Explores the connections and tensions between Warner Bros. and the Roosevelt administration during 1933Harry and Jack Warner were among the most important advocates and fundraisers of President Franklin Roosevelt during his 1932 presidential campaign, supporting his New Deal legislation in successful Great Depression musicals like '42nd Street, Gold Diggers of 1933', and 'Footlight Parade'. But while the Warner brothers posed as exemplars of the New Deal in real life and in their movies, they were attempting to reverse Roosevelt's policies within their studio and their industry.Using newly unearthed primary sources, this ground-breaking book examines the bitter and little known struggle in Hollywood and Washington D.C. during 1933 to create a National Recovery Administration (NRA) code of practice for the motion picture industry. But through the manipulation of New Deal legislation, Harry and Jack Warner, along with other studio moguls, sought to curtail workers' rights and salaries instead of bolstering both sides of the labour/management divide as they were supposed to do under NRA regulations, attempting to serve the economic pain of the Depression as much as possible onto artists and craftsmen, not owners or management. With its tales of Hollywood stars and employees fighting to win a fair share of the proceeds of their labour, the creation of the NRA code makes for an intriguing story of financial survival, political intrigue and backstabbing during the worst of the Great Depression.Key featuresContains extensive primary research on the creation of the NRA's motion picture code, including many new insights about the processGives students of U.S. history a new and entertaining way to examine the legacy of the Great Depression, the Hollywood studio system and President Roosevelt's New Deal programExtensive analysis of the historical significance of the Warner Bros.' Great Depression MusicalsEntertaining stories and insights about Hollywood and U.S. government figures whose names have echoed through decades of American culture and historyDemonstrates how the Warners' aggressive attempts to solidify their industry in 1933 ironically set the stage for the eventual downfall of the Hollywood studio system in the years after World War II

Few American artists in any medium have enjoyed the international and lasting cultural impact of Duke Ellington. From jazz standards such as "Mood Indigo" and "Don't Get Around Much Anymore," to his longer, more orchestral suites, to his leadership of the stellar big band he toured and performed with for decades after most big bands folded, Ellington represented a singular, pathbreaking force in music over the course of a half-century. At the same time, as one of the most prominent black public figures in history, Ellington demonstrated leadership on questions of civil rights, equality, and America's role in the world.
With "Duke Ellington's America," Harvey G. Cohen paints a vivid picture of Ellington's life and times, taking him from his youth in the black middle class enclave of Washington, D.C., to the heights of worldwide acclaim. Mining extensive archives, many never before available, plus new interviews with Ellington's friends, family, band members, and business associates, Cohen illuminates his constantly evolving approach to composition, performance, and the music business--as well as issues of race, equality and religion. Ellington's own voice, meanwhile, animates the book throughout, giving "Duke Ellington's America" an intimacy and immediacy unmatched by any previous account.
By far the most thorough and nuanced portrait yet of this towering figure, "Duke Ellington's America" highlights Ellington's importance as a figure in American history as well as in American music.

Explores the connections and tensions between Warner Bros. and the Roosevelt administration during 1933Harry and Jack Warner were among the most important advocates and fundraisers of President Franklin Roosevelt during his 1932 presidential campaign, supporting his New Deal legislation in successful Great Depression musicals like '42nd Street, Gold Diggers of 1933', and 'Footlight Parade'. But while the Warner brothers posed as exemplars of the New Deal in real life and in their movies, they were attempting to reverse Roosevelt's policies within their studio and their industry.Using newly unearthed primary sources, this ground-breaking book examines the bitter and little known struggle in Hollywood and Washington D.C. during 1933 to create a National Recovery Administration (NRA) code of practice for the motion picture industry. But through the manipulation of New Deal legislation, Harry and Jack Warner, along with other studio moguls, sought to curtail workers' rights and salaries instead of bolstering both sides of the labour/management divide as they were supposed to do under NRA regulations, attempting to serve the economic pain of the Depression as much as possible onto artists and craftsmen, not owners or management. With its tales of Hollywood stars and employees fighting to win a fair share of the proceeds of their labour, the creation of the NRA code makes for an intriguing story of financial survival, political intrigue and backstabbing during the worst of the Great Depression.Key featuresContains extensive primary research on the creation of the NRA's motion picture code, including many new insights about the processGives students of U.S. history a new and entertaining way to examine the legacy of the Great Depression, the Hollywood studio system and President Roosevelt's New Deal programExtensive analysis of the historical significance of the Warner Bros.' Great Depression MusicalsEntertaining stories and insights about Hollywood and U.S. government figures whose names have echoed through decades of American culture and historyDemonstrates how the Warners' aggressive attempts to solidify their industry in 1933 ironically set the stage for the eventual downfall of the Hollywood studio system in the years after World War II