|
Showing 1 - 10 of
10 matches in All Departments
Follow the yellow brick road in this delightful stage adaptation of
L. Frank Baum's beloved tale, featuring the iconic musical score
from the MGM film. The timeless tale, in which young Dorothy Gale
travels from Kansas over the rainbow to the magical Land of Oz,
continues to thrill audiences worldwide. Professional Artwork
Available for Your Production of The Wizard of Oz (R.S.C. 1987)!
Concord Theatricals has collaborated with Subplot Studio to create
high-quality artwork that complies with your license. Promoting
your show has never been easier! Learn more at Subplot Studio.
There are two full-length versions of The Wizard of Oz: MUNY and
RSC. Both include the songs "Over The Rainbow," "Munchkinland (Ding
Dong! The Witch Is Dead)," "If I Only Had A Brain/A Heart/The
Nerve," "We're Off To See The Wizard (Follow The Yellow Brick
Road)," "The Jitterbug," and "The Merry Old Land of Oz." The MUNY
version also has "Evening Star." The RSC version also includes
"Poppies (Optimistic Voices)" and "If I Were King Of The Forest."
This RSC version is a more faithful adaptation of the film. A more
technically complex production, it recreates the dialogue and
structure of the MGM classic nearly scene for scene, though it is
adapted for live stage performance. The RSC version's musical
material also provides more work for the SATB chorus and small
vocal ensembles. The MUNY Version is more theatrically
conservative, employing its stage, actors, singers, dancers, and
musicians in traditional ways. Using L. Frank Baum's book - and not
the MGM film - as its inspiration, this version employs story and
songs as elements of a classic stage musical, adding a bit more
humor to the witch and her cronies. The MUNY version does not
include Toto, but instead adds new characters, including: Farmhand
Joe, Gloria of Oz, Lord Growlie, Tibia (the witch's skeletal
assistant), two comical neighboring witches, and the Royal Army of
Oz.
Three out of four Broadway-bound musicals fail to get there, and
many of those that do, ultimately fail. The Broadway Musical takes
an engrossing look at the industry's successes and failures in an
effort to understand the phenomenon of mass collaboration that is
Broadway.
The authors investigate the complicated machinery of show business
from its birth around the turn of the century through its survival
of the cost explosions of the 1980s. Through interviews with many
of Broadway's top producers, directors, designers, actors,
songwriters, lyricists, librettists, musicians, and other artists,
they lead us on an intimate tour of the creative process. They also
explore the roles of top executives and the reactions of critics
and audiences. They conclude with a fascinating look at the
inherent conflicts and tensions that have resulted in some of the
most seamless and best-loved productions on Broadway.
Fans of the genre as well as scholars and students of American
culture will delight in this revealing insider's look at the scenes
behind the scenes and the history of one of America's most popular
forms of entertainment.
The effort that goes into making a Broadway musical is enormous,
first requiring the enthusiasm of a group of initial creative
artists and then the cooperation of hundreds of talented
individuals and the investment of millions of dollars before each
show is ready to open. Each venture is marked perhaps more by
conflict than collaboration, and the continuation of the industry
seems more remarkable when it is revealed that three out of four
Broadway musicals fail to break even on Broadway.
What goes into the making of a successful musical? No venture can
be a success without good collaboration, but whether it is good or
bad in any specific case cannot be known beforehand. The Broadway
Musical is an investigation into this phenomenon of collaboration
and its seeming unpredictability. To gather information, Bernard
Rosenberg and Ernest Harburg have interviewed many of the top
producers, directors, designers, players, songwriters, lyricists,
librettists, and other artists that are responsible for today's
Broadway musicals. Starting with the development of the industry
itself, the authors investigate the complicated machinery of show
business and detail how it was able to survive the rapidly rising
costs of productions in the 1980s. Proceeding to the creative
aspects of the show, the authors provide an intimate look at the
assembling of the musical at every level, detailing the workings of
the top executives, musicians, songwriters, techne, the reaction of
the critics and the audience. The book concludes with a lengthy
look at the phenomenon of collaboration itself, describing the
inherent conflict and tension that often adds to the production of
a Broadway musical.
The Broadway Musical is an engrossing look at the successes and
failures of this most elaborate form of live entertainment.
With the film's original 50th anniversary artwork on the cover,
this fantastic folio is a real collector's item. Includes: Over the
Rainbow * Ding-Dong! The Witch Is Dead * We're Off to See the
Wizard * If I Only Had a Brain * Optimistic Voices * If I Were King
of the Forest * The Merry Old Land of Oz * Munchkinland and more.
|
You may like...
Widows
Viola Davis, Michelle Rodriguez, …
Blu-ray disc
R22
R19
Discovery Miles 190
|