing mordant fixations on both her lost love, Tony, and her washed-up adolescent hero: a singer from Macclesfield. As she spins out the days and nights of an unrelentingly rainy winter she finds herself compelled to confront her romantic preoccupations, for better or worse.

Confident, fresh, and completely original, Cold Water has a voice to match - whether sharp or sentimental, tender or sassy, elegant or dryly sardonic. Peopled with memorable characters and imbued with a subtle sense of longing and raw loneliness beneath the banter and whimsy, this thrilling debut is as cool and assured as Carmel herself - a funny, memorable and strangely affecting look at the way people drift into and out of each other's lives, and how they find their place in the world.