A powerful novel of the saving grace of language and human connection, from the celebrated author of The Vegetarian. 'Breathtaking . . . She is simply my favourite living writer to read, and think with, and see the world with' Max Porter __________________ In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon they discover a deeper pain binds them. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages. Greek Lessons is a tender love letter to human connection, a novel to awaken the senses, vividly conjuring the essence of what it means to be alive. Translated by Deborah Smith and Emily Yae Won. __________________ 'Another stunning gem: quiet, sharply faceted, and devastating' Kirkus 'Han Kang's vivid and at times violent storytelling will wake up even the most jaded of literary palates' Independent 'Han Kang is a writer like no other. In a few lines, she seems to traverse the entirety of human experience' Katie Kitamura

A powerful novel of the saving grace of language and human connection, from the celebrated author of The Vegetarian. 'Breathtaking . . . She is simply my favourite living writer to read, and think with, and see the world with' Max Porter In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon they discover a deeper pain binds them. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages. Greek Lessons is a tender love letter to human connection, a novel to awaken the senses, vividly conjuring the essence of what it means to be alive. Translated by Deborah Smith and Emily Yae Won. 'Another stunning gem: quiet, sharply faceted, and devastating' Kirkus 'Han Kang is a writer like no other. In a few lines, she seems to traverse the entirety of human experience' Katie Kitamura

WINNER OF THE INTERNATIONAL BOOKER PRIZE 'A strange, painfully tender exploration of the brutality of desire indulged and the fatality of desire ignored... Exquisite.' Eimear McBride Yeong-hye and her husband are ordinary people - dutiful wife and mild-mannered office worker. One day, prompted by grotesque recurring nightmares, Yeong-hye decides to become a vegetarian. But in South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, it is a shocking act of subversion. Yeong-hye's passive rebellion rapidly manifests in ever more bizarre and frightening forms, from sexual sadism to attempted suicide, and in increasingly erotic and unhinged artworks, as all the while she spirals further into her fantasies... Disturbing and beautiful by turns, The Vegetarian is a revelatory novel about modern day South Korea; a tale of shame, desire and our faltering attempts to understand others.

Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma. Human Acts is a universal book, utterly modern and profoundly timeless. Already a controversial bestseller and award-winning book in Korea, it confirms Han Kang as a writer of immense importance.

From the winner of the Man Booker International Prize for The VegetarianFrom the author of The Vegetarian and Human Acts comes a book like no other. The White Book is a meditation on colour, beginning with a list of white things. It is a book about mourning, rebirth and the tenacity of the human spirit. It is a stunning investigation of the fragility, beauty and strangeness of life.Translated from the Korean by Deborah Smith.

Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister's husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming - impossibly, ecstatically - a tree. Fraught, disturbing and beautiful, The Vegetarian is a novel about modern day South Korea, but also a novel about shame, desire and our faltering attempts to understand others, from one imprisoned body to another.

HIV is the leading cause of premature death in Thailand. Since the first case of AIDS was reported in 1984 more than one million Thais have been infected. The social, human and economic costs of this burden are enormous. The Thai government has shown a strong commitment to providing care and support to persons living with HIV/AIDS by launching the National Access to Care Program (NAPHA) in 2003, which provides for publicly financed antiretroviral therapy (ART) to all HIV-infected people. This book documents through interviews how ART has radically changed the lives of those living with HIV. In the words of an HIV positive 29-year old man, ART is a 'miracle'. The book then develops an innovative analytical framework and uses it to show how the future sustainability and cost-effectiveness of this ambitious program depend critically on Thai government choices of AIDS treatment policy, HIV prevention policy and AIDS drug pricing. For the most likely assumptions, the book estimates that ART will save years of healthy life at a cost of between $700 and $2,400 per year. Successful AIDS treatment accumulates ever-increasing numbers of patients who need subsidized ART. Despite the magnitude of the resulting fiscal burden, the authors judge this expenditure to be a worthwhile public health investment for Thailand. However, they show that the future sustainability of the program will hinge critically on how well the government manages the quality of ART service delivery, on whether it is able to sustain its past successes in HIV prevention and on its negotiations with multinational pharmaceutical manufacturers on the prices of new AIDS drugs.