The stunning only novel by the celebrated poet and first Black author to win a Pulitzer Prize, introduced by Margo Jefferson. 'Such a wonderful book. Utterly unique, exquisitely crafted and quietly powerful. I loved it and want everyone to read this lost literary treasure.' Bernardine Evaristo 'Maud Martha finds beauty in the brutal formative moments that make us. It is one of my favorite depictions of how a woman comes to trust her eyes.' Raven Leilani 'The quotidian rises to an exquisite portraiture of black womanhood in the hands of one of America's most foundational writers.' Claudia Rankine 'Maud Martha reveals the poetry, power and splendor of an ordinary life.' Tayari Jones What, what, am I to do with all of this life? Maud Martha Brown is a little girl growing up on the South Side of 1940s Chicago. Amidst the crumbling taverns and overgrown yards, she dreams: of New York, romance, her future. She admires dandelions, learns to drink coffee, falls in love, decorates her kitchenette, visits the Jungly Hovel, guts a chicken, buys hats, gives birth. But her lighter-skinned husband has dreams too: of the Foxy Cats Club, other women, war. And the 'scraps of baffled hate' - a certain word from a saleswoman; that visit to the cinema; the cruelty of a department store Santa Claus- are always there . Written in 1953 but never published in Britain, Maud Martha is a poetic collage of happenings that forms an extraordinary portrait of an ordinary life: one lived with wisdom, humour, protest, rage, dignity, and joy.

Discover the most enduring works of the legendary poet and first black author to win a Pulitzer Prize-now in one collectible volume "If you wanted a poem," wrote Gwendolyn Brooks, "you only had to look out of a window. There was material always, walking or running, fighting or screaming or singing." From the life of Chicago's South Side she made a forceful and passionate poetry that fused Modernist aesthetics with African-American cultural tradition, a poetry that registered the life of the streets and the upheavals of the 20th century. Starting with A Street in Bronzeville (1945), her epoch-making debut volume, The Essential Gwendolyn Brooks traces the full arc of her career in all its ambitious scope and unexpected stylistic shifts. "Her formal range," writes editor Elizabeth Alexander, "is most impressive, as she experiments with sonnets, ballads, spirituals, blues, full and off-rhymes. She is nothing short of a technical virtuoso." That technical virtuosity was matched by a restless curiosity about the life around her in all its explosive variety. By turns compassionate, angry, satiric, and psychologically penetrating, Gwendolyn Brooks' poetry retains its power to move and surprise. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

Selected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. This edition also includes a special PS section with insights, interviews, and more--including a short piece by Nikki Giovanni entitled Remembering Gwen. By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken in attacking American racism and insisting on full political, economic, and social equality for all. In that memorable year of the March on Washington, Harper & Row released Brooks's Selected Poems, which incorporated poems from her first three collections, as well as a selection of new poems. This edition of Selected Poems includes A Street in Bronzeville, Brooks's first published volume of poetry for which she became nationally known and which led to successive Guggenheim fellowships; Annie Allen, published one year before she became the first African American author to win the Pulitzer Prize in any category; and The Bean Eaters, her fifth publication which expanded her focus from studies of the lives of mainly poor urban black Americans to the heroism of early civil rights workers and events of particular outrage--including the 1955 Emmett Till lynching and the 1957 school desegregation crisis in Little Rock, Arkansas.