-Polyelectrolyte Stars and Cylindrical Brushes By Y. Xu, F. Plamper, M. Ballauff, and A. H. E. Muller -Various Aspects of the Interfacial Self-Assembly of Nanoparticles By N. Popp, S. Kutuzov, A. Boeker -Holographic Gratings and Data Storage in Azobenzene-Containing Block Copolymers and Molecular Glasses By H. Audorff, K. Kreger, R. Walker, D. Haarer, L. Kador, and H.-W. Schmidt -Donor-Acceptor Block Copolymers with Nanoscale Morphology for Photovoltaic Applications By M. Sommer, S. Huettner, and M. Thelakkat -Recent Advances in the Improvement of Polymer Electret Films By D. P. Erhard, D. Lovera, C. von Salis-Soglio, R. Giesa, V. Altstadt, and H.-W. Schmidt

-Effects of Electric Fields on Block Copolymer Nanostructures By H. G. Schoberth, V. Olszowka, K. Schmidt, and A. Boeker -Nanopattern Evolution in Block Copolymer Films: Experiment, Simulations and Challenges By L. Tsarkova, G.J. Agur Sevink, and G. Krausch -Controlled Wrinkling as a Novel Method for the Fabrication of Patterned Surfaces By A. Schweikart, A. Horn, A. Boeker, and A. Fery -Layered Systems Under Shear Flow By D. Svensek and H. R. Brand -Thermal Diffusion in Polymer Blends: Criticality and Pattern Formation By W. Koehler, A. Krekhov, and W. Zimmermann -Foaming of Microstructured and Nanostructured Polymer Blends By H. Ruckdaschel, P. Gutmann, V. Altstadt, H. Schmalz, and A.H.E. Muller

-Polyelectrolyte Stars and Cylindrical Brushes By Y. Xu, F. Plamper, M. Ballauff, and A. H. E. Muller -Various Aspects of the Interfacial Self-Assembly of Nanoparticles By N. Popp, S. Kutuzov, A. Boker -Holographic Gratings and Data Storage in Azobenzene-Containing Block Copolymers and Molecular Glasses By H. Audorff, K. Kreger, R. Walker, D. Haarer, L. Kador, and H.-W. Schmidt -Donor-Acceptor Block Copolymers with Nanoscale Morphology for Photovoltaic Applications By M. Sommer, S. Huettner, and M. Thelakkat -Recent Advances in the Improvement of Polymer Electret Films By D. P. Erhard, D. Lovera, C. von Salis-Soglio, R. Giesa, V. Altstadt, and H.-W. Schmidt

-Effects of Electric Fields on Block Copolymer Nanostructures By H. G. Schoberth, V. Olszowka, K. Schmidt, and A. Boeker -Nanopattern Evolution in Block Copolymer Films: Experiment, Simulations and Challenges By L. Tsarkova, G.J. Agur Sevink, and G. Krausch -Controlled Wrinkling as a Novel Method for the Fabrication of Patterned Surfaces By A. Schweikart, A. Horn, A. Boeker, and A. Fery -Layered Systems Under Shear Flow By D. Svensek and H. R. Brand -Thermal Diffusion in Polymer Blends: Criticality and Pattern Formation By W. Koehler, A. Krekhov, and W. Zimmermann -Foaming of Microstructured and Nanostructured Polymer Blends By H. Ruckdaschel, P. Gutmann, V. Altstadt, H. Schmalz, and A.H.E. Muller

Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's use of exposed concrete, the clarity of his geometric shapes and the emblematic polychrome surfaces as symbols of his buildings. She investigates what remains today of these visions of architectural modernism, now that its legacy in many cases is adored as a monument rather than actually used and appreciated as a functional piece of architecture. The photographic image transforms the buildings into signs of a highly pictorial and sculptural aesthetic, enabling manifold views at Le Corbusier's work in the present day. The book also presents a selection of Hoppe's photographs of international modernist buildings, alongside two essays and a conversation with the artist. It is published to coincide with a solo exhibition at the Museum der bildenden Kunste in Leipzig.

"Beauty and the Beast" offers a provocative juxtaposition of California-based Pop artist Mel Ramos (born 1935) and German graphic artist Richard Muller (1874-1954). Ramos famously juxtaposes immaculate, self-assured women with consumer goods, while Muller portrays unreserved, naturalistic nudes.

These bright, blocky portaits--and what look like slumber-party scenes--represent four key years, 2002-2005, in the rise of this young painter from the Leipzig school. Hans-Werner Schmidt, the Director of the Museum of Fine Arts there, contributes text.