Keeping pace with explosive developments in the field, Colloidal Science of Flotation reviews and updates the fundamentals of the bubble-particle collection phenomenon using a self-consistent approach that helps readers understand the hydrodynamic aspects of bubble-particle collection. The authors examine bubble rise velocity, water velocity around air bubbles, the thinning of intervening liquid films, the stability of particle-bubble aggregates, and macroscopic processes in froth. They also survey the applicability of emerging technologies in industrial flotation deinking, wastewater treatment, flotation of plastics, and improvements in minerals and coal flotation.

This book presents a standardized framework for the analysis of family development and family policies in Europe. It offers an accessible and coherent account of how harmonized--or not--the various countries are in terms of cultural and political attitudes towards the family, as well as institutions.

In Bach in America, volume 5 of Bach Perspectives, nine scholars track Johann Sebastian Bach's reputation in America from an artist of relative obscurity to a cultural mainstay whose music has spread to all parts of the population, inspired a wealth of scholarship, captivated listeners, and inspired musicians.

More than a hundred years passed after Bach's death in 1750 before his music began to be known and appreciated in the United States. Barbara Owen surveys Bach's early reception in America and Matthew Dirst focuses on John Sullivan Dwight's role in advocating Bach's work. Michael Broyles considers the ways Bach's music came to be known in Boston and Mary J. Greer offers a counterpoint in her study of Bach's reception in New York.

The volume continues with Hans-Joachim Schulze's essay linking the American descendants of August Reinhold Bach to J. S. Bach through a common sixteenth-century ancestor. Christoph Wolff focuses on Bach's descendants in America, particularly Friederica Sophia Bach, the daughter of Bach's eldest son, Wilhelm Friedemann. Peter Wollny evaluates several manuscripts not included in Gerhard Herz's study of Bach Sources in America. The book concludes with examinations of Bach's considerable influence on American composers. Carol K. Baron compares the music of Bach and Charles Ives and Stephen A. Crist measures Bach's influence on the jazz pianist and composer Dave Brubeck.