This contributed volume features chapters based on talks given at the second international conference titled Aspects of Time-Frequency Analysis (ATFA 19), held at Politecnico di Torino from June 25th to June 27th, 2019. Written by experts in harmonic analysis and its applications, these chapters provide a valuable overview of the state-of-the-art of this active area of research. New results are collected as well, making this a valuable resource for readers seeking to be brought up-to-date. Topics covered include: Signal analysis Quantum theory Modulation space theory Applications to the medical industry Wavelet transform theory Anti-Wick operators Landscapes of Time-Frequency Analysis: ATFA 2019 will be of particular interest to researchers and advanced students working in time-frequency analysis and other related areas of harmonic analysis.

In Western Civilization Mathematics and Music have a long and interesting history in common, with several interactions, traditionally associated with the name of Pythagoras but also with a significant number of other mathematicians, like Leibniz, for instance. Mathematical models can be found for almost all levels of musical activities from composition to sound production by traditional instruments or by digital means. Modern music theory has been incorporating more and more mathematical content during the last decades. This book offers a journey into recent work relating music and mathematics. It contains a large variety of articles, covering the historical aspects, the influence of logic and mathematical thought in composition, perception and understanding of music and the computational aspects of musical sound processing. The authors illustrate the rich and deep interactions that exist between Mathematics and Music.

Pseudo-differential operators were initiated by Kohn, Nirenberg and Hormander in the sixties of the last century. Beside applications in the general theory of partial differential equations, they have their roots also in the study of quantization first envisaged by Hermann Weyl thirty years earlier. Thanks to the understanding of the connections of wavelets with other branches of mathematical analysis, quantum physics and engineering, such operators have been used under different names as mathematical models in signal analysis since the last decade of the last century.

The volume investigates the mathematics of quantization and signals in the context of pseudo-differential operators, Weyl transforms, Daubechies operators, Wick quantization and time-frequency localization operators. Applications to quantization, signal analysis and the modern theory of PDE are highlighted.

The Applied and Numerical Harmonic Analysis (ANHA) book series aims to provide the engineering, mathematical, and scientific communities with significant developments in harmonic analysis, ranging from abstract har monic analysis to basic applications. The title of the series reflects the im portance of applications and numerical implementation, but richness and relevance of applications and implementation depend fundamentally on the structure and depth of theoretical underpinnings. Thus, from our point of view, the interleaving of theory and applications and their creative symbi otic evolution is axiomatic. Harmonic analysis is a wellspring of ideas and applicability that has flour ished, developed, and deepened over time within many disciplines and by means of creative cross-fertilization with diverse areas. The intricate and fundamental relationship between harmonic analysis and fields such as sig nal processing, partial differential equations (PDEs), and image processing is reflected in our state of the art ANHA series. Our vision of modern harmonic analysis includes mathematical areas such as wavelet theory, Banach algebras, classical Fourier analysis, time frequency analysis, and fractal geometry, as well as the diverse topics that impinge on them."

In Western Civilization Mathematics and Music have a long and interesting history in common, with several interactions, traditionally associated with the name of Pythagoras but also with a significant number of other mathematicians, like Leibniz, for instance. Mathematical models can be found for almost all levels of musical activities from composition to sound production by traditional instruments or by digital means. Modern music theory has been incorporating more and more mathematical content during the last decades. This book offers a journey into recent work relating music and mathematics. It contains a large variety of articles, covering the historical aspects, the influence of logic and mathematical thought in composition, perception and understanding of music and the computational aspects of musical sound processing. The authors illustrate the rich and deep interactions that exist between Mathematics and Music.

In his paper Theory of Communication [Gab46], D. Gabor proposed the use of a family of functions obtained from one Gaussian by time-and frequency shifts. Each of these is well concentrated in time and frequency; together they are meant to constitute a complete collection of building blocks into which more complicated time-depending functions can be decomposed. The application to communication proposed by Gabor was to send the coeffi cients of the decomposition into this family of a signal, rather than the signal itself. This remained a proposal-as far as I know there were no seri ous attempts to implement it for communication purposes in practice, and in fact, at the critical time-frequency density proposed originally, there is a mathematical obstruction; as was understood later, the family of shifted and modulated Gaussians spans the space of square integrable functions [BBGK71, Per71] (it even has one function to spare [BGZ75] . . . ) but it does not constitute what we now call a frame, leading to numerical insta bilities. The Balian-Low theorem (about which the reader can find more in some of the contributions in this book) and its extensions showed that a similar mishap occurs if the Gaussian is replaced by any other function that is "reasonably" smooth and localized. One is thus led naturally to considering a higher time-frequency density.

The chapters in this volume are based on talks given at the inaugural Aspects of Time-Frequency Analysis conference held in Turin, Italy from July 5-7, 2017, which brought together experts in harmonic analysis and its applications. New connections between different but related areas were presented in the context of time-frequency analysis, encouraging future research and collaborations. Some of the topics covered include: Abstract harmonic analysis, Numerical harmonic analysis, Sampling theory, Compressed sensing, Mathematical signal processing, Pseudodifferential operators, and Applications of harmonic analysis to quantum mechanics. Landscapes of Time-Frequency Analysis will be of particular interest to researchers and advanced students working in time-frequency analysis and other related areas of harmonic analysis.

The Applied and Numerical Harmonic Analysis (ANHA) book series aims to provide the engineering, mathematical, and scientific communities with significant developments in harmonic analysis, ranging from abstract har monic analysis to basic applications. The title of the series reflects the im portance of applications and numerical implementation, but richness and relevance of applications and implementation depend fundamentally on the structure and depth of theoretical underpinnings. Thus, from our point of view, the interleaving of theory and applications and their creative symbi otic evolution is axiomatic. Harmonic analysis is a wellspring of ideas and applicability that has flour ished, developed, and deepened over time within many disciplines and by means of creative cross-fertilization with diverse areas. The intricate and fundamental relationship between harmonic analysis and fields such as sig nal processing, partial differential equations (PDEs), and image processing is reflected in our state of the art ANHA series. Our vision of modern harmonic analysis includes mathematical areas such as wavelet theory, Banach algebras, classical Fourier analysis, time frequency analysis, and fractal geometry, as well as the diverse topics that impinge on them.

In his paper Theory of Communication [Gab46], D. Gabor proposed the use of a family of functions obtained from one Gaussian by time-and frequency shifts. Each of these is well concentrated in time and frequency; together they are meant to constitute a complete collection of building blocks into which more complicated time-depending functions can be decomposed. The application to communication proposed by Gabor was to send the coeffi cients of the decomposition into this family of a signal, rather than the signal itself. This remained a proposal-as far as I know there were no seri ous attempts to implement it for communication purposes in practice, and in fact, at the critical time-frequency density proposed originally, there is a mathematical obstruction; as was understood later, the family of shifted and modulated Gaussians spans the space of square integrable functions [BBGK71, Per71] (it even has one function to spare [BGZ75] . . . ) but it does not constitute what we now call a frame, leading to numerical insta bilities. The Balian-Low theorem (about which the reader can find more in some of the contributions in this book) and its extensions showed that a similar mishap occurs if the Gaussian is replaced by any other function that is "reasonably" smooth and localized. One is thus led naturally to considering a higher time-frequency density.