The popular image of the Vikings is of tall red-headed men, raping and pillaging their way around the coast of Europe, stopping only to ransack monasteries and burn longships. But the violent Vikings of the 8th century became the pious Christians of the 11th century, who gave gold crosses to Christian churches and in whose areas of rule pagan idols were destroyed and churches were built. So how did this radical transformation happen, and why? What difference did it make to the Vikings, and to those around them, and what is their legacy today? This book takes a "global" look at this key period in Viking history, exploring all the major areas of Viking settlement. Written to be an accessible and engaging overview for the general reader.

The popular image of the Vikings is of tall red-headed men, raping and pillaging their way around the coast of Europe, stopping only to ransack monasteries and burn longships. But the violent Vikings of the 8th century became the pious Christians of the 11th century, who gave gold crosses to Christian churches and in whose areas of rule pagan idols were destroyed and churches were built. So how did this radical transformation happen, and why? What difference did it make to the Vikings, and to those around them, and what is their legacy today? This book takes a "global" look at this key period in Viking history, exploring all the major areas of Viking settlement. Written to be an accessible and engaging overview for the general reader.

This ground-breaking exploration of the Anglo-Saxon 'Avon valley frontier', combines archaeology and documentary sources, to present a case for remarkable continuity during the Dark Age and Anglo-Saxon period. Based on research in the department of Anglo-Saxon, Norse and Celtic History at Cambridge University, this study explores the evidence of archaeology, chronicles, charters and place-names to analyse the history of the 'Bristol Avon' as a frontier from the 4th to the 11th century. The result is a regional history that mirrors the history of Anglo-Saxon England. It also reveals a striking continuity in the use of the Avon valley as a frontier; the roots of which are discernible in the Late Iron Age. Yet this continuity tells two different 'stories', either side of Bath, which influenced the actions of successor kingdoms over hundreds of years. In this history, Offa, Alfred, Guthrum, Edward the Elder, Athelstan, Edgar and Cnut all played their parts. Even the legendary Arthur and the semi-legendary Vortigern have walk-on parts. What is surprising is that 21st century civil and Church boundaries still reflect this history, which is over 1,500 years old.

Valhalla and its pantheon of gods and heroes have always fascinated readers, whether it is how these tales illuminate the Viking world or influence cultural touchstones like J. R. R. Tolkien, whose Middle Earth is heavily indebted to Germanic and Norse mythology, as well as Hollywood and comic-culture. In Tales of Valhalla, the Whittocks have dramatically retold these rich stories and sets them in context within the wider Viking world. Including both myths—stories, usually religious, which explain origins, why things are as they are, the nature of the spiritual—and legends—stories which attempt to explain historical events and which may involve historical characters but which are told in a non-historical way and which often include supernatural events—Tales from Valhalla is an accessible and lively volume that brings these hallmarks of world literature to a new generation.

While the main focus of the book is on telling the stories, some scene-setting is provided at the beginning and each chapter also contains a section of commentary to explain what is going on and its significance. The Norse myths have gained widespread attention in the English-speaking world, partly through a Scandinavian diaspora, especially in the USA) and partly through a great interest in the myths and legends which lie behind Viking activity. Tolkien's 'Middle Earth', too, as seen in both The Lord of the Rings and The Hobbit films is heavily indebted to Germanic/Norse mythology. The Whittock's book fills a gap in the market between academic publications and the interest-generating (but confusing) products of Hollywood and comic-culture. This is an accessible book, which both provides a retelling of these dramatic stories and also sets them in context so that their place within the Viking world can be understood. The book explores Norse myths (stories, usually religious, which explain origins, why things are as they are, the nature of the spiritual) and legends (stories which attempt to explain historical events and which may involve historical characters but which are told in a non-historical way and which often include supernatural events).

If the Viking Wars had not taken place, would there have been a united England in the tenth century? Martyn Whittock believes not, arguing that without them there would have been no rise of the Godwin family and their conflict with Edward the Confessor, no Norman connection, no Norman Conquest and no Domesday Book. All of these features of English history were the products, or by-products, of these conflicts and the threat of Scandinavian attack. The wars and responses to them accelerated economic growth; stimulated state formation and an assertive sense of an English national identity; created a hybrid Anglo-Scandinavian culture that spread beyond the so-called Danelaw; and caused an upheaval in the ruling elite. By looking at the entire period of the wars and by taking a holistic view of their political, economic, social and cultural effects, their many-layered impact can at last be properly assessed.