Ben Palmer directs this romantic comedy starring Simon Pegg and Lake Bell. When 40-year-old divorcee Jack (Pegg) mistakenly believes 34-year-old Nancy (Bell) to be his much younger blind date she decides to go along with it, taking a chance in the hope of finding the right man for her. The pair have a great, if chaotic, time together until Jack discovers the truth about Nancy's identity. Has she ruined her chance of a future with Jack? The cast also includes Ophelia Lovibond, Olivia Williams, Rory Kinnear and Ken Stott.

British romantic comedy starring Rufus Hound and Robert Webb. Raif (Hound), an endearingly shambolic buffoon with a questionable sense of humour, is asked to be best man at the wedding of his brother, Tim (Robert Webb), to the socially aspirant Saskia (Lucy Punch). His gift to the happy couple, he decides, will be a video of their wedding - but little does he realise he will capture such monstrosities of consumerism and social snobbery as are effected by the coiffured, manicured Cheshire set to which Saskia - and now, it seems, Raif's once-bohemian and now unrecognisable brother - belong.

British romantic comedy starring Rufus Hound and Robert Webb. Raif (Hound), an endearingly shambolic buffoon with a questionable sense of humour, is asked to be best man at the wedding of his brother, Tim (Robert Webb), to the socially aspirant Saskia (Lucy Punch). His gift to the happy couple, he decides, will be a video of their wedding - but little does he realise he will capture such monstrosities of consumerism and social snobbery as are effected by the coiffured, manicured Cheshire set to which Saskia - and now, it seems, Raif's once-bohemian and now unrecognisable brother - belong.

'A part we have played is like a person we once met, grew to know, became intimately enmeshed with and finally moved away from. Some of these characters remain friends, others are like ex-lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.' In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare's heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra's magnificent death? Why didn't Shakespeare write more - and more powerful - roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all-female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles - and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles - both male and female - from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified 'feminist actor' - but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: 'I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage... I would love you to come back and do some rewrites.' 'A glorious reminder that genuine diversity on stage offers astonishing creative benefits... Harriet Walter is mesmerising in one play after another, bringing her classical training to bear as a conflicted Brutus, then a Henry IV who wears his crown heavily, and finally a Prospero who knows that the steel bars of prison are resistant to all magic... this is genuinely art to enchant' The Guardian on the Donmar Warehouse's Shakespeare Trilogy

Harriet Walter's wonderfully practical - and personal - introduction to acting. 'Acting is what I do with who I am', writes Harriet Walter. And in this book she takes us step by step through the processes involved in performance. Each step of the way is illuminated with brilliantly precise examples from her own career. So we are introduced to the Workshop, the Rehearsal, and the Roots and Pathways into a role. Then follows the main meat of the book: six Keys to the Development and Exploration of character. The closing section deals with Performance on stage and screen. Every insight, every suggestion is firmly rooted in the author's own experience. Harriet Walter's book is full of unparalleled insights into the everyday working life of an actor, and into quite how much hard work is needed before they can convincingly put themselves in other people's shoes. 'My advice to a young actor: read this book' Richard Eyre

Often described as 'the father of realism', Henrik Ibsen was a pioneer of modernist drama. He influenced playwrights as diverse as George Bernard Shaw and Oscar Wilde, and is the most frequently performed dramatist in the world after Shakespeare. Included in this collection are adaptations of his tragicomic masterpiece The Wild Duck, his complex and compelling play Rosmersholm, the epic drama Brand and the tragedy John Gabriel Borkman. Ibsen's A Doll's House is relocated to 1879 India in Tanika Gupta's Audio Drama Award-winning dramatisation, while the provocative and scandalous Ghosts is adapted by Richard Eyre, with the cast of his Olivier Award-winning Almeida Theatre production. Also featured are vibrant dramatisations of Hedda Gabler, whose desperate heroine is trapped in a suffocating marriage; The Lady from the Sea, about a woman torn between security and passion; and An Enemy of the People, in which a whistleblower reveals an inconvenient truth and is vilified for it. The casts of these stunning dramas include David Threlfall, Nicholas Farrell, Helen Baxendale, Indira Varma, Lesley Manville and Harriet Walter.

Drama following the burgeoning relationship of two people who have suffered family tragedies. When Jake (Dan Fredenburgh) returns home after the death of his father, he strikes up an immediate friendship with B (Doraly Rosa). B also has a family catastrophe to deal with - her husband, Chester (Paul Bettany), has suffered a stroke and, though still alive, will most likely be crippled for life. Further complicating matters, Jake is engaged to the enthusiastic but preoccupied Zoe (Olivia Williams). As Jake and B become closer, the two couples face tough decisions about their future and struggle to find a balance between their own desires and the reluctance to hold back or harm a loved one.

Harriet Walter and Beryl Reid star in this full-cast adaptation of the much-loved children's classic. When spoilt young orphan Mary Lennox is brought back from India to live in her uncle's house on the Yorkshire Moors, she finds the blunt ways of the staff at Misselthwaite Manor an unpleasant shock. Bored and miserable, it seems as though life in England will be awful. But Misselthwaite has hidden delights and, when Mary begins to discover them, nothing is the same again. First, there is the secret garden - and with it comes a boy who knows all the wonders of the country. He can even talk to the birds! Then, as the old house gives up its biggest secret, Mary forms a magical friendship. Frances Hodgson Burnett's charming story is played out with all the freshness and warmth of the original novel in this BBC Radio full-cast dramatization.