This is a book on methods, how scholars embody them and how working within, from or against Constructivism has shaped that use and embodiment. A vibrant cross-section of contributors write of interdisciplinary encounters, first interactions with the 'discipline' of International Relations, discuss engagements in different techniques and tactics, and of pursuing different methods ranging from ethnographic to computer simulations, from sociology to philosophy and history. Presenting a range of voices, many constructivist, some outside and even critical of Constructivism, the volume shows methods as useful tools for approaching research and political positions in International Relations, while also containing contingent, inexact, unexpected, and even surprising qualities for opening further research. It gives a rich account of how the discipline was transformed in the 1990s and early 2000s, and how this shaped careers, positions and interactions. It will be of interest to both students and scholars of methods and theory in International Relations and global politics.

On its face, The Art of World-Making focuses on honouring the career of Nicholas Greenwood Onuf and his contributions to the study of international relations; of equal importance, however, while using Onuf's work as their touchstone, the contributions to this volume range widely across IR theory, making important interventions in some of the most important topics in the field today. The volume considers the place of Constructivism and Republicanism in the field of international relations, and the contestation that accompanies the question of their place in the field, asking: * What explains the dominance of some forms of Constructivism and the relative lack of influence of other forms? * What can rule-oriented Constructivism, the focus here, provide our field that other forms of Constructivism have been unable to? * Into what new and productive directions can Constructivism be taken? * What are its gaps and what are the resources to remedy those gaps? * What can Republicanism tell us about ongoing issues in international law, global governance, liberalism, and crisis? Drawing together essays from some of the leading scholars in the field, space is given after each chapter for a detailed and highly personal response piece to each contribution, written by Onuf. This unique volume will be essential reading for students and scholars of international relations.

On its face, The Art of World-Making focuses on honouring the career of Nicholas Greenwood Onuf and his contributions to the study of international relations; of equal importance, however, while using Onuf's work as their touchstone, the contributions to this volume range widely across IR theory, making important interventions in some of the most important topics in the field today. The volume considers the place of Constructivism and Republicanism in the field of international relations, and the contestation that accompanies the question of their place in the field, asking: * What explains the dominance of some forms of Constructivism and the relative lack of influence of other forms? * What can rule-oriented Constructivism, the focus here, provide our field that other forms of Constructivism have been unable to? * Into what new and productive directions can Constructivism be taken? * What are its gaps and what are the resources to remedy those gaps? * What can Republicanism tell us about ongoing issues in international law, global governance, liberalism, and crisis? Drawing together essays from some of the leading scholars in the field, space is given after each chapter for a detailed and highly personal response piece to each contribution, written by Onuf. This unique volume will be essential reading for students and scholars of international relations.

This is a book on methods, how scholars embody them and how working within, from or against Constructivism has shaped that use and embodiment. A vibrant cross-section of contributors write of interdisciplinary encounters, first interactions with the 'discipline' of International Relations, discuss engagements in different techniques and tactics, and of pursuing different methods ranging from ethnographic to computer simulations, from sociology to philosophy and history. Presenting a range of voices, many constructivist, some outside and even critical of Constructivism, the volume shows methods as useful tools for approaching research and political positions in International Relations, while also containing contingent, inexact, unexpected, and even surprising qualities for opening further research. It gives a rich account of how the discipline was transformed in the 1990s and early 2000s, and how this shaped careers, positions and interactions. It will be of interest to both students and scholars of methods and theory in International Relations and global politics.

This is the second part of Harry Goulding's autobiography, following on from his account of his childhood years (1905 to 1927) growing up in working-class Grimsby ('Henry the Ninth') The details of his ordinary yet eccentric life were written down in longhand on sheets of paper rescued from a skip and lay dormant for many years after his death in 1985 until transcribed into two volumes. 'Man's Estate' deals with his volatile teaching career in Grimsby at both primary and secondary level; his lack of proficiency at school politics; his 'careers' as a local referee, pig-keeper and member of the Home Guard;his son's triumph over early adversity; his final, happy years teaching and the leaving of Grimsby to try out various new experiences in the Blackpool area. It deals honestly with his social failings, his relationship with his cantankerous father and his views on education and gives a valuable insight into the lot of the humble teacher from the 1920s to the 1960s.

A concise glossary of terms used in Marxist literature, with not just definitions, but frequently with quotes from classic Marxist-Leninist writers further explaining the terms. The ?Marxist Glossary, ? however, is so much larger in size, and so much more definitive and comprehensive in treatment, that we consider it would be incorrect to regard it simply as a second edition of the earlier work, excellent and useful as it was. This ?Marxist Glossary? is really new work. The best way to use this work is, first, to recognize it as being no more than what its title indicates ? a glossary, i.e., a compilation of brief definitions and explanations of words and terms employed by Communist writers. The Glossary will serve as a handy aid to the student of Marxist literature. To regard the Glossary as a substitute for the consistent study of the basic Marxist works ? a sort of ?catechism? to be learned by rote ? would be fatal to any attempt to acquire a real understanding of Communism.

In the late 1970s, retired Grimsby schoolmaster, Harry Goulding, wrote his memoirs, longhand, on sheets of paper rescued from a skip and they lay for many years in the safe-keeping of his grandchildren until they were transcribed into two books; the first (this book) detailing his childhood days up until the end of his college days; the second, `Man's Estate,' chronicling his often-turbulent career as an eccentric schoolmaster in Grimsby. In `Henry the Ninth' we learn of the poverty of his childhood; the struggle to supplement his 1/2d per week pocket money; the rat-catching and the pig-keeping; his annual trips on the trawlers; the yearning for independence from his domineering father; the family war over his grandfather's will; his struggles at school; and his eventual and reluctant choice of profession, among many other incidents, happy and bitter. In addition, his story represents a valuable local history insight into life in the poor quarter of Grimsby in the early part of the twentieth century.

A concise glossary of terms used in Marxist literature, with not just definitions, but frequently with quotes from classic Marxist-Leninist writers further explaining the terms.