A prophetic and experimental masterpiece by J. G. Ballard, the acclaimed author of 'Crash' and 'Super-Cannes'. This edition includes explanatory notes from the author. The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force. The central character's dreams are haunted by images of John F. Kennedy and Marilyn Monroe, dead astronauts and car-crash victims as he traverses the screaming wastes of nervous breakdown. Seeking his sanity, he casts himself in a number of roles: H-bomber pilot, presidential assassin, crash victim, psychopath. Finally, through the black, perverse magic of violence he transcends his psychic turmoil to find the key to a bizarre new sexuality. In this revised edition, Ballard has added extensive annotation that help to unlock many of the mysteries of one of the most prophetic, enigmatic and original works of the late twentieth century. This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Neil Gaiman, Iain Sinclair, James Lever and Ali Smith) and brand-new cover designs.

'The book I wish I'd written? Whatever Hari Kunzru is publishing next' Aravind Adiga 'Astonishing, absorbing, terrifying. Immensely good.' Philip Pullman ''Red Pill stands as a final blast of sanity against this new, deranged reality. It is a literary masterpiece for a barbaric new world rapidly running out of room for literary masterpieces.' The Spectator '[A] deeply intelligent and artfully constructed novel.' Financial Times From the author of White Tears comes a breathtaking, state-of-the-world novel about one man's struggle to defend his values and create a reality free from the shadows of the past. 'From now on when you see something, you're seeing it because I want you to see it. When you think of something, it'll be because I want you to think about it...' And with those words, the obsession begins. A writer has left his family in Brooklyn for a three month residency at the Deuter Centre in Berlin, hoping for undisturbed days devoted to artistic absorption. When nothing goes according to plan, he finds himself holed up in his room watching Blue Lives, a violent cop show with a bleak and merciless worldview. One night at a party he meets Anton, the charismatic creator of the show, and strikes up a conversation. It is a conversation that leads him on a journey into the heart of moral darkness. A conversation thatthreatens to destroy everything he holds most dear, including his own mind. Red Pill is a novel about the alt-right, online culture, creativity, sanity and history. It tells the story of the 21st century through the prism of the centuries that preceded it, showing how the darkest chapters of our past haunt our present. More than anything, though, this is a novel about love and how it can endure in a world where everything else seems to have lost all meaning. Praise for White Tears 'Exquisitely attuned' Washington Post 'Electrifying, subversive and wildly original' TheNew Yorker 'A book that everyone should be reading right now' TIME Magazine 'Haunting, doom-drenched, genuinely and viscerally disturbing...' The Independent

Don Rumata has been sent from Earth to the medieval kingdom of Arkanar with instructions to observe and to save what he can. Masquerading as an arrogant nobleman, a dueler, and a brawler, he is never defeated, but yet he can never kill. With his doubt and compassion, and his deep love for a local girl named Kira, Rumata wants to save the kingdom from the machinations of Don Reba, the first minister to the king. But given his orders, what role can he play? This long overdue translation will reintroduce one of the most profound Soviet-era novels to an eager audience. Arkady and Boris Strugatsky are widely known as the greatest Russian writers of science fiction, and their 1964 novel "Hard to Be a God "is considered one of the greatest of their works. Yet until now the only English version (unavailable for over thirty years) was based on a German translation, and was full of errors, infelicities, and misunderstandings. Now, in a new translation by Olena Bormashenko, whose translation of the authors' "Roadside Picnic "has received widespread acclaim, here is the definitive edition of this brilliant work. It tells the story of Don Rumata, who has been sent from Earth to the medieval kingdom of Arkanar, with instructions to observe and to influence, but never to directly intervene. Masquerading as an arrogant nobleman, a dueler and a brawler, Don Rumata is never defeated but can never kill. With his doubt and compassion, and his deep love for a local girl named Kira, Rumata wants to save the kingdom from the machinations of Don Reba, the First Minister to the king. But given his orders, what role can he play?"Hard to Be a God "has inspired a computer game and two movies, including Aleksei German's long-awaited swan song. This long-overdue translation will reintroduce one of the most profound Soviet-era novels to an eager audience.

Pran Nath Razdan, the boy who will become the Impressionist, was passed off by his Indian mother as the child of her husband, a wealthy man of a high caste. Pran lived a life of luxury just downriver from the Taj Mahal, but at fifteen, the news of Pran’s true parentage is revealed to his father and he is tossed out into the street—a pariah and an outcast. Thus begins an extraordinary, near mythical journey of a young man who must reinvent himself to survive—not once, but many times.

From Victorian India to Edwardian London, from an expatriate community of black Americans in Paris to a hopeless expedition to study a lost tribe of Africa, Hari Kunzru’s unforgettable debut novel dazzles with its artistry and wit while it challenges with its insights into what it means to be Indian or English, black or white, and every degree that lies between.

Moses thinks he's got it made. Originally a poor Caribbean immigrant, he is now the proud landlord of a ramshackle house in Shepherd's Bush, London. He has visions of being master of his own domain, writing his memoirs while his trusty sidekick and handyman, Bob, does all the work. But Moses' problems are far from over... Soon a Black Power group take over the basement, headed by the indomitable - but very sexy - Brenda, and an illegal people-smuggling ring is discovered upstairs. Not to mention harassment from racist police, sheep-slaughtering in the back yard and a Black Panther (the human kind) on the loose. Will Moses' elaborately constructed castle in the air be demolished by these unruly forces? Following the fortunes of characters from Selvon's The Lonely Londoners, Moses Ascending is a hilarious and telling depiction of 1970s Britain.

In India, at the birth of the last century, an infant is brought howling into the world, his remarkable paleness marking him out from his brown-skinned fellows. Revered at first, he is later cast out from his wealthy home when his true parentage is revealed. So begins Pran Nath’s odyssey of self-discovery – a journey that will take him from the streets of Agra, via the red light disrict of Bombay, to the green lawns of England and beyond – as he struggles to understand who he really is.

'A stunning, audacious new thriller... It will shock you, horrify you, unsettle you, and that's exactly the point. As brave as it is brutal, it lets nothing and nobody off the hook' NPR 'A book that everyone should be reading right now' TIME New Yorkers Carter and Seth chop up old music to make it new again, ripping off black culture to line white pockets. They are young, hungry and talented. But one day they stumble on an old blues song - an undiscovered gem just waiting to be found - and land themselves in a heap of trouble. Seeking answers, Seth travels deep into the heart of the old South, accompanied by Carter's bewitching sister Leonie. But this is America, where ghosts lie uneasy in shallow graves and tugging one loose thread can unravel a bloody history of injustice. And the closer Seth gets to the haunting truth, the more he feels pursued . . . White Tears is a nail-biting ride through the terrifying spectre of America's past. It's about black lives and white privilege and the music that runs through the country's veins like blood.

In Transmission, award-winning writer Hari Kunzru takes an ultra-contemporary turn with the story of an Indian computer programmer whose luxurious fantasies about life in America are shaken when he accepts a California job offer.

Lonely and naive, Arjun spends his days as a lowly assistant virus- tester, pining away for his free-spirited colleague Christine. Arjun gets laid off like so many of his Silicon Valley peers, and in an act of desperation to keep his job, he releases a mischievous but destructive virus around the globe that has major unintended consequences. As world order unravels, so does Arjun's sanity, in a rollicking cataclysm that reaches Bollywood and, not so coincidentally, the glamorous star of Arjun's favorite Indian movie.

Gods Without Men is Hari Kunzru's epic novel of intertwined lives and a vast expanse of American desert. In the Californian desert . . . A four-year-old boy goes missing. A British rock star goes quietly mad. An alien-worshipping cult is born. An Iraqi teenager takes part in a war game. In a remote town, near a rock formation known as The Pinnacles, lives intertwine, stories echo, and the universal search for meaning and connection continues. 'Kunzru's great American novel' Independent 'Readers speak of it in hushed tones as conveying the secrets of the universe' Newsday 'Extraordinary, smart, innovative, a revelation. Has the counterculture feel of a late-1960s US campus hit - something by Vonnegut or Pynchon or Wolfe. Genuinely interesting and exhilarating. Extremely enjoyable' Guardian 'Astonishing, mind-blowing. One of the most original novels I've read in years' Counterpunch 'One of the most socially observant and skilful novelists around. Consistently gripping and entertaining' Literary Review 'A great sprawling narrative, as vast as the canvas on which it is written' Washington Post 'Reverberates long after you finish reading it' New Yorker Hari Kunzru is the author of the novels The Impressionist, Transmission, My Revolutions and Gods Without Men, and the story collection Noise. He lives in New York.

Hari Kunzru's Transmission is a witty novel about cyberspace, a Bollywood dancer and a world where everyone is connected. It's the twenty-first century, and everything and everyone is connected. Meet Arjun Mehta, an Indian cybergeek catapulted into California's spiralling hi-tech sector; Leela Zahir, beguiling Bollywood actress filming in the midge-infested Scottish wilds; and Guy Swift, hyped-up marketing exec lost in a blue-sky tomorrow of his own devising. Three dislocated individuals seeking nodes of connectivity - a place to fit in. Yet this is the twenty-first century, and their lives are about to become unexpectedly entangled as a virus spreads, and all their futures are rewired. But will it take them further from their dreams, or closer to their hearts? 'An aphoristic joke, a neat turn of phrase; a joke that makes you laugh . . . there's nothing Kunzru couldn't manage in prose. Thoroughly engrossing' Literary Review 'Funny, heartfelt and beautifully written, confirms Kunzru as one of the most talented writers of his generation' Image 'Very enjoyable, I couldn't put it down. Funny and wry; it is deftly plotted; its characters intimately drawn. Blissful' Observer 'Utterly affecting, a novel with devastating satirical bite' Financial Times Hari Kunzru is the author of the novels The Impressionist, Transmission, My Revolutions and Gods Without Men, and the story collection Noise. He lives in New York.