Three extraordinary people in some most extraordinary times: It's Dissolution Summer and as the United Kingdom prepares to break up into separate nations, the Counterculturals have gathered for a festival where everything's allowed. Among them is a talented little brat called Fiorinda, rock and roll princess by birth, searching for her father, the legendary Rufus O'Niall. Instead, she finds Ax Preston, the softly spoken guitarman with bizarre delusions about saving the country from the dark ages. Together with Sage Pender, techno-wizard king of the lads, they join the pop-icon team that's supposed to make the government look cool. Rock Legends. True Romance. A stunning fantasy about England.

On a desperately overcrowded future Earth, crippled by climate change, the most unlikely hope is better than none. Governments turn to Big Science to provide them with the dreams that will keep the masses compliant. The Needle is one such dream, an installation where the most abstruse theoretical science is being tested: science that might make human travel to a habitable exoplanet distantly feasible. When the Needle's director offers her underground compound as a training base, Kir is thrilled to be invited to join the team, even though she knows it's only because her brain is host to a quantum artificial intelligence called Altair. But Altair knows something he can't tell. Kir, like all humans, is programmed to ignore future dangers. Between the artificial blocks in his mind, and the blocks evolution has built into his host, how is he going to convince her the sky is falling?

Anna Senoz is a brilliant young scientist, working towards her PhD and a bright career when she makes a discovery that could change the world of genetics forever. The 'Transferred Y' chromosome, however, isn't as welcomed by her peers, or the wider society. Anna is forced to choose between her dedication to her discovery, the progress of her career, and her responsibilities to her family. Does scientific integrity mean speaking out against the naysayers? Are the potential ramifications of her discovery too wide-reaching for her to risk pursuing it? Winner of the 2004 Philip K. Dick award, Life examines society's fixation on biological sex, the struggles of women in STEM, and the pressures placed upon them by families, colleagues and friends alike. Perfect for fans of alternate histories and near-future feminist SFF, like The Handmaid's Tale and Vox.

In the year 2038, the earth has been ravaged by earthquakes and volcanic eruptions. Retroviruses run rampant through humanity. Economic disaster has destabilised the world, the US has undergone a socialist revolution, and the balance of power has changed. Then the aliens arrive. With no clear understanding of the visitors' intent, factions form, including the anti-alien group White Queen, working to turn humans against these extra-terrestrial tourists. Caught in the middle is Johnny Guglio, an American exile whose only fault was living near the landing site, and Braemar Wilson, a cutthroat reporter who will do whatever she needs to get ahead of the story. And for better or for worse, it seems being caught in the middle is the best place for them to uncover the truth. Winner of the 1991 James Tiptree Jr. Award, WHITE QUEEN is the first in Gwyneth Jones' critically acclaimed Aleutian Trilogy.

London. Early 21st Century. A Conservative government is in power in the UK, bringing increased wealth disparity, an ever-more militant police state, and rising civil discontent as the wealthy govern for themselves rather than the people. But BREAKTHRU - a pharmaceutical company turned religious cult - have the answer. They call it Kairos. Kairos allows the user to not just see a different world, but shape the world to their very will. Perfect for a cult of like-minded individuals. Disastrous when it is exposed to the general public. As disparate groups of people try to shape the world into their own image, reality itself is placed under threat. With society so divided, is there any way to pull the world back together? Written in 1988, this remarkably prescient book received great critical acclaim.

The BOLD AS LOVE series is a world of daring, dread and enchantment, a world that could almost be ours: a brilliant combination of myth, magic and pop culture.

Ax Preston, Sage Pender and Fiorinda, charismatic leaders of the Rock-n-Roll Reich, have beaten the cascade of disasters that followed the collapse of the former United Kingdom. Now they have to find some resolution to the impossible dynamics of their own relationship, while the world keeps falling apart.

There are fearsome things going on in England's rural hinterland, and in Continental Europe the green nazis are planning a final solution to desperate environmental damage. But there's nothing the Triumvirate can't handle - until Fiorinda's father, a monster of the kind the world has never before known, reaches out to reclaim his magical child, the flower-bride.

And that's when darkness falls over Ax's England . . .

Harrowing . . . enchanting - a dark fairy tale with an epic sweep, set in a world very like our own.

Experimental, strange, and unabashedly feminist, Joanna Russ's groundbreaking science fiction grew out of a belief that the genre was ideal for expressing radical thought. Her essays and criticism, meanwhile, helped shape the field and still exercise a powerful influence in both SF and feminist literary studies.Award-winning author and critic Gwyneth Jones offers a new appraisal of Russ's work and ideas. After years working in male-dominated SF, Russ emerged in the late 1960s with Alyx, the uber-capable can-do heroine at the heart of Picnic on Paradise and other popular stories and books. Soon, Russ's fearless embrace of gender politics and life as an out lesbian made her a target for male outrage while feminist classics like The Female Man and The Two of Them took SF in innovative new directions. Jones also delves into Russ's longtime work as a critic of figures as diverse as Lovecraft and Cather, her foundational place in feminist fandom, important essays like "Amor Vincit Foeminam," and her career in academia.

Experimental, strange, and unabashedly feminist, Joanna Russ's groundbreaking science fiction grew out of a belief that the genre was ideal for expressing radical thought. Her essays and criticism, meanwhile, helped shape the field and still exercise a powerful influence in both SF and feminist literary studies.Award-winning author and critic Gwyneth Jones offers a new appraisal of Russ's work and ideas. After years working in male-dominated SF, Russ emerged in the late 1960s with Alyx, the uber-capable can-do heroine at the heart of Picnic on Paradise and other popular stories and books. Soon, Russ's fearless embrace of gender politics and life as an out lesbian made her a target for male outrage while feminist classics like The Female Man and The Two of Them took SF in innovative new directions. Jones also delves into Russ's longtime work as a critic of figures as diverse as Lovecraft and Cather, her foundational place in feminist fandom, important essays like "Amor Vincit Foeminam," and her career in academia.