Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century. Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance,mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpineenvironment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers,and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Hoebusch, Dan Hooley, Peter Hoeyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Turk, Sabine Wilke, Wilfried Wilms. Sean Ireton is Associate Professor of German at the University of Missouri. Caroline Schaumann is Associate Professor of German Studies at Emory University.

A study of how Nanga Parbat, the ninth-highest peak on earth, became the German "mountain of the mind." Never has a mountain occupied the German imagination longer and more thoroughly than Nanga Parbat (8,125m), the world's ninth-highest peak, located in the extreme western part of the Himalaya chain in present-day Pakistan. Repeatedly referred to in the 1930s as the German "mountain of destiny," over a period of roughly two decades from 1932 to 1953 Nanga Parbat became not only the destination of six German mountaineering expeditions, but also the quintessential German "mountain of the mind" onto whose slopes German mountaineers, mountaineering officials, politicians, writers, and filmmakers projected some of the most pressing social, political, and cultural concerns of their times.This book is a detailed study of that process: of the initial motivations of post-First World War mountaineers for attempting to scale one of the tallest mountains in the world, of the appropriation of this epic mountaineering challenge by National Socialism, of the reappropriation of the Nanga Parbat project during the early years of the German Federal Republic. And most important - since to date such an approach is almost completely absent from existingstudies of Himalaya mountaineering of this era - it is a study of the means and mechanisms, the texts and contexts employed for communicating these high-altitude mountaineering exploits to the German public and thereby inscribingNanga Parbat into the German imagination. Harald Hoebusch is Associate Professor of German and Associate Chair of the Department of Modern and Classical Languages, Literatures and Cultures at the University of Kentucky.

Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century. Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance,mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpineenvironment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers,and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Hoebusch, Dan Hooley, Peter Hoeyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Turk, Sabine Wilke, Wilfried Wilms. SEAN IRETON is Associate Professor of German at the University of Missouri. CAROLINE SCHAUMANN is Professor of German Studies at Emory University.