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Anyone who owns an individual retirement account knows that they
come with questions. It takes a certified retirement financial
adviser to know the answers.
Instead of spending lots of money to find out what's best for
you, all you need to do is buy this handy guidebook that considers
questions such as: Are you being told the truth about Roth
conversions? Is a trust the best beneficiary for your IRA? What
alternative IRA investment choices do traditional planners fail to
mention? Are you sure you want to leave your IRA directly to your
children? Should you disinherit your spouse? Are you up to speed on
FDIC bank failure rules? And much, much more! Whether you are
retired, thinking about retiring or trying to set yourself on a
path that will allow you to accomplish your long-term goals, you
need the necessary tools to make educated decisions that will
affect you and your family. Discover how to make the right moves
and avoid the wrong ones in "IRA Misfortune 101."
He tells humorous stories about his life. They include the love of
fishing in the San Marcos River, student life at A&M, serving
his country as a tank platoon leader in the Second Armored Division
in Germany. Description of seven jobs at Texas A&M on the
staff, while making speeches, serving as special coordinator of
events, plus many pranks pulled on friends. The last part is about
his retirement at a lake in the east central Texas 45 minutes from
his grandchildren and his beloved Texas A&M.
* Draws on a wide range of psychoanalytic paradigms, from object
relations to relational * Play is an important clinical tool in
child therapy but rarely applied to adult psychoanalysis * Offers
clear guidance to using concepts of play in psychoanalytic practice
* Draws on a wide range of psychoanalytic paradigms, from object
relations to relational * Play is an important clinical tool in
child therapy but rarely applied to adult psychoanalysis * Offers
clear guidance to using concepts of play in psychoanalytic practice
Lisa H. Cooper offers new insight into the relationship of material
practice and literary production in the Middle Ages by exploring
the representation of craft labor in England from c.1000-1483. She
examines genres as diverse as the school-text, comic poem,
spiritual allegory, and mirror for princes, and works by authors
both well known (Chaucer, Lydgate, Caxton) and far less so. Whether
they represent craft as profitable endeavor, learned skill, or
degrading toil, the texts she reviews not only depict artisans as
increasingly legitimate members of the body politic, but also
deploy images of craft labor and its products to confront other
complex issues, including the nature of authorship, the purpose of
community, the structure of the household, the fate of the soul,
and the scope of princely power.
Relationships in Organizations is an exploration into the current
world of relationships in the workplace. The book focuses on the
ways in which organizational relationships - be they friendships,
colleague relationships, superior-subordinate relationships,
negative relationships, romantic liaisons or simply membership to a
social network - can influence and affect our experience of work.
The contributors are leaders in their field and present varied and
cutting edge ideas regarding the dynamics of relationships in the
workplace. This follows on from the volume Friends and Enemies in
Organizations, expanding the scope to all manner of workplace
relationships. These books are the first in the field of
organizational psychology to provide a comprehensive treatment of
workplace relationships from multiple perspectives.
Hey, God? Yes, Charles. is a rare narrative of the beauty of life
and the endlessness of love, all told from the perspective of
intimate, humorous and poignant conversations between Charles
Cooper and God. An “accidental masterpiece” taken from author
Rebecca Cooper’s notes, each conversation between Charles and God
is full of joy, empathy, and the revelation that while we may not
live forever, our memory and love are eternal. Sunday, November 11,
2007, Becky Cooper watched her husband Charles drive out of sight,
heading from their Nashville condo to his office and apartment in
Atlanta. She never saw him conscious again. Monday, November 12,
was his 58th birthday. Since he would be out of town, their
granddaughters and Becky had made him a cake and celebrated before
he left on that Sunday. Wednesday, November 14, Charles caught
Becky at her desk, calling just to let her know that he’d had
some pain radiating down his back. He was sure it was nothing, but
the company nurse, who just happened to be in the office that day,
heard what happened and insisted on calling 911 as a precaution.
They swapped love yous. She didn’t even get out of her chair.
Twelve days later, despite hundreds, maybe thousands, of prayers,
Charles died. Emergency open heart surgery was followed by
complications, including acute respiratory distress syndrome,
pneumonia, and various lung infections. He and Becky had been
married almost 39 years. In the following year, Becky learned that
the connection with someone you love doesn’t cease with death.
Charles was always bigger than life, and his presence, his love,
his humor, and these conversations were just as real after his
death. For better, for worse, Becky started scribbling down what
she was overhearing in heaven. She was done talking to God.
Charles, as it turned out, was not.
This book presents a historical and theological understanding of
how and why Christian revivalism came to be what it is, mainly a
series of ineffective meetings. The work shows how revivalism moved
from the Edwardian emphasis on the amazing works of God, as the
Puritans would have put it, to the "new methods" of Charles Finney
and revival as the reasonable works of man as befits Jacksonian
democracy. Later, D.L. Moody concentrated on methodology to such a
degree that revivals became big business and the focus of the
Gilded Age. With Billy Sunday, revivalism has lost all content and
has become nothing more than entertainment.
The field, as Steven Cooper describes it, is comprised of the
inextricably related worlds of internalized object relations and
interpersonal interaction. Furthermore, the analytic dyad is
neither static nor smooth sailing. Eventually, the rigorous work of
psychoanalysis will offer a fraught opportunity to work through the
most disturbing elements of a patient's inner life as expressed and
experienced by the analyst - indeed, a disturbance in the field.
How best to proceed when such tricky yet altogether common
therapeutic situations arise, and what aspects of
transference/countertransference should be explored in the service
of continued, productive analysis? These are two of the questions
that Steven Cooper explores in this far-ranging collection of
essays on potentially thorny areas of the craft. His essays try to
locate some of the most ineffable types of situations for the
analyst to take up with patients, such as the underlying
grandiosity of self-criticism; the problems of too much congruence
between what patients fantasize about and analysts wish to provide;
and the importance of analyzing hostile and aggressive aspects of
erotic transference. He also tries to turn inside-out the
complexity of hostile transference and countertransference
phenomena to find out more about what our patients are looking for
and repudiating. Finally, Cooper raises questions about some of our
conventional definitions of what constitutes the psychoanalytic
process. Provocatively, he takes up the analyst's
countertransference to the psychoanalytic method itself, including
his responsibility and sources of gratification in the work. It is
at once a deeply clinical book and one that takes a post-tribal
approach to psychoanalytic theory - relational, contemporary
Kleinian, and contemporary Freudian analysts alike will find much
to think about and debate here.
Hey, God? Yes, Charles. is a rare narrative of the beauty of life
and the endlessness of love, all told from the perspective of
intimate, humorous and poignant conversations between Charles
Cooper and God. An “accidental masterpiece” taken from author
Rebecca Cooper’s notes, each conversation between Charles and God
is full of joy, empathy, and the revelation that while we may not
live forever, our memory and love are eternal. Sunday, November 11,
2007, Becky Cooper watched her husband Charles drive out of sight,
heading from their Nashville condo to his office and apartment in
Atlanta. She never saw him conscious again. Monday, November 12,
was his 58th birthday. Since he would be out of town, their
granddaughters and Becky had made him a cake and celebrated before
he left on that Sunday. Wednesday, November 14, Charles caught
Becky at her desk, calling just to let her know that he’d had
some pain radiating down his back. He was sure it was nothing, but
the company nurse, who just happened to be in the office that day,
heard what happened and insisted on calling 911 as a precaution.
They swapped love yous. She didn’t even get out of her chair.
Twelve days later, despite hundreds, maybe thousands, of prayers,
Charles died. Emergency open heart surgery was followed by
complications, including acute respiratory distress syndrome,
pneumonia, and various lung infections. He and Becky had been
married almost 39 years. In the following year, Becky learned that
the connection with someone you love doesn’t cease with death.
Charles was always bigger than life, and his presence, his love,
his humor, and these conversations were just as real after his
death. For better, for worse, Becky started scribbling down what
she was overhearing in heaven. She was done talking to God.
Charles, as it turned out, was not.
Despite the importance of the concept of hope in human affairs,
psychoanalysts have long had difficulty accepting responsibility
for the manner in which their various interpretive orientations and
explanations of therapeutic action express their own hopes for
their patients. In Objects of Hope: Exploring Possibility and Limit
in Psychoanalysis, Steven Cooper remedies this longstanding lacuna
in the literature, and, in the process, provides a thorough
comparative analysis of contemporary psychoanalytic models with
respect to issues of hope and hopefulness. Cooper's task is
challenging, given that the most hopeful aspects of human growth
frequently entail acceptance of the destructive elements of our
inner lives. The analysis of hope, then, implicates what Cooper
sees as a central dialectic tension in psychoanalysis: that between
psychic possibility and psychic limit. He argues that analysts have
historically had difficulty integrating the concept of limit into a
treatment modality so dedicated to the creation and augmentation of
psychic possibility. And yet, it is only by accepting the realm of
limit as a necessary counterpoise to the realm of possibility and
clinically embracing the tension between the two realms that
analysts can further their understanding of therapeutic process in
the interest of better treatment outcomes. Cooper persuasively
demonstrates how each psychoanalytic theory provides its own logic
of hope; this logic, in turn, translates into a distinctive sense
of what the analyst may hope for the patient, and what the patient
is encouraged to hope for himself or herself. Objects of Hope
brings ranging scholarship and refreshing candor to bear on the
knotty issue of what can and cannot be achieved in the course of
psychoanalytic therapy. It will be valued not only as an exemplary
exercise in comparative psychoanalysis, but also as a thoughtful,
original effort to place the vital issue of hope at the center of
clinical concern.
The Arma Christi, the cluster of objects associated with Christ's
Passion, was one of the most familiar iconographic devices of
European medieval and early modern culture. From the weapons used
to torment and sacrifice the body of Christ sprang a reliquary
tradition that produced active and contemplative devotional
practices, complex literary narratives, intense lyric poems,
striking visual images, and innovative architectural ornament. This
collection displays the fascinating range of intellectual
possibilities generated by representations of these medieval
'objects,' and through the interdisciplinary collaboration of its
contributors produces a fresh view of the multiple intersections of
the spiritual and the material in the Middle Ages and Renaissance.
It also includes a new and authoritative critical edition of the
Middle English Arma Christi poem known as 'O Vernicle' that takes
account of all twenty surviving manuscripts. The book opens with a
substantial introduction that surveys previous scholarship and
situates the Arma in their historical and aesthetic contexts. The
ten essays that follow explore representative examples of the
instruments of the Passion across a broad swath of history, from
some of their earliest formulations in late antiquity to their
reformulations in early modern Europe. Together, they offer the
first large-scale attempt to understand the arma Christi as a
unique cultural phenomenon of its own, one that resonated across
centuries in multiple languages, genres, and media. The collection
directs particular attention to this array of implements as an
example of the potency afforded material objects in medieval and
early modern culture, from the glittering nails of the Old English
poem Elene to the coins of the Middle English poem 'Sir Penny,'
from garments and dice on Irish tomb sculptures to lanterns and
ladders in Hieronymus Bosch's panel painting of St. Christopher,
and from the altar of the Sistine Chapel to the printed prayer
books of the Reformation.
Despite the importance of the concept of hope in human affairs,
psychoanalysts have long had difficulty accepting responsibility
for the manner in which their various interpretive orientations and
explanations of therapeutic action express their own hopes for
their patients. In Objects of Hope: Exploring Possibility and Limit
in Psychoanalysis, Steven Cooper remedies this longstanding lacuna
in the literature, and, in the process, provides a thorough
comparative analysis of contemporary psychoanalytic models with
respect to issues of hope and hopefulness.
Cooper's task is challenging, given that the most hopeful aspects
of human growth frequently entail acceptance of the destructive
elements of our inner lives. The analysis of hope, then, implicates
what Cooper sees as a central dialectic tension in psychoanalysis:
that between psychic possibility and psychic limit. He argues that
analysts have historically had difficulty integrating the concept
of limit into a treatment modality so dedicated to the creation and
augmentation of psychic possibility. And yet, it is only by
accepting the realm of limit as a necessary counterpoise to the
realm of possibility and clinically embracing the tension between
the two realms that analysts can further their understanding of
therapeutic process in the interest of better treatment
outcomes.
Cooper persuasively demonstrates how each psychoanalytic theory
provides its own logic of hope; this logic, in turn, translates
into a distinctive sense of what the analyst may hope for the
patient, and what the patient is encouraged to hope for himself or
herself. Objects of Hope brings ranging scholarship and refreshing
candor to bear on the knotty issue of what can and cannot be
achieved in the course of psychoanalytic therapy. It will be valued
not only as an exemplary exercise in comparative psychoanalysis,
but also as a thoughtful, original effort to place the vital issue
of hope at the center of clinical concern.
This book is an exploration into the current world of relationships
in the workplace. It focuses on the ways in which organizational
relationships - be they friendships, superior-subordinate
relationships, negative relationships, romantic liaisons or simply
membership to a social network - can influence and affect our
experience of work.
THIS 24 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Ancient Britain:
The Cradle of Civilization, by George H. Cooper. To purchase the
entire book, please order ISBN 0766142663.
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