Creative Practice Ethnographies focuses on the intersection of creative practice and ethnography and offers new ways to think about the methods, practice, and promise of research in contemporary interdisciplinary contexts. How does creative practice inform new ways of doing ethnography and vice versa? What new forms of expression and engagement are made possible as a result of these creative synergies? By addressing these questions, the authors highlight the important roles that ethnography and creative practice play in socially impactful research. This book is aimed at interdisciplinary researchers, scholars, and students of art, design, sociology, anthropology, games, media, education, and cultural studies.

Creative Practice Ethnographies focuses on the ways in which the collaboration between creative practice and ethnography offers new ways to think with and about the methods, practice and promise of research in contemporary interdisciplinary contexts. How does creative practice inform new ways of doing ethnography and vice versa? What new forms of expression and engagement are made possible as a result of these creative synergies? In sum, we pay particular attention to ways of being in the world that acknowledges creativity, complexities and multiplicities in research. In this book we seek to map why the intersection of ethnography and creative practice matters for doing socially impactful research. This book is aimed at interdisciplinary researchers from art, design, sociology, anthropology, games, media, education, and cultural studies. As interdisciplinary scholars with divergent creative practices who are constantly engaged in, with, and through the field, we are continuously searching through embodied practice ways of working with and reconfiguring the means and modes through which we do research. As such, our work operates at the intersection of ethnography and creative practice and we examine how they coalesce, overlap and interplay. In this book, we examine the doing of creative practice ethnographies through three interdisciplinary heuristics—techniques, translations and transmissions. It is via learnings from the field, in the form of interdisciplinary case studies, that we seek to provide insights into this productive synergy.

Demonstrates how workers have paid the price for the widespread restructuring of American firms.

"A People Without a Country: Voices from Palestine," is a collection of essays about life in Palestine and the Occupied territories, written by Christian and Moslem Palestinians, and collected and translated by Marian Saadeh whose family has resided in Bethlehem in the Holy Land for generations. The pieces are without affectation, representing an eyewitness, but generally apolitical perspective, on the impact of Israeli occupation on Palestinian daily life. Both Harry Katz, who edited the volume, and Marian Saadeh, believe that the essays speak for themselves in their honest and unadorned picture of life in the Holy Land from a variety of perspectives: students; artisans; housewives, historians, and everyday people .

A portrait of a young man's poignant, painful, and occasionally playful coming of age, Rock Bottom Days introduces the reader to the trials and tribulations of Bernie Karf who navigates his world without a compass. Set in Binghamton, New York in the 1970's, it recaptures a bygone era through the stilted lens of a dreamer, and carries us through his unique relationships with people, and the landmarks of his beloved city, including the abandoned Rock Bottom Bridge, across from his apartment. As the novel winds along, it picks up the accumulating detritus of Bernie's contacts with his world, including girls, professors, ghosts, buildings and bridges, street children, and local historical figures, culminating in a most interesting series of events.