Only 23-years-old when he directed his extraordinary debut feature Gummo, Harmony Korine has since continued to serve notice that he is the riskiest, most radical young talent in independent US film. This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

These eight limited-run fanzines were originally created between 1992 and 1999 and were sold out of the Alleged and Andrea Rosen galleries in New York City. Collected together for the first time, all of the original content is represented--low-concept, hilarious juxtapositions of words; scribbles and doodles; lists; monologues; free verse; jokes; innuendo; and both fake and real interviews. They blur the lines between fantasy and reality, and are often prankster in nature and laugh-out-loud funny. With weird musings, fake celebrity gossip, and hastily drawn art, this collection is a must have for fans of the authors and lovers of pop culture.

This reprinting of Korine's first novel presents fragments of a portrait in multimedia: print, photographs, drawings, news clippings, handwriting, a poem, attempted diagrams, clip art; but mostly text, including hard-luck stories, off-and-on-colour jokes, script-scraps, found letters, free rhymes, drug flashbacks and other scenes, exploring the world of show-biz with feet set lightly in the black humours of the real ol' world. This excretion of the danglers of public life would make William Burroughs sigh and turn the page, at least.

This anthology summarizes seven years of exhibitions at the Swiss Institute in New York. Contributors include John Armleder, Andrew Blake, Michael Bracewell, Tom Burr, Antoine Catala, Florence Derieux, Dan Graham, Harmony Korine, Piper Marshall, Malcolm McLaren, John Miller, Bob Nickas, Walter Pfeiffer, Haim Steinbach and Lawrence Weiner.