Fully illustrated in colour, here is the first introduction in English to one of Korea's outstanding cultural assets - the banchado ('painting of the order of guests at a royal event') - relating to all those taking part (1800 people) in the eight-day royal procession to Hwaseong (Gyeonggi Province) organized by King Jeongjo in 1795 for the dual purpose of visiting his father's tomb and celebrating his mother's sixtieth birthday. The banchado is a fine example of the meticulous record-keeping of the period (known as uigwe - the subject-matter of this book being known as the Wonhaeng eulmyo jeongni uigwe) and the skills of the court artists at that time. In addition to the banchado illustrations, the Wonhaeng eulmyo jeongni uigwe contains extensive lists of all the participants in the procession, details of the workers and technicians involved, including their duties and wages. It even includes the different foods offered at meal-times, the quantity of ingredients and the costs. The author provides a full analysis of the context, planning, execution and significance of the event.

"The Artistry of Early Korean Cartography" is a window on the cultural, technological, and even spiritual factors that affected the way Koreans observed themselves, their landscape, and the rest of the world before the twentieth century. How did cartography stand astride the realms of art and science in pre-modern Korea? How do Koreans today understand the roots of their own culture, and what new perspective can their insights lend to our own views of the world? These questions and many others are taken up by three of Korea's leading scholars, Han Youngwoo, Ahn Hwi-Joon, and Bae Woo Sung. In this book, nearly one hundred color images of important cartographic works open up the 'Hermit Kingdom' to reveal its perceptions of itself and the world around it.