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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
The plays of Maria Martinez Sierra were popular in Spain, South
America and in translation on Broadway and London's West End in the
first half of the 20th century but they were thought to be written
by her husband, the celebrated director and playwright Gregorio
Martinez Sierra. After his death, the authorship of his work was
revealed to be that of Maria, making her one of the most important
playwrights of her time. This edited collection features three
plays by Maria Martinez Sierra, translated by Helen and Harley
Granville-Barker, along with an introduction by Patricia O'Connor,
University of Cincinnati, US, which examines Maria's extraordinary
life and work, and the battle for her authorship to be recognized
in both the Spanish-speaking and anglophone world. This volume
focuses on plays centred on strong women; and each is translated by
the eminent man of theatre Harley Granville-Barker and his wife,
Helen, whose own story holds stark parallels to Maria's in terms of
authorship. The collection is edited by playwright Richard Nelson
and Professor Colin Chambers, who contribute an essay on the
translation work of the Granville-Barkers. The plays are: The
Kingdom of God (1928); The Romantic Young Lady (1920) and Take Two
From One (1931). Maria Martinez Sierra: A Great Playwright Hidden
in Plain Sight recognizes Maria de la O Lejarraga Garcia, to use
her birth name, as one of the most important female playwrights,
not just in Spain, but globally, in the first half of the 20th
century.
The classic - and most practical - guide to Shakespeare's major
plays, available in separate, pocket-format volumes for use in
study or rehearsal room. With a foreword by Richard Eyre. 'I regard
Granville Barker not only as the first modern English director but
as the most influential' Richard Eyre 'A deep and penetrating
intelligence illuminates his observations, and they remain
permanently relevant' Peter Brook
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Waste (Paperback)
Harley Granville Barker
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R384
Discovery Miles 3 840
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Ships in 12 - 17 working days
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A scandal half-stifled is worse than a scandal. One is at
everybody's mercy. Backstage at a hung parliament, visionary
Independent Henry Trebell is co-opted by the Tories to push through
a controversial Bill. Pursuing his cause with missionary zeal, he's
barely distracted by his brief affair with a married woman until
she suffers a lethal backstreet abortion. Threatened by public
scandal, the Establishment closes ranks and coolly seals the fate
of an idealistic man. Famously banned by the censors in 1907,
Harley Granville Barker's controversial masterpiece gathers a large
ensemble to expose a cut-throat, cynical world of sex, sleaze and
suicide amongst the political elite of Edwardian England. This
edition was published for the National Theatre's revival in
November 2015.
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