Based on the blockbuster 2022 solo show in London, KAWS: New Fiction documents the groundbreaking, multi-layered exhibition that presented the artist’s new and recent works in physical and augmented reality. A unique collaboration between the acclaimed artist KAWS, the Serpentine Galleries, digital art platform Acute Art, and the online video game phenomenon Fortnite, KAWS: New Fiction bridges the gap between the physical and virtual worlds, showcasing KAWS’s artworks as they’ve never been seen before. This one-of-a-kind book chronicles the iconic KAWS figure as it journeys through viewing the exhibition’s paintings, sculptures, site-specific additional artworks revealed via augmented reality (visible at the show through a dedicated AR app), and the virtual recreation of the physical gallery simultaneously featured in Fortnite. KAWS: New Fiction is a celebration of the unprecedented exhibition, and KAWS’s creative influence, as it was experienced in physical, virtual, and augmented realities.

Through 140 drawings, thought experiments, recipes, activist instructions, gardening ideas, insurgences and personal revolutions, artists who spend their lives thinking outside the box guide you to a new worldview; where you and the planet are one. Everything here is new. We invite you to rip out pages, to hang them up at home, to draw and scribble, to cook, to meditate, to take the book to your nearest green space. Featuring Olafur Eliasson, Etel Adnan, Alexis Pauline Gumbs, Jane Fonda & Swoon, Judy Chicago, Black Quantum Futurism Collective, Vivienne Westwood, Cauleen Smith, Marina Abramovic, Karrabing Film Collective, and many more.

The Chinese artist Liu Ye's meticulous, colorful canvases convey his love of literature in the first publication dedicated to his paintings of books. The Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Drawn equally from contemporary culture and old master painting, Liu's wide-ranging visual touchstones include Piet Mondrian, Miffy the Bunny, and Prada advertisements. In this new publication devoted to his book paintings, the artist examines the book as both a physical object and cultural totem. Playing with geometry and perspective, Liu creates extraordinary and disorienting portraits of this most familiar subject. Liu's Book Painting series, begun in 2013, depicts close-up views of books that are turned open to reveal empty pages, an approach that emphasizes the object's form over its content. Rendering books' material structure-endpapers, binding, spine-in sensual detail, these paintings indicate an obsession with the book as an object and a lifelong love of literature. Liu's father was a children's book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Many of the books in Liu's father's collection were banned in Cultural Revolution-era China and the artist read them secretly throughout his childhood. This formative experience figures in his popular Banned Books series and in his book paintings in general. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu, who traces the evolution of the book form in Liu's work, as well as an interview with the artist by Hans Ulrich Obrist.

In JENA Dusseldorf, first published in 2011, we follow Sabine Moritz and her artistic development, which began in 1989 at Offenbach University of Art and Design and continued in 1991 at the fine arts academy Kunstakademie Du sseldorf. Following the publication of Lobeda in 2010, a collection of homogenous early drawings, the pictures featured in JENA Dusseldorf have greater diversity in terms of content and form reflecting Moritz steady progression as an artist. Moritz brings scenes to life with vibrant colours and experimental brushstrokes creating a range of textures and atmospheres in a variety of medium including oil, acrylic, charcoal and colour pencil. The repertoire of architectural motifs is expanded to include places of remembrance in the GDR, sculptures in public spaces and the typology of 'empty places'. Some of the motifs from Lobeda reappear and are altered, drawing attention to the dynamic aspect of the process of recollection. The book also features a conversation with Hans Ulrich Obrist in which Moritz talks about her personal life, her memories and makes reference to specific works. The modest and compact book, packed with over 200 colour illustrations, shows by way of example her search for an artistic position on her route from Jena to Dusseldorf.

Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar & Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time.

Since they were founded in 2001, Trolley Books has been highly regarded as a maverick independent publisher of photography, reportage, contemporary art and recently, literature. Trolley's founder Gigi Giannuzzi is a well-known figure in the publishing and photographic industries for his original and dynamic approach to photobook publishing as well as his unrelenting support of photographers and important but underexposed stories. In a shock to the photography and publishing worlds he was diagnosed with cancer last year and passed away on Christmas Eve. Shortly before he died work began on a new book TROLLEYOLOGY, a look at the story behind Gigi and Trolley, which also will mark our first decade in publishing.

Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters with artists, exhibition makers and thinkers - Hans Ulrich Obrist looks to inspire all those engaged in the creation of culture. Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.

The first comprehensive collection of Annette Messager's drawings, including 150 works made over the last ten years, which constitute an invaluable lexicon to the mind and work of a trailblazing iconoclast. Messager redefined the role of women making art and the very nature of sculpture - accomplishments which won her the coveted Golden Lion for best national pavilion at the 51st Venice Biennale in 2005 and the Praemium Imperiale for sculpture in 2016. Messager's subjects range from animal to human, feminist activists to devotional figures, skeletons to ghosts. She broaches the grand themes of love, life, death and the fairy tales, mythologies, superstitions and vanities that lie beneath.

When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images-such as John Lennon and Yoko Ono entwined in a last embrace-as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. "What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else," Leibovitz says. "The book is very personal, but the narrative is told through popular culture. It's not arranged chronologically and it's not a retrospective. It's more like a roller coaster." Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.

Gerhard Richter (born 1932) is predominantly known for his paintings and drawings, which strike a playful balance between photo-realism and abstraction, while at once delving into often controversial political commentary. His works have explored a multitude of media, from photo-based, monochrome and brightly colored paintings to ink-doused papers and thin, multicolored strips of pure pattern. Beyond his artistic works, and particularly in recent years, Richter has published extensively on his vision of art and artistic values: in letters, interviews, public statements, excerpts and articles, Richter has established himself as a brilliant advocate of contemporary painting. Richter has also increasingly explored the possibilities of the book as medium in a series of extraordinary artist's books. "Gerhard Richter: Books" takes an in-depth look at his work in this medium. It features a book-length interview with the artist by internationally renowned art critic and historian Hans Ulrich Obrist, who walks us through the Richter archive and discusses the work with the artist himself, affording the reader an entirely new perspective on his works. The book also includes a new text by Kunstmuseum Winterthur director Dieter Schwarz.

Hans Ulrich Obrist's 2009 "Poetry Marathon" was an ambitious two-day poetry event held in Kazuyo Sejima and Ryue Nishizawa's summer pavilion at the Serpentine Gallery, with performances from leading poets, writers, artists, philosophers, scholars and musicians. Intended as a continuation of the overlap between twentieth-century poetry and art in Dada, Cubism, Surrealism, the New York Schools and Fluxus, this ambitious occasion is now commemorated in this 728-page volume. "Poetry Marathon" includes contributions from Sean Bonney, Tracey Emin, Brian Eno, James Fenton, Gilbert & George, John Giorno, Dominique Gonzalez-Foerster, Kenneth Goldsmith, Eugen Gomringer, Richard Hell, Geoffrey Hill, Joan Jonas, August Kleinzahler, Nick Laird, Sean Landers, Jonas Mekas, Maria Mirabel, Eileen Myles, Philippe Parreno, Holly Pester, Jeremy Reed, Gerhard Ruhm, Barry Schwabsky and Agnes Varda, among many others.

On September 29, 2018, before a live audience at Navy Pier in Chicago, international curator Hans Ulrich Obrist conducted his first US Marathon interview session as part of Art Design Chicago, a yearlong celebration of Chicago's art and design legacy initiated by the Terra Foundation for American Art. Obrist, who has undertaken a life-long project of interviewing cultural figures, spoke with more than twenty of Chicago's most innovative and influential artists, designers, architects, writers, and other creatives. In their interviews, this diverse group of creatives provided insights into their artistic processes, influences, and ideas about and hopes for their shared city of Chicago. Among the participants were social-practice artist/developer Theaster Gates, architect Jeanne Gang, writer Eve Ewing, Hairy Who artists Art Green and Suellen Rocca, performance/installation artist Shani Crowe, and the city's cultural historian Tim Samuelson. Creative Chicago: An Interview Marathon serves as documentation for this event, including edited transcripts of the interviews, biographies of the participants, photos of the event, and images of the artists' work.

The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist Adrian Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.

The Richter Interviews collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists' books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books. Obrist deftly guides the reader through a dazzling array of topics and offers an invaluable historical perspective on Richter's place within the art world of the 20th and 21st centuries. Illustrations of discussed artworks by Richter feature throughout the texts for visual reference - making this an indispensable guide to the thinking and creative processes of one of the world's most admired artists.

"Wylie fearlessly tackles the thorniest topics head-on, committing her thoughts and questions about politics, religion, fame, love, history, money and nature to canvas." - Charlotte Brook, Harper's Bazaar Inspired by film, pop culture, and the history of fashion as she experienced personally, Wylie harnesses a union of high and low culture with a bold technique of mark making. Her unique practice of material overlay and erasure creates fantastic compositions. Creating conceptual tensions between formal and informal aesthetics, Wylie employs the visual elements of text as formal details in her paintings. With a beautiful swiss binding, this monograph compiles the work of four exhibitions at David Zwirner offering a full breadth of Wylie's most recent work to date. Giving insight and compassion to Wylie's feminist and rebellious impulses, Judith Bernstein writes an accompanying text on how she relates to Wylie's ambitious and playful energy. With a foreword by Nicholas Serota, this publication also features new essays by Barry Schwabsky and David Salle and an enlightening interview between the artist and Hans Ulrich Obrist.