Imagine making friends with a polar bear... The Last Bear is perfect for readers of 8+, beautifully illustrated throughout by Levi Pinfold - winner of the Kate Greenaway Medal and illustrator of Harry Potter 20th anniversary edition covers. WINNER OF THE 2022 BLUE PETER BOOK AWARD WINNER OF THE 2022 WATERSTONES CHILDREN'S BOOK PRIZE SHORTLISTED FOR CHILDREN'S FICTION BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS 2022 SHORTLISTED FOR THE INDIE BOOK AWARDS 2022 "This is an important first novel, important for us, for polar bears, for the planet. It is deeply moving, beautifully told, quite unforgettable." Michael Morpurgo. There are no polar bears left on Bear Island. At least, that's what April's father tells her when his scientific research takes them to this remote Arctic outpost for six months. But one endless summer night, April meets one. He is starving, lonely and a long way from home. Determined to save him, April begins the most important journey of her life... This moving story will win the hearts of children the world over and show them that no one is too young or insignificant to make a difference. The Last Bear is a celebration of the love between a child and an animal, a battle cry for our world and an irresistible adventure with a heart as big as a bear's. 'A dazzling debut . . . A magical, confidently told story - with beautiful illustrations by Levi Pinfold . . . I predict a roaring success' The Times

The enchanting second novel from the author of The Last Bear: the bestselling debut hardback of 2021 and The Times Children’s Book of the Week, winner of the Waterstones Children’s Book Prize and the Blue Peter Book Award ‘An irresistible ocean-loving yarn’ The Times Winner of the Edward Stanford Children’s Travel Book of the Year 2023 THEIR BOND COULD SET THEM FREE . . . Rio has been sent to live with a grandmother he barely knows in California, while his mum is in hospital. All Rio wants is for Mum to get better so he can return home. But everything changes when he joins a whale-watching trip and meets White Beak, a gentle giant of the sea. Rio forms an instant bond with the whale, and for the first time in ages he feels a spark of hope. Then White Beak goes missing and Rio may be the only person who can help. Can Rio draw on their special connection to somehow find and save his whale . . . ? Perfect for readers of 8+, beautifully illustrated throughout by Levi Pinfold

The unmissable follow-up to the phenomenal bestselling and award-winning The Last Bear. Beautifully illustrated by Levi Pinfold and perfect for readers 8+.

April Wood has returned home from her adventure on Bear Island. But, over a year later, she can’t stop thinking about Bear.

When April hears that a polar bear has been shot and injured in Svalbard, she’s convinced it’s her friend and persuades her dad to travel with her to the northernmost reaches of the Arctic. So begins an unforgettable journey across frozen tundra and icy glaciers.

But along the way, she discovers much more than she bargained for – a tiny polar bear cub, desperately in need of her help. In freezing temperatures, April must navigate the dangerous Arctic terrain and face her deepest fears if she’s to save him.

Beautifully illustrated by Levi Pinfold, Finding Bear is a stunning story of survival and a heartwarming tale of love that shows us how hope is born from the smallest of beginnings.

A gorgeously written standalone from the acclaimed author of The Last Bear, Hannah Gold's second novel is a touching story about adventure, recovery, and love--perfect for fans of Pax and A Wolf Called Wander. When Rio is sent to live with a grandmother he barely knows in California, he feels completely alone. Then he makes a new friend on the foggy beach--a girl named Marina, who teaches him about the massive grey whales that migrate nearby. As Rio grows to love the whales, he discovers that his mother loved them, too. He's suddenly sure that if he can somehow find a way to connect her with these gentle giants - and especially with a particular whale named White Beak - she will get better and come to join him in California. But White Beak is missing--and Rio must embark on a desperate journey across the dangerous ocean to find her. An excellent choice for readers in grades 3 to 7, this fierce celebration of friendship includes information about the struggles facing real gray whales from climate change, pollution, and over-fishing.

Conversations with My Dog by Hannah Gold is a tale for those who love to seek new adventures and the promise of following their dreams, or nose, into the unknown. In a fast-paced world, driven by material achievement and the fear of loss; clarity can seem hard to find. Sometimes answers can come from the most surprising sources. When the author found herself confronted with challenges, she discovered, to her surprise, that wisdom came not from a philosophical master or spiritual guide, but her puppy named Monty. On the road with him, she learns to stop and ask him questions. He answers her through demonstrating the values of simplicity, fun and love of exploration. This description of the conversations that developed between them is a tale about rediscovering direction in life. It gives a light-hearted, gently thought-provoking account of the bigger journey of working out how to live. The search for the way ahead is the metaphor that illustrates the eternal bond of loyalty between a dog and its humanand makes this tale transcend normal conversation. 'Even when we are in small bodies, we have big spirits.' Writes Hannah Gold, relaying the replies of her wise four-legged friend, to her questions about life. 'The very young always know why they are here. Because they haven't forgotten. Sometimes life muddles things up with too many thoughts. But the heart is ageless.' Hannah's illustrations were created from sketches she made of Monty on their travels. These drawings provide a visual tapestry, depicting their journey together to inspire readers in finding their own path. Conversations with My Dog is an ideal companion for people considering significant change or embarking on a new direction, however uncertain, or even just searching for a little extra companionship and inspiration.

A uniquely powerful marker of ethnic, gender, and class identities, scent can also overwhelm previously constructed boundaries and transform social-sensory realities within contexts of environmental degradation, pathogen outbreaks, and racial politics. This innovative multidisciplinary volume critically examines olfaction in Asian societies with the goal of unlocking its full potential as an analytical frame and lived phenomenon. Featuring contributions from international scholars with deep knowledge of the region, this volume conceptualizes Asia and its borders as a dynamic, transnationally connected space of olfactory exchange. Using examples like economic exchange along the Silk Road; the diffusion of dharmic religious traditions out of South Asia; the waves of invasion, colonization, and forced relocation that shaped the history of the continent; and other “sensory highways� of contact, the contributors break down essentializing olfactory tropes and reveal how scent functions as a category of social and moral boundary-marking and boundary-breaching within, between, and beyond Asian societies. Smell shapes individual, collective, and state-based memory, as well as discourses about heritage and power. As such, it suggests a pervasive and powerful intimacy that contributes to our understanding of the human condition, mobility, and interconnection. In addition to the editors, the contributors to this volume include Khoo Gaik Cheng, Jean Duruz, Qian Jia, Shivani Kapoor, Adam Liebman, Lorenzo Marinucci, Peter Romaskiewicz, Saki Tanada, Aubrey Tang, and Ruth E. Toulson.

Through an ethnographic study inside Japan’s Buddhist goods industry, this book establishes a method for understanding change in death ritual through attention to the dynamic lifecourse of necromaterials.   Deep in the Fukuyama mountainside, “the grave of the graves� (o-haka no haka) houses acres of unwanted headstones—the material remains of Japan’s discarded death rites. In the past, the Japanese dead became venerated ancestors through sustained ritual offerings at graves and at butsudan, Buddhist altars installed inside the home. But in twenty-first-century Japan, this intergenerational system of care is rapidly collapsing. In noisy carpentry studios, flashy funeral-goods showrooms, neglected cemeteries, and cramped kitchens where women prepare memorial feasts, Hannah Gould analyzes the lifecycle of butsudan, illuminating how they are made, circulate through religious and funerary economies, mediate intimate exchanges between the living and the dead, and—as the population ages, families disperse, and fewer homes have space for large lacquer cabinets—eventually fall into disuse. What happens, she asks, when a funerary technology becomes obsolete? And what will take its place? Gould examines new products better suited to urban apartments: miniature urns and sleek altars inspired by Scandinavian design, even reliquary jewelry. She visits an automated columbarium and considers new ritual practices that embrace impermanence. At an industry expo, she takes on the role of “demonstration corpse.� Throughout, Gould invites us to rethink memorialization and describes a distinct form of Japanese necrosociality, one based on material exchanges that seek to both nurture the dead and disentangle them from the world of the living.

Through an ethnographic study inside Japan’s Buddhist goods industry, this book establishes a method for understanding change in death ritual through attention to the dynamic lifecourse of necromaterials.   Deep in the Fukuyama mountainside, “the grave of the graves� (o-haka no haka) houses acres of unwanted headstones—the material remains of Japan’s discarded death rites. In the past, the Japanese dead became venerated ancestors through sustained ritual offerings at graves and at butsudan, Buddhist altars installed inside the home. But in twenty-first-century Japan, this intergenerational system of care is rapidly collapsing. In noisy carpentry studios, flashy funeral-goods showrooms, neglected cemeteries, and cramped kitchens where women prepare memorial feasts, Hannah Gould analyzes the lifecycle of butsudan, illuminating how they are made, circulate through religious and funerary economies, mediate intimate exchanges between the living and the dead, and—as the population ages, families disperse, and fewer homes have space for large lacquer cabinets—eventually fall into disuse. What happens, she asks, when a funerary technology becomes obsolete? And what will take its place? Gould examines new products better suited to urban apartments: miniature urns and sleek altars inspired by Scandinavian design, even reliquary jewelry. She visits an automated columbarium and considers new ritual practices that embrace impermanence. At an industry expo, she takes on the role of “demonstration corpse.� Throughout, Gould invites us to rethink memorialization and describes a distinct form of Japanese necrosociality, one based on material exchanges that seek to both nurture the dead and disentangle them from the world of the living.