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This is the first volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 1 includes 799 photographs of sculptures on 224 pages with essays on specific topics of identitication and caring for bronze. It incorporates lists of the sculptors whose work is shown, the founders represented, 24 different founders' seals and an index to this volume. The photographs are remarkably clear enabeling small details in the sculptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.
This is the fourth volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.
This is the second volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 2 includes 1025 photographs of sculptures on 272 pages with a numbered list of the sculpture categories and an essay on early twentieth-century sculptural styles by Tom Tomc of Chicago. It incorporates lists of the sculptors whose work is shown, the founders represented, and 58 different founders' seals. The photographs are remarkably clear enabeling small details in the scuptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.
This is the third volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 3 includes 1315 photographs of sculptures on 320 pages with information on the Hirsch Foundry of Paris and Brooklyn, New York. It incorporates lists of the sculptors whose work is shown, the founders represented, and 21 different founders' seals. The photographs are remarkably clear enabeling small details in the sculptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.
Does love really conquer all? It truly was love at first sight, even though Gayle was the Minister of Music in a Texas mega-church and Harold was a secular Jew from New York. Fate brought them together. But destiny had something else in mind. From the Bible Belt to northernmost Russia to the heart of the Jewish world, Doublelife is really about the journey within, to discover who we are and who we are meant to be. Written as a series of letters to each other, Doublelife allows the reader to eavesdrop on the conversation as it unfolds. At once funny, heartrending, and inspirational, Doublelife is a story of finding love, transforming the spirit, and overcoming what life sends you against seemingly insurmountable odds.
This book argues that despite the tensions existing in all societies between religious faith and legal order, they inevitably interact. In the course of his discussion Berman traces the history of Western law, exposes the fallacies of law theories that fail to take religion into account, examines key theological, prophetic, and educational themes, and looks at the role of religion in the Soviet and post-Soviet state.
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