Practical models and fundamental aspects of reuse-based software engineering

This volume provides an overview of the current state and the future of reuse-based software engineering and discusses the vital technical, managerial, and organizational aspects of reuse in one treatment. It also shows how these fundamental aspects can be used in the development life cycle of component-based software and product line engineering.

The authors present the basic foundations upon which reuse processes and approaches can be established and integrate theoretical concepts with applied practice. They also discuss the development of an effective large-scale discipline utilizing:

• The state of the art in multi-paradigm programming, design, and architectural techniques for codifying and packaging high-quality software artifacts that are widely applicable and cost-effective
• Effective organizations with the mandate and the resources to produce and manage a shared repository of software assets
• A set of control and management tools for planning, controlling, and evaluating the degree to which such an organization meets its objectives

Reuse-Based Software Engineering offers in-depth discussion of these fundamental issues and total coverage of the state of the art. The inclusion of review questions and exercises makes it an excellent tutorial for both academics and professionals.

In Realism and the Drama of Reference, Meili Steele brings the problem of reference--how language discloses the world--into contemporary critical debates about representation. He explores the potential of reference in the work of three authors in the realistic tradition: Balzac, Flaubert, and James. By defining realism in terms of linguistic practices instead of representational accuracy, this study liberates reference from traditional realist concerns with the empirical universe. Realism thus becomes only one kind of referential practice.

The analysis takes up one text by each author--Balzac's Les Illusions perdues, Flaubert's L'Education sentimentale, and James's The Golden Bowl--and considers each with regard to four problems of the realistic novel: the creation of physical and cultural space; the speech of the characters and the relationship of their speech to what the text suggests knowledge to be; the narrator's authority and his interventions; and the representation of the protagonist's experience. By mapping the representational strategies of these three major authors in the history of the novel, this study calls for a reconsideration of the ways in which all novels represent their worlds.