Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book argues that Chaucer challenges his culture's mounting obsession with vision through his varied constructions of masculinity. Because medieval theories of vision relied upon distinctions between active and passive seers and viewers, optical discourse had social and moral implications for gender difference in late fourteenth-century England. By exploring ocularity's equal dependence on "invisibility," Chaucer offers men and women access to a vision of "manhed," one that fragments a traditional gender binary by blurring its division between agency and passivity.

This interdisciplinary collection explores the ability of Old French fabliaux to disrupt the literal and figurative bodies with which they come into contact. Essays in this volume address theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that result from this literary body's unsettling capacity. Resisting the impulse to see the fabliaux as either liberatory or restrictive, comic or satiric, didactic or immoral, contributors assess the ways in which Old French fabliaux expose bodily relations that elude binary classifications. As a gathering of scholars in French, English, and History, this volume suggests that the Old French fabliaux form a corpus that is provocative across medieval studies.

Peckham Experiment was first published in 1943.

The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction. The third volume of this pioneering series explores the manufacture and trade of textiles and their practical, fashionable, and symbolic uses. Papers include in-depth studies and cross-genre scholarship representing such fields associal history, economics, art history, archaeology and literature, as well as the reconstruction of textile-making techniques. They range over England, Flanders, France, Germany, and Spain from the seventh to the sixteenth centuries, and address such topics as soft furnishings, ecclesiastical vestments, the economics of the wool trade, the making and use of narrow wares, symbolic reference to courtly dress in a religious text, and aristocratic children'sclothing. Also included are reviews of recent books on dress and textile topics. ROBIN NETHERTON is a professional editor and a researcher/lecturer on Western European dress, specializing in the depiction and interpretation of clothing by artists and historians. GALE R. OWEN-CROCKER is Professor of Anglo-Saxon Culture at The University of Manchester and author of Dress in Anglo-Saxon England; she is the Director of an ARHC-fundedproject on cloth and clothing terminology in medieval Britain. CONTRIBUTORS: ELIZABETH COATSWORTH, SARAH LARRATT KEEFER, SUSAN LEIBACHER WARD, JOHN H. MUNRO, JOHN OLDLAN, LESLEY K. TWOMEY, ELIZABETH BENNS, LOIS SWALES, HEATHER BLATT, MELANIE SCHUESSLER

The real estate industry has been severely affected by recent developments in international capital markets. There has been a decline in real estate investment trust (REIT) share prices, and a decline in capital available for real estate ventures. These setbacks have coincided with serious financial problems of very large hedge funds and other institutional investors in the market for commercial mortgage-backed securities. This volume collects the revised papers first presented at a conference hosted by New York University's Salomon Center on the impact of globalization on real estate business cycles. To this end, the conference offered new insights into the implications of U.S. and global real estate cycles on real estate securities including REITs and mortgage-backed securities as well as direct real estate investment. The most important insight is that the amplitude and frequency of the cycles differ from place to place and time to time. To the extent that this implies that real estate markets around the world are not yet fully integrated, there are opportunities for global investors. There are also risks; the markets are becoming more correlated, most particularly in periods of crisis. Indeed, the relative immaturity of the Thai real estate market contributed significantly to the extent and severity of the Asian financial crisis of 1997. To exploit these opportunities and to manage the resulting risk, portfolio managers need to develop new data sources and empirical procedures designed to maximize the information content of the data that is available. The lack of high quality data emerges as the central and most pressing issue, not only from a portfolio management context, but alsofrom the standpoint of public policy.

New approaches to what is arguably the most famous artefact from the Middle Ages. In the past two decades, scholarly assessment of the Bayeux Tapestry has moved beyond studies of its sources and analogues, dating, origin and purpose, and site of display. This volume demonstrates the value of more recent interpretive approaches to this famous and iconic artefact, by examining the textile's materiality, visuality, reception and historiography, and its constructions of gender, territory and cultural memory. The essays it contains frame discussions vital to the future of Tapestry scholarship and are complemented by a bibliography covering three centuries of critical writings. Martin K. Foys is Professor of English at University of Wisconsin-Madison; KarenEileen Overbey is Associate Professor of Art History at Tufts University; Dan Terkla is Professor of English at Illinois Wesleyan University. Contributors: Valerie Allen, Richard Brilliant, Shirley Ann Brown, Elizabeth Carson Pastan, Madeline H. Cavines, Martin K. Foys, Michael John Lewis, Karen Eileen Overbey, Gale R. Owen-Crocker, Dan Terkla, Stephen D. White.

The first in-depth history of philanthropy in Indiana. Philanthropy has been central to the development of public life in Indiana over the past two centuries. Hoosier Philanthropy explores the role of philanthropy in the Hoosier state, showing how voluntary action within Indiana has created and supported multiple visions of societal good. Featuring 15 articles, Hoosier Philanthropy charts the influence of different types of nonprofit Hoosier organizations and people, including foundations, service providers, volunteers, and individual donors.

The first in-depth history of philanthropy in Indiana. Philanthropy has been central to the development of public life in Indiana over the past two centuries. Hoosier Philanthropy explores the role of philanthropy in the Hoosier state, showing how voluntary action within Indiana has created and supported multiple visions of societal good. Featuring 15 articles, Hoosier Philanthropy charts the influence of different types of nonprofit Hoosier organizations and people, including foundations, service providers, volunteers, and individual donors.

Early in his life, Marx had perceived the prevailing social system as being so deeply flawed as to be irreparable. He was as impatient with utopian fantasies as he was with mere tinkering, and so he was driven to develop not only the intellectual forecast of bourgeois capitalism's necessary demise but also the plan of human action that would at once hasten that demise and school the revolutionary actors for the post-revolutionary task of constructing a good society. The essays in this 1981 book examine the problems that have arisen from attempts to implement Marx's critical theory. The centrality of the good society is hardly to be doubted in the context of that theory. As long as socialist regimes continue to invoke Marx's name, they necessarily render themselves subject to the norms contained within or implied by Marx's understanding and endorsement of freedom, equality, justice and human self-realization in a community.

This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.

In March 1999, New York University Salomon Center in assocIatIOn with the Department of Finance at NYU Stern held a one-day conference on the impact of real estate cycles on the real estate industry both from a domestic as well as an international perspective. The conference featured the leading research on this topic in the United States, Europe and Asia. Currendy, the real estate industry is at a critical point. New development projects around the world are being put on hold given recent developments in the international capital markets. The industry is hard hit by the decline in real estate investment trust (REIT) share prices and a shrink ing pool of capital for real estate ventures. This has unfortunately coincided with serious financial problems of very large hedge funds and other institutional investors in the market for commercial mortgage backed securities. There is need for new insights into the implications of U. S. and global real estate cycles on real estate secu rities including REITs and mortgage-backed securities as well as direct real estate investment. This global orientation is important given the high mobility of capital into the real estate, the increasing integration of real estate markets, and the proposed expan sion of real estate investment trusts (REIT) into international real estate. The process of globalization has resulted in increased competition between cities for the attrac tion of investment."

New approaches to what is arguably the most famous artefact from the Middle Ages. In the past two decades, scholarly assessment of the Bayeux Tapestry has moved beyond studies of its sources and analogues, dating, origin and purpose, and site of display. This volume demonstrates the value of more recent interpretive approaches to this famous and iconic artefact, by examining the textile's materiality, visuality, reception and historiography, and its constructions of gender, territory and cultural memory. The essays it contains frame discussions vital to the future of Tapestry scholarship and are complemented by a bibliography covering three centuries of critical writings. Contributors: Valerie Allen, Richard Brilliant, Shirley Ann Brown, Elizabeth Carson Pastan, Madeline H. Cavines, Martin K. Foys, Michael John Lewis, Karen Eileen Overbey, Gale R. Owen-Crocker, Dan Terkla, Stephen D. White.

This book argues that Chaucer challenges his culture's mounting obsession with vision, constructing a model of 'manhed' that blurs the distinction between agency and passivity in a traditional gender binary.