Contributors to this volume explore the changing concepts of the social and the economic during a period of fundamental change across Asia. They challenge accepted explanations of how Western knowledge spread through Asia and show how versatile Asian intellectuals were in introducing European concepts and in blending them with local traditions.

This book adopts a historical perspective to explore the tensions between the idea of a European democracy through a European market, and the observations that there are signs of increasing social disintegration, political extremism and populism in the wake of economic integration.

First published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.

In the 19th century, the metropolis became the soothsayer of societies. Here, probabilities of progress could be perceived, felt and smelt; here was the showcase of each nation's prime productions and representations. Travellers took to the metropolis in order to unravel the foreign society, in order to understand and learn about social characteristics and future developments, about cultural distinctions and commonalities, about banalities and extraordinary events. Travel writers mapped the development of Europe's metropolises and wrote for a large market using the form of a highly popular and established genre. In travel writing, popular sentiments, market-driven imaginations of the audience's interests, and on-the-spot analysis of cultural and political conditions are bound together in one account. This book surveys the history of cultural perception in Western Europe from the Great Exhibition of 1851 to the National Socialists' party rallies in the Berlin of the 1930s. Travel writings are used as source material to enter the intricate discourses on national stereotypes, the metropolis and on the usage as well as the perception of authenticity.

This volume is a collection of contributions about the history and practice of travel and travel writing from a variety of academic disciplines including anthropology, history, linguistics and literary criticism. It brings together scholars from over ten different countries and reflects on what travel is and how travel writings function. It traces the history of travel and travel writing and the notion or idea of a European civilisation that permeates performances and perceptions. The notion of Europe appears as a set of quality standards as well as guidelines for experiences against which civilisations are measured. This set of standards and guidelines, however, is far from stable. It is a floating foundation carrying different versions of Europe throughout time. The authors tackle the problem from different angles: travels from Europe across the seven oceans transported the idea of European civilisation just as travels to Europe or within Europe. The volume explores the different meanings attached to the term 'Europe' and 'civilisation' throughout history and shows how different political or cultural contexts affect the notion of what Europe is or should be.

In the 19th century, the metropolis became the soothsayer of societies. Here, probabilities of progress could be perceived, felt and smelt; here was the showcase of each nation's prime productions and representations. Travellers took to the metropolis in order to unravel the foreign society, in order to understand and learn about social characteristics and future developments, about cultural distinctions and commonalities, about banalities and extraordinary events. Travel writers mapped the development of Europe's metropolises and wrote for a large market using the form of a highly popular and established genre. In travel writing, popular sentiments, market-driven imaginations of the audience's interests, and on-the-spot analysis of cultural and political conditions are bound together in one account. This book surveys the history of cultural perception in Western Europe from the Great Exhibition of 1851 to the National Socialists' party rallies in the Berlin of the 1930s. Travel writings are used as source material to enter the intricate discourses on national stereotypes, the metropolis and on the usage as well as the perception of authenticity.