Sir Philip Sidney and the Circulation of Manuscripts, 1558-1640 is the first modern study of the production and circulation of manuscripts during the English Renaissance. H. R. Woudhuysen examines the relationship between manuscript and print, looks at people who lived by their pens, and surveys authorial and scribal manuscripts, paying particular attention to the copying of verse, plays, and scholarly works by hand. He investigates the professional production of manuscripts for sale by scribes such as Ralph Crane and Richard Robinson. The second part of the book examines Sir Philip Sidney's works in the context of Woudhuysen's research, discussing all Sidney's important manuscripts, and seeks to assess his part in the circulation of his works and his role in the promotion of a scribal culture. A detailed examination of the manuscripts and early prints of his poems, of his Arcadias, and of Astrophil and Stella sheds new light on their composition, evolution, and dissemination, as well as on Sidney's friends and admirers. Based on the examination of hundreds of manuscripts, this book presents much new material describing manuscript production in the fields of literature, politics, the law, and historical, scientific, and antiquarian studies.

'With the publication of Woudhuysen's Arden 3 edition, the magisterial study of the play that will energise a new generation of readers and directors has now arrived.' Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey

In 1593 Shakespeare awoke and found himself famous. Lines from his comic, erotic, tragic poem Venus and Adonis were on everyone 's lips.The appearance in 1594 of the darkly reflective and richly descriptive Rape of Lucrece confirmed his fame as 'Sweet Master Shakespeare', Elizabethan England's most brilliant non-dramatic poet. Shorter poems in this volume testify further to Shakespeare 's versatility and to his poetic fame. Some, like the much-debated 'Phoenix and Turtle ', pose problems of meaning; others raise questions about authorship and authenticity. Detailed annotation and a full Introduction seek to resolve such difficulties while also locating Shakespeare's poems in their literary context, which includes his own career as a playwright.

This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare's plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623. With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.

This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare’s plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623. With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.

Evelyn Waugh's A Handful of Dust (1934) is often thought to be among his best novels. It is a darkly bitter account of the end of a marriage, its causes and its effects. Waugh wrote the book with half an eye on his own recent experience of the break-up of his marriage to Evelyn Gardner. The care and trouble he took over the work are reflected in his successive revisions of its text in manuscript and print. These can be recovered from sources on both sides of the Atlantic, notably from the autograph and typescript manuscript in the Harry Ransom Center at Austin, Texas, a proof copy of the first edition at the Huntington Library in California, in the serialization in different versions of the first part of the novel in Harper's Bazaar, prepared for the UK and the US markets, and in four editions published in his lifetime in the UK and one in the US. All of these witnesses have been collated in this, the first fully edited and annotated edition of the novel. There is a substantial introduction describing the novel's composition and reception, as well as the literary influences on which Waugh drew—including Shakespeare, Dickens, Kipling, and Beatrix Potter. The edition seeks to show Waugh as a consummate craftsman, at work on a painful subject that he treats in comic, tragic, and satirical ways.

A concise edition of the highly acclaimed Oxford Companion to the Book, this book features the 51 articles from the Companion plus 3 brand new chapters in one affordable volume. The 54 chapters introduce readers to the fascinating world of book history. Including 21 thematic studies on topics such as writing systems, the ancient and the medieval book, and the economics of print, as well as 33 regional and national histories of 'the book', offering a truly global survey of the book around the world, the Oxford History of the Book is the most comprehensive work of its kind. The three new articles, specially commissioned for this spin-off, cover censorship, copyright and intellectual property, and book history in the Caribbean and Bermuda. All essays are illustrated throughout with reproductions, diagrams, and examples of various typographical features. Beautifully produced and hugely informative, this is a must-have for anyone with an interest in book history and the written word.