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These eight limited-run fanzines were originally created between
1992 and 1999 and were sold out of the Alleged and Andrea Rosen
galleries in New York City. Collected together for the first time,
all of the original content is represented--low-concept, hilarious
juxtapositions of words; scribbles and doodles; lists; monologues;
free verse; jokes; innuendo; and both fake and real interviews.
They blur the lines between fantasy and reality, and are often
prankster in nature and laugh-out-loud funny. With weird musings,
fake celebrity gossip, and hastily drawn art, this collection is a
must have for fans of the authors and lovers of pop culture.
Only 23-years-old when he directed his extraordinary debut feature
Gummo, Harmony Korine has since continued to serve notice that he
is the riskiest, most radical young talent in independent US film.
This collection of three screenplays displays his defiantly
unorthodox approach to film form, as well as the unclassifiable
imaginative energy that drives all of his work.
This reprinting of Korine's first novel presents fragments of a
portrait in multimedia: print, photographs, drawings, news
clippings, handwriting, a poem, attempted diagrams, clip art; but
mostly text, including hard-luck stories, off-and-on-colour jokes,
script-scraps, found letters, free rhymes, drug flashbacks and
other scenes, exploring the world of show-biz with feet set lightly
in the black humours of the real ol' world. This excretion of the
danglers of public life would make William Burroughs sigh and turn
the page, at least.
This artist's book documents Dan Colen's 2011 exhibition at
Gagosian Gallery in New York, as well as his June 2012 Gagosian
exhibition in Paris. Drawing from mass media, local environment,
and subculture, Dan Colen's art imbues the ordinary, the
disenfranchised, and the tribal with provocative new status. This
publication includes over fifty new works, including Colen's series
of Grass, Gum, Confetti, and Stud, with extensive details of the
works.
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