Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A classic of dystopian SF--the basis for the movie "Soylent Green"--returns to print

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

THE SECOND DEATHWORLD NOVEL

That mores is strictly a matter of local custom cannot be denied. But that ethics is pure opinion also. . . ? Maybe there are times for murder, and theft and slavery. . . .

Some planet in the galaxy must -- by definition -- be the toughest, meanest, nastiest of all. If Pyrrus wasn't it . . . it was an awfully good approximation!

DEATHWORLD centers on Jason dinAlt, a professional gambler who uses his somewhat erratic psionic abilities to tip the odds in his favor. He is challenged by a man named Kerk Pyrrus (who turns out to be the ambassador from the planet Pyrrus) to turn a large amount of money into an immense sum by gambling at a government-run casino. He succeeds and survives the planetary government's desperate efforts to steal back the money. In a fit of ennui, he decides to accompany Kerk to his home, despite being warned that it is the deadliest world ever colonized by humans...DEATHWORLD

DEATHWORLD is one of the classics of the Golden Age of science fiction, born in the pages of Astounding Science Fiction under the editorship of John W. Campbell, Jr.

72 HOURS IN HELL!

Dis was a harsh, inhospitable, dangerous place and the Magter made it worse. They might have been human once -- but they were something else now. The Magter had only one desire -- to kill everything, themselves, their planet, the universe if they could.

Brion Brandd was sent in at the eleventh hour. His mission was to save Dis, but it looked as though he was going to preside over its annihilation.

PLANET OF THE DAMNED

72 HOURS IN HELL

Dis was a harsh, inhospitable, dangerous place and the Magter made it worse. They might have been human once -- but they were something else now. The Magter had only one desire -- to kill everything, themselves, their planet, the universe if they could.

Brion Brandd was sent in at the eleventh hour. His mission was to save Dis, but it looked as though he was going to preside over its annihilation!

A stainless steel rat for a stainless steel world ... Meet Slippy Jim, aka The Stainless Steel Rat, aka James Bolivar DiGritz. A man of many names and many talents ... all of which add up to make one of the greatest con men of all time. Charming, quick-witted, physically fit, a master of disguise, a skilled liar, an accomplished bank robber and exceptionally talented at breaking and entering, he's everything a master thief should be. He's also about to be caught, turned, and sent back out onto the streets as part of the Special Corps. Join the adventure in this omnibus edition of the first three Stainless Steel rat adventures: The Stainless Steel Rat, The Stainless Steel Rat's Revenge, and The Stainless Steel Rat Saves the World.

It was the highest honour to defend the Empire against the dreaded Chingers, an enemy race of seven-foot-tall lizards. But Bill, a Technical Fertilizer Operator from a planet of farmers, wasn't interested in honour - he was only interested in two things: his chosen career, and the shapely curves of Inga-Maria Calyphigia. Then a recruiting robot shanghaied him with knockout drops, and he came to in deep space, aboard the Empire warship Christine Keeler. And from there, things got even worse...

It was just before the turn of the century that James B. Duke, after whom Duke University is named, managed to combine nearly all the large foreign and American tobacco interests into a single gigantic trust under the aegis of the American Tobacco Company. His grand enterprise in hand, this son of a one-mule tobacco farmer in North Carolina began an unscrupulous exploitation of the tobacco farmers of Kentucky and Tennessee, depressing prices for their leaf through his utter control of the market. The growers, sorely stricken with poverty, found themselves unable to abide the yet more dismal conditions that Duke's operation brought about, and even less the heedless impositions of power of his hated trust. Riders in the Night is the story of the revolt of the tobacco growers against the American Tobacco Company, and the organization of a resistance movement known as the "Night Riders," which undertook by whip, firebrand, and gun to break the hold of the "Trust." The sequence of most active violence spanned three years. The "Hillbillies," growers who continued to deal with the Trust, were forcefully brought into the fold and made to take the secret oath of the Riders. The folk of the hills and hollows met in school houses, churches, and at crossroads and united against the Trust and the law -and-order-minded townspeople to do by violence what the slow-moving law in Washington was not doing-restore competition to the tobacco market. In this book are vividly depicted the capture of towns, the incendiarism of millions of dollars in Trust tobacco, midnight floggings, the destruction of crops, and the personal tales of many of the individuals who labored and fought on both sides. Harry Harrison Kroll writes from the point of view of an eyewitness and provides the pungent scenes and dialogues that do not usually find their way into history. His book is not only an accurate delineation of the largest violent uprising in United States history short of the Civil War, but offers an intimate sense of life in tobacco country.