Part of the "Macmillan Interviews and Recollections" series, this book reviews Doyle's life and career through a compilation of memoirs by contemporaries, interviews, and selections from his autobiography "Memoirs and Adventures".

Like other volumes in the series, this chronology presents major events of the subject's life in a readily accessible format to provide scholar and general reader with quick guides to dates, people and places. This volume focuses on the main facts of the life and career of Rudyard Kipling.

Sir William Schwenk Gilbert and Sir Arthur Sullivan created fourteen comic operas - witty satires set to sparkling music - that instantly won a large and enthusiastic audience and remain immensely popular today. Their talents brought the two men together and their temperaments finally drove them apart. Here, in forty interviews and recollections, is a record of what was said about them during and shortly after their lifetimes by friends, musicians, theatrical managers, singers, actors, and actresses, journalists and authors. For Gilbert and Sullivan devotees everywhere, this entertaining collection will provide fresh insights into the careers and collaborative achievements of one of the most successful - and enduring - enterprises of Victorian theatre.

The Brontes, living in an isolated village in Yorkshire, wrote some of the most vivid, imaginative, and widely-read novels of the Victorian Age; they also became the subject-matter of romanticized anecdotes and regrettably distorted biographies. The best testimony about what kinds of men and women they really were comes from statements they made themselves; but because their autobiographical commentaries are sparse, the record is usefully supplemented in this anthology by first-hand statements made not only by various inhabitants of Haworth, but by those who met members of the Bronte family in Yorkshire, London, and elsewhere.

Sir William Schwenk Gilbert and Sir Arthur Sullivan created fourteen comic operas - witty satires set to sparkling music - that instantly won a large and enthusiastic audience and remain immensely popular today. Their talents brought the two men together and their temperaments finally drove them apart. Here, in forty interviews and recollections, is a record of what was said about them during and shortly after their lifetimes by friends, musicians, theatrical managers, singers, actors, and actresses, journalists and authors. For Gilbert and Sullivan devotees everywhere, this entertaining collection will provide fresh insights into the careers and collaborative achievements of one of the most successful - and enduring - enterprises of Victorian theatre.

This book is a study of the development of the Victorian short story, which by the 1890s and the appearance of the Sherlock Holmes stories, had become the most popular literary product of the late nineteenth century. The book examines the work of nine distinguished writers: William Carleton and Joseph Sheridan Le Fanu serve to illustrate the change from a largely oral tradition to a more sophisticated understanding of the nature of the reading public. Charles Dickens and Anthony Trollope exemplify significant changes in the relationship between an author and his audience. Thomas Hardy insisted on older, more traditional modes of narrative, but his storytelling sense had been sharpened by experiences with many editors of periodicals who believed they were serving the 'modern' public. The other writers treated at length are Robert Louis Stevenson, Rudyard Kipling, Joseph Conrad and H. G. Wells.

This book is a study of the development of the Victorian short story, which by the 1890s and the appearance of the Sherlock Holmes stories, had become the most popular literary product of the late nineteenth century. The book examines the work of nine distinguished writers: William Carleton and Joseph Sheridan Le Fanu serve to illustrate the change from a largely oral tradition to a more sophisticated understanding of the nature of the reading public. Charles Dickens and Anthony Trollope exemplify significant changes in the relationship between an author and his audience. Thomas Hardy insisted on older, more traditional modes of narrative, but his storytelling sense had been sharpened by experiences with many editors of periodicals who believed they were serving the 'modern' public. The other writers treated at length are Robert Louis Stevenson, Rudyard Kipling, Joseph Conrad and H. G. Wells.