In this gripping new thriller from the No 1 Sunday Times bestselling author, Wilde follows a tip that he hopes will finally solve the mystery of his abandonment, but instead sends him straight into the arms of a serial killer.

As a young child, Wilde was found living a feral existence in the Ramapo mountains of New Jersey. He has grown up knowing nothing of his family, and even less about his own identity. He is known simply as Wilde, the boy from the woods. But when a match at an online ancestry database puts him on the trail of a close relative - the first family member he has ever known - he thinks he might be about to solve the mystery of who he really is.

Only this relation disappears as quickly as he's resurfaced, having experienced an epic fall from grace that can only be described as a waking nightmare. Undaunted, Wilde continues his research on DNA websites where he becomes caught up in a community of doxxers, a secret group committed to exposing anonymous online trolls.

Then one by one these doxxers start to die, and it soon becomes clear that a serial killer is targeting this secret community - and that his next victim might be Wilde himself ...

From the # 1 bestselling author and creator of the hit Netflix drama Stay Close, comes a new page-turning thriller that will keep you guessing until the very last page.

David and Cheryl Burroughs are living the dream - married, a beautiful house in the suburbs, a three year old son named Matthew - when tragedy strikes one night in the worst possible way. David awakes to find himself covered in blood, but not his own - his son's. And while he knows he did not murder his son, the overwhelming evidence against him puts him behind bars indefinitely.

Five years into his imprisonment, Cheryl's sister arrives - and drops a bombshell. She's come with a photograph that a friend took on vacation at a theme park. The boy in the background seems familiar - and even though David realizes it can't be, he knows it is. It's Matthew, and he's still alive.

David plans a harrowing escape from prison, determined to do what seems impossible - save his son, clear his own name, and discover the real story of what happened that devastating night.

How can a man who’s already dead be wanted for murder? This is the question sports agent Myron Bolitar asks himself when two FBI agents visit him in New York.

The man they are looking for is Myron’s former client and rival, Greg Downing. Greg’s DNA has been found at the scene of a high profile double-murder, and he is now the FBI’s main suspect. But Greg died three years previously, Myron says. He went to his funeral and gave the eulogy. The FBI are disbelieving, and Myron knows he has to find some answers – and quickly.

Could Greg Downing still be alive?

The more Myron and his close friend Win dig into what really happened, the more dangerous their world becomes . . .

Secrets, lies and a murderous conspiracy that stretches back into the past lie at the heart of Harlan Coben’s blistering new thriller.

How can a man who’s already dead be wanted for murder?

This is the question sports agent Myron Bolitar asks himself when two FBI agents visit him in New York. The man they are looking for is Myron’s former client and rival, Greg Downing. Greg’s DNA has been found at the scene of a high profile double-murder, and he is now the FBI’s main suspect. But Greg died three years previously, Myron says. He went to his funeral and gave the eulogy.

The FBI are disbelieving, and Myron knows he has to find some answers – and quickly. Could Greg Downing still be alive?

The more Myron and his close friend Win dig into what really happened, the more dangerous their world becomes . . .

Secrets, lies and a murderous conspiracy that stretches back into the past lie at the heart of Harlan Coben’s blistering new thriller.

From the # 1 author and creator of the hit Netflix drama Stay Close, a page-turning thriller that will keep you guessing until the very last page. The new Harlan Coben blockbuster has arrived. ______________ David and Cheryl Burroughs are living the dream - married, a beautiful house in the suburbs, a three year old son named Matthew - when tragedy strikes one night in the worst possible way. David awakes to find himself covered in blood, but not his own - his son's. And while he knows he did not murder his son, the overwhelming evidence against him puts him behind bars indefinitely. Five years into his imprisonment, Cheryl's sister arrives - and drops a bombshell. She's come with a photograph that a friend took on vacation at a theme park. The boy in the background seems familiar - and even though David realizes it can't be, he knows it is. It's Matthew, and he's still alive. David plans a harrowing escape from prison, determined to do what seems impossible - save his son, clear his own name, and discover the real story of what happened that devastating night. ______________ Praise for Harlan Coben ... 'Unbelievably brilliant' RICHARD OSMAN 'A GREAT writer' JOHN GRISHAM 'Never lets you down' LEE CHILD 'Simply one of the all-time greats' GILLIAN FLYNN 'The modern master of the hook and twist' DAN BROWN 'One of the world's finest thriller writers' PETER JAMES

How can a man who’s already dead be wanted for murder?

This is the question sports agent Myron Bolitar asks himself when two FBI agents visit him in New York.

The man they are looking for is Myron’s former client and rival, Greg Downing. Greg’s DNA has been found at the scene of a high-profile double murder, and he is now the FBI’s main suspect.

But Greg died three years previously, Myron says. He went to his funeral and gave the eulogy.

The FBI are disbelieving, and Myron knows he has to find some answers – and quickly.

Could Greg Downing still be alive?

The more Myron and his close friend Win dig into what really happened, the more dangerous their world becomes . . .

Secrets, lies and a murderous conspiracy that stretches back into the past lie at the heart of Harlan Coben’s blistering new thriller.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.