Anyone who owns an individual retirement account knows that they come with questions. It takes a certified retirement financial adviser to know the answers.

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He tells humorous stories about his life. They include the love of fishing in the San Marcos River, student life at A&M, serving his country as a tank platoon leader in the Second Armored Division in Germany. Description of seven jobs at Texas A&M on the staff, while making speeches, serving as special coordinator of events, plus many pranks pulled on friends. The last part is about his retirement at a lake in the east central Texas 45 minutes from his grandchildren and his beloved Texas A&M.

Relationships in Organizations is an exploration into the current world of relationships in the workplace. The book focuses on the ways in which organizational relationships - be they friendships, colleague relationships, superior-subordinate relationships, negative relationships, romantic liaisons or simply membership to a social network - can influence and affect our experience of work. The contributors are leaders in their field and present varied and cutting edge ideas regarding the dynamics of relationships in the workplace. This follows on from the volume Friends and Enemies in Organizations, expanding the scope to all manner of workplace relationships. These books are the first in the field of organizational psychology to provide a comprehensive treatment of workplace relationships from multiple perspectives.

* Draws on a wide range of psychoanalytic paradigms, from object relations to relational * Play is an important clinical tool in child therapy but rarely applied to adult psychoanalysis * Offers clear guidance to using concepts of play in psychoanalytic practice

Hey, God? Yes, Charles. is a rare narrative of the beauty of life and the endlessness of love, all told from the perspective of intimate, humorous and poignant conversations between Charles Cooper and God. An “accidental masterpiece” taken from author Rebecca Cooper’s notes, each conversation between Charles and God is full of joy, empathy, and the revelation that while we may not live forever, our memory and love are eternal. Sunday, November 11, 2007, Becky Cooper watched her husband Charles drive out of sight, heading from their Nashville condo to his office and apartment in Atlanta. She never saw him conscious again. Monday, November 12, was his 58th birthday. Since he would be out of town, their granddaughters and Becky had made him a cake and celebrated before he left on that Sunday. Wednesday, November 14, Charles caught Becky at her desk, calling just to let her know that he’d had some pain radiating down his back. He was sure it was nothing, but the company nurse, who just happened to be in the office that day, heard what happened and insisted on calling 911 as a precaution. They swapped love yous. She didn’t even get out of her chair. Twelve days later, despite hundreds, maybe thousands, of prayers, Charles died. Emergency open heart surgery was followed by complications, including acute respiratory distress syndrome, pneumonia, and various lung infections. He and Becky had been married almost 39 years. In the following year, Becky learned that the connection with someone you love doesn’t cease with death. Charles was always bigger than life, and his presence, his love, his humor, and these conversations were just as real after his death. For better, for worse, Becky started scribbling down what she was overhearing in heaven. She was done talking to God. Charles, as it turned out, was not.

* Draws on a wide range of psychoanalytic paradigms, from object relations to relational * Play is an important clinical tool in child therapy but rarely applied to adult psychoanalysis * Offers clear guidance to using concepts of play in psychoanalytic practice

Hey, God? Yes, Charles. is a rare narrative of the beauty of life and the endlessness of love, all told from the perspective of intimate, humorous and poignant conversations between Charles Cooper and God. An “accidental masterpiece” taken from author Rebecca Cooper’s notes, each conversation between Charles and God is full of joy, empathy, and the revelation that while we may not live forever, our memory and love are eternal. Sunday, November 11, 2007, Becky Cooper watched her husband Charles drive out of sight, heading from their Nashville condo to his office and apartment in Atlanta. She never saw him conscious again. Monday, November 12, was his 58th birthday. Since he would be out of town, their granddaughters and Becky had made him a cake and celebrated before he left on that Sunday. Wednesday, November 14, Charles caught Becky at her desk, calling just to let her know that he’d had some pain radiating down his back. He was sure it was nothing, but the company nurse, who just happened to be in the office that day, heard what happened and insisted on calling 911 as a precaution. They swapped love yous. She didn’t even get out of her chair. Twelve days later, despite hundreds, maybe thousands, of prayers, Charles died. Emergency open heart surgery was followed by complications, including acute respiratory distress syndrome, pneumonia, and various lung infections. He and Becky had been married almost 39 years. In the following year, Becky learned that the connection with someone you love doesn’t cease with death. Charles was always bigger than life, and his presence, his love, his humor, and these conversations were just as real after his death. For better, for worse, Becky started scribbling down what she was overhearing in heaven. She was done talking to God. Charles, as it turned out, was not.

This book presents a historical and theological understanding of how and why Christian revivalism came to be what it is, mainly a series of ineffective meetings. The work shows how revivalism moved from the Edwardian emphasis on the amazing works of God, as the Puritans would have put it, to the "new methods" of Charles Finney and revival as the reasonable works of man as befits Jacksonian democracy. Later, D.L. Moody concentrated on methodology to such a degree that revivals became big business and the focus of the Gilded Age. With Billy Sunday, revivalism has lost all content and has become nothing more than entertainment.

The field, as Steven Cooper describes it, is comprised of the inextricably related worlds of internalized object relations and interpersonal interaction. Furthermore, the analytic dyad is neither static nor smooth sailing. Eventually, the rigorous work of psychoanalysis will offer a fraught opportunity to work through the most disturbing elements of a patient's inner life as expressed and experienced by the analyst - indeed, a disturbance in the field. How best to proceed when such tricky yet altogether common therapeutic situations arise, and what aspects of transference/countertransference should be explored in the service of continued, productive analysis? These are two of the questions that Steven Cooper explores in this far-ranging collection of essays on potentially thorny areas of the craft. His essays try to locate some of the most ineffable types of situations for the analyst to take up with patients, such as the underlying grandiosity of self-criticism; the problems of too much congruence between what patients fantasize about and analysts wish to provide; and the importance of analyzing hostile and aggressive aspects of erotic transference. He also tries to turn inside-out the complexity of hostile transference and countertransference phenomena to find out more about what our patients are looking for and repudiating. Finally, Cooper raises questions about some of our conventional definitions of what constitutes the psychoanalytic process. Provocatively, he takes up the analyst's countertransference to the psychoanalytic method itself, including his responsibility and sources of gratification in the work. It is at once a deeply clinical book and one that takes a post-tribal approach to psychoanalytic theory - relational, contemporary Kleinian, and contemporary Freudian analysts alike will find much to think about and debate here.

"Cochlear Implants: A Practical Guide," edited by Huw Cooper, was an essential text for all those involved in audiology and related professions. The first edition of this book was published in 1991 and a second edition has been long awaited. The new edition of this popular book has undergone a complete revision and includes contributions from an international collection of authors, many of whom are the world leaders in their specialist areas.

This comprehensive text covers all aspects of this rapidly developing field, from implant design, speech processing strategies, assessment and rehabilitation of children and adults to developments of the future. The chapters written by implant users and their parents give a fascinating insight into the experience of hearing again with a cochlear implant. Containing twenty chapters, there is something of relevance and interest to all professionals involved in working with the deaf, students and non-professionals with an interest in deafness.

Summer schools serve multiple purposes for students, families, educators, and communities. The current demand for summer programs is driven by changes in American families and by calls for an educational system that is competitive globally and embodies higher academic standards. This monograph details a research synthesis that uses both meta-analytic and narrative procedures to integrate the results of 93 evaluations of summer schools. These and other findings are then examined for their implications for future research, public policy, and implementation of summer programs.

Despite the importance of the concept of hope in human affairs, psychoanalysts have long had difficulty accepting responsibility for the manner in which their various interpretive orientations and explanations of therapeutic action express their own hopes for their patients. In Objects of Hope: Exploring Possibility and Limit in Psychoanalysis, Steven Cooper remedies this longstanding lacuna in the literature, and, in the process, provides a thorough comparative analysis of contemporary psychoanalytic models with respect to issues of hope and hopefulness. Cooper's task is challenging, given that the most hopeful aspects of human growth frequently entail acceptance of the destructive elements of our inner lives. The analysis of hope, then, implicates what Cooper sees as a central dialectic tension in psychoanalysis: that between psychic possibility and psychic limit. He argues that analysts have historically had difficulty integrating the concept of limit into a treatment modality so dedicated to the creation and augmentation of psychic possibility. And yet, it is only by accepting the realm of limit as a necessary counterpoise to the realm of possibility and clinically embracing the tension between the two realms that analysts can further their understanding of therapeutic process in the interest of better treatment outcomes. Cooper persuasively demonstrates how each psychoanalytic theory provides its own logic of hope; this logic, in turn, translates into a distinctive sense of what the analyst may hope for the patient, and what the patient is encouraged to hope for himself or herself. Objects of Hope brings ranging scholarship and refreshing candor to bear on the knotty issue of what can and cannot be achieved in the course of psychoanalytic therapy. It will be valued not only as an exemplary exercise in comparative psychoanalysis, but also as a thoughtful, original effort to place the vital issue of hope at the center of clinical concern.

The Arma Christi, the cluster of objects associated with Christ's Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval 'objects,' and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages and Renaissance. It also includes a new and authoritative critical edition of the Middle English Arma Christi poem known as 'O Vernicle' that takes account of all twenty surviving manuscripts. The book opens with a substantial introduction that surveys previous scholarship and situates the Arma in their historical and aesthetic contexts. The ten essays that follow explore representative examples of the instruments of the Passion across a broad swath of history, from some of their earliest formulations in late antiquity to their reformulations in early modern Europe. Together, they offer the first large-scale attempt to understand the arma Christi as a unique cultural phenomenon of its own, one that resonated across centuries in multiple languages, genres, and media. The collection directs particular attention to this array of implements as an example of the potency afforded material objects in medieval and early modern culture, from the glittering nails of the Old English poem Elene to the coins of the Middle English poem 'Sir Penny,' from garments and dice on Irish tomb sculptures to lanterns and ladders in Hieronymus Bosch's panel painting of St. Christopher, and from the altar of the Sistine Chapel to the printed prayer books of the Reformation.

Despite the importance of the concept of hope in human affairs, psychoanalysts have long had difficulty accepting responsibility for the manner in which their various interpretive orientations and explanations of therapeutic action express their own hopes for their patients. In Objects of Hope: Exploring Possibility and Limit in Psychoanalysis, Steven Cooper remedies this longstanding lacuna in the literature, and, in the process, provides a thorough comparative analysis of contemporary psychoanalytic models with respect to issues of hope and hopefulness.
Cooper's task is challenging, given that the most hopeful aspects of human growth frequently entail acceptance of the destructive elements of our inner lives. The analysis of hope, then, implicates what Cooper sees as a central dialectic tension in psychoanalysis: that between psychic possibility and psychic limit. He argues that analysts have historically had difficulty integrating the concept of limit into a treatment modality so dedicated to the creation and augmentation of psychic possibility. And yet, it is only by accepting the realm of limit as a necessary counterpoise to the realm of possibility and clinically embracing the tension between the two realms that analysts can further their understanding of therapeutic process in the interest of better treatment outcomes.
Cooper persuasively demonstrates how each psychoanalytic theory provides its own logic of hope; this logic, in turn, translates into a distinctive sense of what the analyst may hope for the patient, and what the patient is encouraged to hope for himself or herself. Objects of Hope brings ranging scholarship and refreshing candor to bear on the knotty issue of what can and cannot be achieved in the course of psychoanalytic therapy. It will be valued not only as an exemplary exercise in comparative psychoanalysis, but also as a thoughtful, original effort to place the vital issue of hope at the center of clinical concern.

This book is an exploration into the current world of relationships in the workplace. It focuses on the ways in which organizational relationships - be they friendships, superior-subordinate relationships, negative relationships, romantic liaisons or simply membership to a social network - can influence and affect our experience of work.

Lisa H. Cooper offers new insight into the relationship of material practice and literary production in the Middle Ages by exploring the representation of craft labor in England from c.1000-1483. She examines genres as diverse as the school-text, comic poem, spiritual allegory, and mirror for princes, and works by authors both well known (Chaucer, Lydgate, Caxton) and far less so. Whether they represent craft as profitable endeavor, learned skill, or degrading toil, the texts she reviews not only depict artisans as increasingly legitimate members of the body politic, but also deploy images of craft labor and its products to confront other complex issues, including the nature of authorship, the purpose of community, the structure of the household, the fate of the soul, and the scope of princely power.

This book focuses on the previously neglected interface between the conservation of plant genetic resources and their utilization. Only through utilization can the potential value of conserved genetic resources be realized. However, as this book shows, much conserved germplasm has to be subjected to long-term pre-breeding and genetic enhancement before it can be used in plant breeding programs.The authors explore the rationale and approaches for such pre-breeding efforts as the basis for broadening the genetic bases of crop production. Examples from a range of major food crops are presented and issues analyzed by leading authorities from around the world.

Lisa H. Cooper offers new insight into the relationship of material practice and literary production in the Middle Ages by exploring the representation of craft labor in England from c.1000-1483. She examines genres as diverse as the school-text, comic poem, spiritual allegory, and mirror for princes, and works by authors both well known (Chaucer, Lydgate, Caxton) and far less so. Whether they represent craft as profitable endeavor, learned skill, or degrading toil, the texts she reviews not only depict artisans as increasingly legitimate members of the body politic, but also deploy images of craft labor and its products to confront other complex issues, including the nature of authorship, the purpose of community, the structure of the household, the fate of the soul, and the scope of princely power.