"Moral Practices "puts forward arguments against two prominent views in contemporary ethics. Firstly, it shows that moral practices cannot be explained in terms of individual decision. Secondly, it demonstrates that although moral conclusions follow from certain facts within a moral practice, the same facts need not lead to these conclusions when viewed from within different moral practices. The book explores the implications of recognizing the multiplicity of moral practices for such issues as ethical relativity, moral dilemmas and moral disagreement.

This title was first published in 2001: Tolstoy's view of art is discussed in most courses in aesthetics, particularly his main text What is Art? He believed that the importance of art lies not in its purely aesthetic qualities but in its connection with life, and that art becomes decadent where this connection is lost. This view has often been misconceived and its strength overlooked. This book presents a clear exposition of Tolstoy's What is Art?, highlighting the value and importance of Tolstoy's views in relation to aesthetics. Mounce considers the problems which exercised Tolstoy and explains their fundamental importance in contemporary disputes. Having viewed these problems of aesthetics as they arise in a classic work, Howard Mounce affords readers fresh insights not simply into the problems of aesthetics themselves, but also into their contemporary treatment. Students and interested readers of aesthetics and philosophy, as well as those exploring the works of Tolstoy in literature, will find this book of particular interest and will discover that reading What is Art? with attention, affords something of the excitement found in removing the grime from an oil painting - gradually from underneath there appears an authentic masterpiece.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

This title was first published in 2001: Tolstoy's view of art is discussed in most courses in aesthetics, particularly his main text What is Art? He believed that the importance of art lies not in its purely aesthetic qualities but in its connection with life, and that art becomes decadent where this connection is lost. This view has often been misconceived and its strength overlooked. This book presents a clear exposition of Tolstoy's What is Art?, highlighting the value and importance of Tolstoy's views in relation to aesthetics. Mounce considers the problems which exercised Tolstoy and explains their fundamental importance in contemporary disputes. Having viewed these problems of aesthetics as they arise in a classic work, Howard Mounce affords readers fresh insights not simply into the problems of aesthetics themselves, but also into their contemporary treatment. Students and interested readers of aesthetics and philosophy, as well as those exploring the works of Tolstoy in literature, will find this book of particular interest and will discover that reading What is Art? with attention, affords something of the excitement found in removing the grime from an oil painting - gradually from underneath there appears an authentic masterpiece.

Hume's Naturalism provides a clear and concise guide to the debates over whether Hume's empiricism or his 'naturalism' in the tradition of the Scottish 'Common Sense' school of philosophy gained his upper hand. This debate is central to any understanding of Hume's thought. H.O. Mounce presents a beautifully clear guide to Hume's most important works, The Treatise on Human Nature and Dialogues Concerning Natural Religion. Accessible to anyone coming to Hume for the first time, Hume's Naturalism affords a much needed overview of the key concepts of empiricism, causation, scepticism, reason and morality that are essential to any understanding of Hume's philosophy.

Author Biography:
H.O.Mounce is Senior Lecturer in Philosophy at the University of Wales, Swansea. His most recent book, the Two Pragmatisms, is also published by Routledge.

"Metaphysics and the End of Philosophy" is a defence of metaphysics as central to philosophy and a criticism of the attempts of modern philosophy to replace it. H.O. Mounce argues that philosophy, and not simply science, has a positive role to play in our understanding of the world.Modern philosophy has been dominated for some three centuries by scientism or by a naturalistic view of the world. This has led to a disparagement not just of religion, but of metaphysics in all its forms. Whereas in classical philosophy, metaphysics is central to the subject, in much of modern philosophy the aim of the subject is simply to remove metaphysical confusion. Here Mounce offers a sustained criticism of this tendency in modern philosophy and offers a vindication of philosophy in its classical conception. The author takes us on a tour of all the key figures in the historical development of modern philosophy and the forces that have shaped their thought, arguing that the history of philosophy is essential to a proper understanding of the subject itself.